Happy Chinese New Year!

Happy Chinese New Year, everyone! 

It's the Year of the Tiger, which happens to be my sign. I am in good company: Some fellow Tigers include Mahershala Ali, David Attenborough, Jon Batiste, Leonardo DiCaprio, Amanda Gorman, Marilyn Monroe, Bill Murray, Martin Short, Stevie Wonder, and Michelle Yeoh. 

Each zodiac sign is celebrated every 12 years and festivities last over 2 weeks. The tiger is courageous, competitive, and always ready for a challenge. It can also be rebellious, short-tempered, and unpredictable. It sounds just like me! 

Look! Some of The Kitties – Tyrone, Comet, B.J. and The Mother Kitty – borrowed my black markers and got into their Tiger spirit. How will you celebrate? 

Love, 

Johnny Kitties Celebrating Johnny Depp Film #59. City of Lies (2021)

[What is Johnny Kitties? See Johnny Kitties: Celebrating Johnny Depp for all the details. Visit the Johnny Kitties page for a full list of Johnny Depp's filmography and links to all previous Johnny Kitties blog posts.]

I really only wanted Johnny Depp for this role. I know there was a version of Russ Poole in someone else's hands that was just potentially boring, and uninteresting  – and I knew in Johnny's hands, that would never be the case. – Director Brad Furman

This is the guy you want on the case. 

Based on true events, City of Lies presents the intricate unsolved mystery around the murder of rapper Christopher Wallace – better known as the Notorious B.I.G. or Biggie Smalls – who was gunned down at a stop light after leaving an event in Las Vegas in 1997, just months after the similar death of rapper Tupac Shakur. Based on the nonfiction book LAbyrinth by Randall Sullivan, this film follows Detective Russell Poole (Johnny Depp) as he seeks and becomes obsessed with the truth – at the cost of his family, health and faith in the Los Angeles Police Department. 

Why is everyone shooting each other? 

City of Lies was a surprise release in 2021 that I found out about from Johnny himself when he publicized it on his Instagram account. (I could get used to this.) The movie was actually ready in 2018 but shelved days before it was supposed to be released. There are many theories why, but none provide a definitive explanation, so I will just take this sudden treat and forget about the drama around it. 

This is a fast-paced, intense movie that presents plenty of theories of its own about the murder of Biggie Smalls. Detective Russell Poole was hot on the trail but hit roadblock after roadblock as he discovered involvement and cover-up activities by several of his fellow police officers in the Los Angeles Police Department. He became so obsessed with cracking the case that he studied it for more than 20 years, until his death in 2019. 

The film was originally called LAbyrinth, after the book on which it's based, because that's what this investigation became. There are so many people involved, it took me a few viewings to track who they all were and why and how they took part. (I'm not sure I fully get it yet, but it doesn't matter.) 

To help us along, Forest Whitaker plays an invented character, Darius "Jack" Jackson, a journalist who reported wrongly on the murder when it happened and is now trying to correct his past mistakes. He seeks out Detective Poole hoping to figure things out together. "Jackson is a made-up character, but he's the kind of made-up character that's necessary because Poole's going through something very serious and very intense, and he's got no one to turn to," Johnny says. 

This is not a spoiler: The murders of Biggie Smalls and Tupac Shakur remain unsolved. Despite the subject matter being more than 20 years old, the topic is extremely relevant today. Director Brad Furman hopes City of Lies will peak enough curiosity to keep the investigation going. 

Was this one worth the wait?

Of course, my answer is yes! 

City of Lies is like a mix of documentary and film noir styles. Director Brad Furman strove to give it a more realistic feel, and I think he succeeds. It starts off with a bang, literally – a case of seemingly unrelated L.A. road rage – and doesn't let up. It's dark, gritty and uses footage of actual news reports and interviews about Christopher Wallace's murder. In fact, his mother Voletta participated in one of the movie's scenes. The director read LAbrynth years ago and wanted to make the movie but wouldn't do so without the approval of both Wallace and Shakur families. He got it. And, with the untimely death of Russell Poole before production began, everyone involved with this film was committed to getting the message and story right for the real families involved. They still seek resolution and peace.

I was also really excited about Johnny and Forest Whitaker working together in City of Lies, so many years after their first movie together, Platoon. Apparently, they were keen about this chance, 32 years later! Most of their scenes were tense, argumentative and confrontational, as they pushed each throughout the investigation. "For me, Jackson is the alter ego of Poole, but mostly the pessimistic side. Mostly, Poole is facing a side of him that he is not and refuses to be, and Jackson is looking at a version of himself that he could never be," Johnny says. "He doesn't have that purity, that belief that you can make a difference – one man." 

These two actors also work differently, as the director explains, "Forest  had a lot of questions and wanted a lot of things from me that Johnny just wasn't asking. They have very different approaches and my hope and goal was that that would create some time of energy on screen that would be exciting for us to watch." The rest of the cast is full of fantastic character actors, who matched their energy and created a fitting murky, volatile atmosphere for them. Two standouts for me are Glen Plummer as Psycho Mike and Rockmond Dunbar as Dreadlocks. (They both have good hair.) 

These days (and, really, always), I love seeing Johnny work without any accent or elaborate costume or disguise. It's in these kinds of roles that his talent as an actor really comes through clearly. Writer Randall Sullivan knows what I'm talking about: "When I watched the film, it really struck me more than it ever has that film actors have to be masters of such subtle expression. I mean, a lot of acting is done with the eyes. Johnny was really able to convey a lot of deep emotion that brought Russ back to me with a pretty stoic – apparently stoic – demeanor." 

Here, Johnny plays an average, good guy whose work has taken over his life. I can see why he connected to this role of someone who will go to extremes to get to the truth. As the director explains, "I felt, in getting to know Johnny, there was a real innocence....He's a big believer in just truth and justice, simplicity. And, when you take all that, and you understand that he looks at it through this innocent lens, I felt that the role of Russell Poole fit just like a glove...I believe Johnny felt a real deep connection to the material and his fight for truth and justice. That was something we talked a lot about on Day 1." 

True to form, Johnny did exhaustive research and met with the director for hours that day, during which they connected on everything from the book and character to life and music, in general. As usual, he added his own personal touches, including friends Joe Perry on the soundtrack and activist Killer Mike in a scene. 

Russell Poole steadfastly believed in the Homicide Investigator's Creed, which he taped to his desk: "No greater honor will ever be bestowed on an officer than when he is entrusted with the investigation of the death of a human being. It is his duty to find the facts regardless of color and creed." After being shut out by his fellow officers during the investigation, he quit weeks before his retirement, but continued the work on his own. He lost his family over his obsession with the truth and worked at it until the day he died. "It's shocking that the truth can actually be buried if a couple of powerful institutions want to collaborate to do it, but it leaves the people who know the truth in an unbearable situation because they can't unknow that truth," Writer Randall Sullivan says. "To live with the fact that it's being buried, in Russel Poole's case, it just sort of killed him day by day."

The Kitties are on the case now. 

In this movie, I loved watching Forest Whitaker and Johnny in their tense scenes and how thoroughly Russell Poole worked to put the pieces together to solve his case. Here, our Kitties, Walter and Gordon, depict one of their fights, an argument that questions Detective Poole's integrity. That's not the right thing to question because you can see how his apartment was consumed by his work everywhere you look. He was connecting the dots all over the walls.

What's next? 

I'm still waiting to see Johnny as war photographer W. Eugene Smith in Minamata, which was supposed to be released last February 5 but wasn't. Is this some strange new Hollywood publicity tactic? It's okay. I'm game for another surprise movie treat. Minamata won't be any happier than City of Lies, but I'll be happy to see it whenever it shows up. Stay tuned.... 

Anybody want a doughnut?

 Hi everyone,

Happy National Doughnut Day! 

I just finished my blogging course on May 31, and one of my goals is to create an editorial calendar for my blog. So far, all I've done is create the actual blank calendar. In my research of interesting days in June, though, I came across National Doughnut Day. I assumed it was a sales idea from Dunkin' or Krispy Kreme, but it was actually the Salvation Army's idea!

Celebrated on the first Friday of June every year since 1938, National Doughnut Day was first enacted by Chicago's Salvation Army as part of a fundraiser to help those in need during the Great Depression. However, this special day originated during World War I, honoring the Salvation Army Lassies who volunteered to serve home-cooked foods, including doughnuts, to soldiers on the front lines to help boost morale. 

I suppose a fresh home-baked doughnut would brighten anyone's day. Just see how Norman reacts below!

This morning, I also found out it's National Hug Your Cat Day! (Wait, is that not every day? It is at my house.) And, it's National Cheese Day! So, after you finish your doughnut, you know what to do.

Have a delicious weekend! 

Sweets!

 Hi everyone,

Last month, the managers of my apartment building surprised us with goody bags. You'll see below what Chef Simon did with the contents. As usual, Norman helped in his own way. 

I aimed to get this posted in time for Valentines Day, but I just couldn't stop eating the marshmallows and forgot all of my other priorities. Norman and I have some things in common. 

Yum!

Beauty

Hi everyone,

Here's a true story: In 1987, not long after we moved from Massachusetts to Ohio and were steeped in culture shock, Dad heard about a homeless cat who was hanging around the University of Akron, not far from where we lived.

He brought her home as a surprise, leaving her in our garage for us to find. The Kitty was scruffy and gray in spots from spending too much time outdoors, under cars and in other unladylike places. 

But this is how she looked to me when I first saw her. We were instant best friends. 

Mom insisted that The Kitty have a bath in our kitchen sink, which revealed a snow-white, fluffy coat. Afterward, The Kitty said, "Thank you," proceeded to give herself another bath on her own (as cats do), and began to explore her new home. 

The Kitty settled into our hearts for the next 20 years and beyond. She became The Mother Kitty after having six kittens, including her world-traveling son Gordon. 

Later in life, she shared her space with her kind-hearted and entertaining Siamese friend, Simon, who ran literal circles around her daily – just for fun. This pastime has nothing to do with demonstrating his level of intelligence. Instead, it relates to his days as a traveling circus performer. He wants to keep in shape and his skills sharp for whenever the circus comes back to town. 

Granted, we all know who is the smarter one in this odd couple, but The Mother Kitty would never brag about that. When you are Kitty #1, you don't need to brag about anything. 

The Mother Kitty is a one-in-a-million original beauty, inside and out. And she knows it.

Love, 

Intrepid

 Hi everyone,

Happy Inauguration Day! As we begin a new era in the United States, let us be intrepid in our choices, words, actions, love, and kindness towards others. We can make the world a better place for all of us.

I didn't have this in mind when I drew the illustration below. My inspiration actually came from Drew Barrymore (and my cat). I found out about Drew's new daily talk show – launched amid the pandemic in late September – and set my DVR for it because who doesn't like Drew Barrymore? 

At first, I must admit, the overt joy, love, silliness, weirdness, and hippie-dippie positivity that is The Drew Barrymore Show was a shock to my tired, heavy system. But I kept at it and now look forward to this mood board of a show, as she refers to it, as my time to decompress with a cup of tea. It's a daily shot of sunshine, whether you want it or not. 

One day, Drew showed up carrying her personal, giant dictionary and unveiled the show's first Word of the Week: Intrepid. This revelation made me gasp because I had been trying to think of a way to revive my blog with new drawings. 

Until 2019, a website called Illustration Friday posted a new word every Friday that served as my inspiration for a weekly drawing challenge. I had been doing this routinely since 2006 and, eventually, I saw the site repeat some terms, which was disappointing. (Sometimes I drew something newly inspired by the repeated word, but usually these repeats inspired nothing new for me.) 

As a result, some weeks, I skipped the drawing challenges and, as time went on, I found it harder and harder to feel motivated to draw and post because of other things going on in my life. Then, I unintentionally took 2019 off from drawing anything, and my typical schedule faded away. It was during this time that Illustration Friday's website disappeared. You may have noticed that new posts since then has been sporadic at best. 

In my attempt to start fresh in 2021, it occurred to me that I could come up with my own inspiring words of the week, creating my own drawing challenge and schedule. A few hours later, Drew Barrymore showed up with her dictionary and gave me this word – intrepid – to kick things off. 

What are the odds? (This is one of the many reasons I love Drew Barrymore!) This happened before Thanksgiving, and I don't think she has introduced another Word of the Week since then, but still: Thank you, Drew Barrymore, for blowing the dust off and sparking my imagination! 

According to Merriam-Webster, intrepid means being characterized by resolute fearlessness, fortitude, and endurance. Here, Lily faces her own daily challenge – a brave leap from our comfy lounge chair to her trusty window seat. 

   

She makes it every time. Go, Lily! 

Until next time, be intrepid, friends...and, also, still keep your distance, wear your masks, and wash your hands! 

Love,

Happy New Year!

Hi everyone,

I don't think I've ever looked forward more to the start of a new year, and I know I'm not alone. While nothing is very different from a few days ago, I feel determined and motivated to make positive changes and look to the future with hope and optimism. 

One of my priorities is to refocus on drawing for my blog and building it into something larger. (I know I have said this before, but I might mean it this time.) 

I am going to find new sources of inspiration and practice drawing and posting more consistently. A new drawing series is swirling in my head, and I aim to get around to building a portfolio website with a store. These are all thoughts and works in progress right now, but I'll do my best to tackle things one at a time. So, please stay tuned!

Step one, here's a new blog banner featuring the growing Kitty family. What do you think of this crowd? They barely fit: It's a good thing they all get along. Shouldn't we all? 

 

Take care, everyone: Until safer times, keep wearing your mask, wash your hands, and stay socially distant – unlike the Kitties, here, but it's okay: They are in their Kitty Bubble.

New drawings and more are on the way. Here's to new beginnings in 2021!

Love, 

Johnny Kitties: Celebrating Johnny Depp Film #58. Waiting for the Barbarians (2019)

[What is Johnny Kitties? See Johnny Kitties: Celebrating Johnny Depp for all the details. Visit the Johnny Kitties page for a full list of Johnny Depp's filmography and links to all previous Johnny Kitties blog posts.]

"So, to me, Joll is a series of very strong protective walls he's built to ward off feeling, to escape feeling. I mean, what does he do when he's alone? He may weep in a closet. I don't know. To me he seemed like he was ready to pounce on anything that penetrated his armor. I think Joll is, in a sense, a victim on his own." Johnny Depp on Colonel Joll

"He was very charming and across the camera was very present and focused. A lovely person to act with. He brings up a kind of great vulnerability." Mark Rylance on Johnny Depp

Why are we waiting for barbarians?

The daily routines of a magistrate (Mark Rylance) managing an isolated outpost of an unnamed empire is disrupted by a visit from Colonel Joll (Johnny Depp), who demands a report on the current state of affairs amid growing concerns of an impending uprising by the local nomads or — as the colonel refers to them — the barbarians. His cruel interrogation tactics toward them makes the magistrate question his loyalty to the empire over his conscience. Director Ciro Guerra's Waiting for the Barbarians is a thought-provoking film based on the 1980 novel, written and adapted by Nobel laureate J.M. Coetzee. 

I haven't read this novel, but both Johnny and Mark Rylance immediately connected to the story's relevance. "The shocking thing for me, which was the beacon that stayed there, was the fact that it felt all true and relevant to today in many ways in a lot of different places in the world," Johnny explains. "Power begets power, and there are those who decide who follows or who is disposable or unnecessary, and all those decisions are made by the people at the top." Mark Rylance adds, "The way the novel can be extrapolated to almost any circumstance in the world, to any point in history, is staggering." 

Who are the real barbarians here? 
Because of the pandemic, Waiting for the Barbarians was released to streaming services, and I ended up watching it at my desk on my iMac. I prefer a trip to a movie theater for the big screen, but it was nice to be able to prepare my own snacks (hot chocolate and strawberries) and click play on YouTube whenever I was ready. 

I was afraid to watch this movie because I already unintentionally saw headlines of mixed reviews that praised Johnny's terrifying performance. But that didn't stop me. Not only did I watch it, but I liked it! Of course, I prefer no cruelty or torture, but as a whole, I liked the look and feel of everything else in this film. Beautifully shot by cinematographer Chris Menges, it's got a meditative, slow pace and a great soundtrack by Giampiero Ambrosi to match.

The movie opens to this pulsating beat in an expansive desert, following a lone carriage surrounded by soldiers on  horseback.  Colonel Joll, a member of the police from the Bureau of State Security, has arrived at this random outpost to question the magistrate and locals about the current state of affairs. 

Johnny is sinister and stoic with a steadfast frown here: He has always been great at expressing everything with a look rather than a word, and this performance is a good example. He does have some great lines, but mostly, he instills fear by just looking official and menacing. With a nod or other minor gesture, he can get his underlings to spring into action. 

"I find the most interesting thing about bad guys throughout history, or characters like Joll, is that people don't wake up in the morning and decide while they are shaving: 'I'm going to be the meanest or worst human being. I'm going to cause as much havoc as possible,'" Johnny explains. "No, for me, playing Joll, he seemed very different to me than a bad guy. That felt like it would have been too easy. If you try to think about how a man like that is built, how he is turned, how a man like this arrives at that place: Is it really to be without emotion; is it sociopathy or psychopathy? Or is there somewhere in that guy that harbors a broken child in there or that has been hammered into a shape by his father or mother in his upbringing?"

Colonel Joll is a stark contrast to the magistrate, wonderfully portrayed by Mark Rylance. This quiet, thoughtful observer is kind, gentle and respectful toward the natives. Having witnessed the unnecessary pain and suffering that Colonel Joll inflicts on the locals without any real cause, you see the magistrate's frustration grow. The Colonel's explanation — "Pain is truth; all else is subject to doubt." — just doesn't cut it. As Colonel Joll's crew disturbs the peace and leaves the outpost in ruins, the magistrate's loyalty sides with the locals. It's a good thing, too, because these nomads will eventually get it together. 

I like that there's so little action in this movie that it's hard for me to describe. For example, one scene shows the magistrate falling asleep after hours of washing a local woman's injured feet with warm water. Watching this movie, I could focus on and see what the characters were thinking. How often does that happen?

The Kitties will put a stop to any barbaric behavior.

The best part of Colonel Joll is his cool shades. Johnny describes them: "When Ciro came up with the shape, they were threatening, menacing, somehow; and the fact that he wouldn't take them off, he would make the magistrate as uncomfortable as possible. He learnt some tricks over the years. Calmness, stillness and quiet, and holding your response to a question can be quite disturbing to the person on the other side of you. They are levels of maintaining the armor." 

Check out this sketch by production designer/set decorator Crispain Sallis. "Through that characterization, [Johnny] cut Colonel Joll back to the absolute bone, making any additional theatrical flourishes, such as the glasses or the swagger stick, things to absolutely relish," he explains. 

In my own illustration, I'm not sure the shades come across quite as menacing, but Colonel Joll (Gordon) also accessorizes his uniform with a golden hammer that he considers using to beat up the next barbarian. (Did I mention he's not a nice guy?) This is the only moment where Colonel Joll manages a slight smirk, pleased with the fear-induced power he has over these nomads. When the magistrate (Comet) speaks up, pointing out his evil ways, Colonel Joll's face and stance stiffen and his frown returns. Don't worry, Comet didn't get hurt in the making of this illustration. (Also, I realized after I finished this drawing that the uniforms are a deep navy color — not black — but it all depends on the sunlight, right?)

Check out this Crock of Gold!

In other exciting Johnny news, be sure to catch Crock of Gold: A Few Rounds with Shane MacGowan, a documentary that Johnny produced about his friend and frontman of the Pogues. It is available now in the United States and Canada for viewing on home digital platforms and DVD. Additional worldwide releases are coming later this month. I am getting ready to watch it with the volume up. 

What's next? 
Look at me, all caught up with Johnny Kitties! Mark your calendars for February 5 to see Johnny as war photographer W. Eugene Smith in Minamata. I am pacing the floors for this one. 

All photos © Samuel Goldwin Films, except the glasses sketch, courtesy of Crispain Sallis, and the Crock of Gold poster, courtesy of Magnolia Pictures. 

Johnny Kitties: Celebrating Johnny Depp Film #57. The Professor (2018)

[What is Johnny Kitties? See Johnny Kitties: Celebrating Johnny Depp for all the details. Visit the Johnny Kitties page for a full list of Johnny Depp's filmography and links to all previous Johnny Kitties blog posts.]

"The Professor is a quirky comedy of sorts – stark, enchanting, funny, tragic. It's rare to see comedies that tackle the subject of death." Danny Houston

"Accepting one's mortality and the fact that we're going to die shouldn't be a depressing thing." Wayne Roberts

"May we forever remember that in each and every moment, we are composing the stories of our lives. Let's aim to make it a meaningful read or at least an interesting one." Richard Brown (Johnny Depp)

Life is what you make of it. 

After learning that he has terminal lung cancer and maybe six months to live, Professor Richard Brown (Johnny Depp) realizes that he has no time to waste and spends the rest of it teaching his last students to say what they mean, live however they want, and make the most out of life. Taking his own advice, Richard speaks without a filter, indulges in his whims, and creates his own path toward the exit. Through The Professor, writer/director Wayne Roberts poses tough questions and makes bold statements to remind us that death is an important part of life.

The Professor got a failing grade. 

Typically, I don't look for or read movie reviews before I see them – especially for movies I'm looking forward to seeing. Reviews affect my own opinions: Once I read them, I can't forget what was said while I'm watching the movie. In the case of The Professor, the reviews found me and most of them were bad. The sentiment was so universal that the movie was never properly released in theaters in the United States. Instead, it went straight to DVD in 2019. 

I only read a couple of these bad reviews before I decided to deduce the opinions from just the headlines. Some reviewers made the unfair comparison of Richard's behavior to Johnny's own, so I stopped reading and waited to see this thing for myself. 

I see what they mean, but...

Maybe it was because of the reviews, but I didn't like The Professor at first. He and his wife are so mean to each other. He is bad at his job and doesn't care. He's a bad influence on his students. He's making bad choices. Is this really what people think Johnny is doing in his own life? How dismal. 

What I find so jarring is that Richard's choices of how to spend the rest of his days are so different from what I would think to do, but that's probably the point. Anyone who finds out that they are going to die soon probably assumes that they should do whatever they feel like doing in the moment. In Richard's case, that includes drugs, infidelity, and a bender in the middle of the week. 

...The Professor has some good points.

I warmed up to The Professor because there are also moments of reflection, clarity and purpose. In fact, it made me cry by the end, which has got to mean something. 

Like most Johnny movies, The Professor has a great beginning. In the opening scene, Richard is in the doctor's office getting the bad news – a terminal diagnosis and only a few months to live. For the next few minutes that span the rest of his day, the news sinks in and Richard is lost in thought about what it means. Johnny is so good at saying so much without saying anything, but Richard shares his distress and anger every once in a while with a single repeated curse word, expressed in a variety of ways. It's both funny and sad.

I also love the elements that glue this movie together – the structure and soundtrack, the cinematography and scenery, and the script and cast. 

• 
  The Professor is divided into chapters that reflect Richard's thought process: For example, Chapter 1 is I Have Something To Say and Chapter 3 is I'm Really Going to Die. I like how these titles set the tone for the next scenes. 
• Also setting the tone is a great soundtrack that includes refreshing classical and comforting Motown. 
• Filmed in Vancouver, The Professor is full of beautiful shots, highlighting impressive architecture, sets, and scenery that makes me want to plan a vacation there. Given the grim start and Richard's resulting irreverence, I appreciate having something pretty to look at. 
• Unorthodox behavior aside, Richard offers plenty of worthwhile lessons about not letting life pass by unnoticed. 
• 
  This great cast, including Rosemarie DeWitt, Danny Houston, Odessa Young, and Zoey Deutch, seem wholly invested in capturing the balance between life and death, and it's clear that they are having fun doing it. "Johnny's just so alive and present and real in every moment," says Devon Terrell (who plays student Danny). "It's so brilliant to be in a scene with someone who is so kind of almost animalistic in a way that something's going to happen in every moment. You just didn't know what."

I love seeing the relationship between Richard and his best friend Peter (Danny Houston). Danny Houston's performance is my favorite in this movie, maybe because I would likely react the same way to the news of a friend's (or Johnny's) impending death. Apparently, the feeling was mutual: "My experience with Johnny was love at first sight," Danny Houston says. "I don't know if we're playing into what's required for the characters of the piece or whether it's truly heartfelt, but at the moment, it feels absolutely real." I also related to Richard's bond with his daughter Olivia (Odessa Young). In the end, their goodbye is what brought me to tears. (The original title of this movie was Richard Says Goodbye, which makes more sense to me.) 

I'm not sure The Professor deserves all the bad reviews it got. Sometimes, it lays it on thick that life should not be wasted, but is that such a bad message? The humor might be lost on some people because of the seriousness of this subject, but I appreciate the attempt to take the sting out of death. The Professor suggests that we should not be afraid of death but let it help us focus on a well-lived life, there is no time like the present to make changes and do what we need to do, and when the time comes, we should go out however we want. These are themes Johnny has always seemed to live by, so I'm not surprised that he connected to this character. This story may have struck close to home too: The Professor is dedicated to Johnny's mom, who died of lung cancer in 2016.  

The Kitties get it. 

When thinking of how The Kitties could represent The Professor, one scene kept coming back to me. Most of the movie shows Richard indulging in his vices, telling people what he really thinks, imparting words of wisdom to his students, or saying goodbye to those he loves. But in this scene, Richard is alone, dealing with his own thoughts and pain. Maybe I'm reading too much into this moment, but it seems like Richard is realizing that this is really happening, that it's out of his control, and it's something bigger than everything else. He looks up toward the sky, as church bells toll in the background, and it cuts to Chapter 4, titled, It's Really Starting to Kick In. Maybe I'm not too far off. 

I was also struck by the interesting stark angles and textures in this shot of someone huddled in a space with jagged rock, aged wood, and hard tile. It's an uncomfortable but pretty space. 

What's next? 

In Waiting for the Barbarians, Johnny plays a colonel who doesn't have to say much to instill fear in innocent people, waving his misguided authority around with a fancy golden hammer. 

All film images © Global Road Entertainment; illustration © Melissa Connolly

Johnny Kitties Special Edition: Cry-Baby Revisited

Hi everyone,

Surprise! This drawing took me weeks to finish, I think, because I feel like I captured everything I wanted to capture about John Waters' 1990 classic Cry-Baby in my first tribute drawing in 2011. Can you believe it's been almost 10 years?

I've always felt uneasy about including the Confederate flag stage curtain in that original drawing, even though it is accurate to and fits well in the film. The Black Lives Matter movement and recent events only amplified my concern. Yet, that Cry-Baby artwork was drawn with nothing but love, so I will keep it in my Johnny Kitties collection. 

But here's another piece to celebrate Cry-Baby that I think I might love just as much: It's Cry-Baby in the daytime. The nice thing about revisiting this movie to create a new illustration so many years later is that enough Kitties have joined our family to play all the characters. 

Welcome to Turkey Point! 

This scene is early in the movie, just after Cry-Baby talked to Allison for the first time and then serenaded her while driving on the wrong side of the road after school. Now at home, with Allison still on his mind, Cry-Baby and his gang greet Grandma Ramona and Uncle Belvedere. I knew this movie was going to be great when I saw that Director John Waters got Iggy Pop to take a bath outside in a bucket. 

In this illustration, Gordon plays Johnny's character, as always, and Lily, again as Allison (Amy Locane), invades Cry-Baby's thoughts. The Mother Kitty and B.J. also reprise their roles as Ramona and Belvedere (Susan Tyrrell and Iggy Pop). The rest of the Kitties mix it up: This time around, Comet and Ashes play Milton and Hatchet-Face (Darren E. Burrows and Kim McGuire). Mini portrays Cry-Baby's sister Pepper (Ricki Lake), with Stephen and Mew as her little kids (Jonathan Benya and Jessica Raskin). Emily shows her stuff as Wanda (Traci Lords), and Walter plays it cool as Dupree (Robert Tyree). 

But maybe the real star of this drawing is the skeleton head, just in time for Halloween. The Kitties stayed away from that role. 

The only thing missing from this drawing is a snippet of Cry-Baby's fantastic soundtrack. I couldn't fit the lyrics, but I did have "(My Heart Goes) Piddily Patter, Patter" by Nappy Brown in my head the entire time I was coloring: "My heart goes Piddily Patter, Patter/ Piddily Patter, Patter/ Every time I look at you/ Don't I know what's the matter, matter?/ What's the matter, but I think it's cause I love you." That Cry-Baby soundtrack still rocks, '50s style! 

What's Next? 

New Johnny Kitties illustrations, celebrating Johnny's two latest films – The Professor and Waiting for the Barbarians – are swirling in my head and on the horizon. Until next time, I hope you enjoy this flashback.

Ruth Bader Ginsburg

Hi everyone,

Supreme Court Justice Ruth Bader Ginsburg stood up for and educated us like no other, leading the way to a better future. She created a path, and we must continue to push it forward. 

Here are just a few of her inspiring words to live by:

• My mother told me to be a lady, and for her, that meant be your own person, be independent. 

• If you're a boy and you like teaching, you like nursing, you would like to have a doll, that's okay. We should each be free to develop our own talents, whatever they may be, and not be held back by artificial barriers. 

• So often in life, things that you regard as an impediment turn out to be great, good fortune. 

• Reading is the key that opens to many good things in life. Reading shaped my dreams, and more reading helped me make my dreams come true.

• I'm a very strong believer in listening and learning from others. 

• You can disagree without being disagreeable. 

• Don't be distracted by emotions like anger, envy, resentment. These just zap energy and waste time. 

• Women belong in all places where decisions are being made. It shouldn't be that women are the exception.

• I don't say women's rights – I say the constitutional principle of the equal citizenship stature of men and women.

• I didn't change the Constitution; the equality principle was there from the start. I just was an advocate for seeing its full realization. 

• Women will have achieved true equality when men share with them the responsibility of bringing up the next generation.

• In my life, what I find most satisfying is that I was part of a movement that made life better, not just for women...gender discrimination is bad for everyone. 

• Fight for the things you care about, but do it in a way that will lead others to join you.

• Real change, enduring change, happens one step at a time. 

• I would like to be remembered as someone who used whatever talent she had to do her work to the very best of her ability. 

• Whatever you choose to do, leave tracks. That means don't do it just for yourself. You will want to leave the world a little better for your having lived. 

Thanks for all your hard work, R.B.G. Your wisdom, guidance, and spirit are sorely missed. 

Now, everybody, do what she says here and vote – November 3 or (if you can) earlier! Visit BetterKnowABallot.com to find out how and where in your local area.

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Chadwick Boseman

Thank you, Chadwick Boseman for setting an example to follow, providing words of wisdom, and making some really good movies. You were and always will be an inspiration to so many of us.

"We will work to be an example of how we as brothers and sisters on this earth should treat each other. Now, more than ever, the illusions of division threaten our very existence. We all know the truth: more connects us than separates us. But in times of crisis, the wise build bridges, while the foolish build barriers. We must find a way to look after one another as if we were one single tribe."
- King T'Challa, Black Panther

"Purpose is an essential element of you. It is the reason that you’re on the planet at this particular time in history. Your very existence is wrapped up in the things you are here to fulfill. Whatever you choose for a career path remember the struggles along the way are only meant to shape you for your purpose....I don’t know what your future is, but if you’re willing to take the harder way, the more complicated one, the one with more failures at first than successes, the one that has ultimately proven to have more meaning, more victory, more glory—then you will not regret it. This is your time."
- Chadwick Boseman

COVID-19 Prevention, Kitty Style

Hi everyone,

The kitties have a public service announcement. See below and follow these simple rules to save lives. You know it's serious when cats are willing to get their paws wet.

Be careful out there,

It's Walter, again

Hi everyone,

It's time for a new portrait of Walter, who has grown from a tiny, fuzzy kitten into a sleek, lanky, handsome stud. (That's how Emily describes him anyway – sometimes.)

Happy (almost) summer!

Walter 2020