2016 in Review: Turn it up!

Hi everyone,

Continuing my look back at 2016, here's a music roundup. I went to so many concerts last year that I broke this into section. Catching Up With Old Friends offers '80s and '90s favorites, including Belly, a David Bowie tribute, Duran Duran with Nile Rodgers and Chic, Go-Go's, and Sting and Peter Gabriel. Hanging with the Cool Kids includes jazz and hip-hop greats, such as Esperanza Spalding, Jason Moran and Charles Lloyd, Buster Williams, and Yasiin Bey (aka Mos Def). Remembering the Classics reviews two concerts with the National Symphony Orchestra at The Kennedy Center, Forever Gershwin and House of Cards in Concert. Browse the list below and read up on whichever peaks your interest. Enjoy!

Catching Up with Old Friends...

Belly (930 Club)
Belly is a '90s guitar-heavy band, whose most famous song might be "Feed the Tree" from their album Star. That album is still one of my favorites, which is why I was excited to see them at 930 club so many years later. This show had a fun, party-like atmosphere. We were all there for the same reason; we remembered how great this band was, and we were ready to hear them. Belly seemed genuinely happy to see us too. After a long day stuck in traffic, the relieved band appreciated our contagious enthusiasm, and we all sang the songs together. Aside from "Feed the Tree," they plays so many other great tunes, including "Dusted," "Slow Dog," "Low Red Moon," "Gepetto," "Full Moon, Empty Heart," "Angel," and "Stay." Thanks for visiting, Belly. Come back soon!

David Bowie Tribute (Wolf Trap)
When I mentioned David Bowie during dinner with a friend, I got invited to tag along with her and her fiance to a tribute concert at Wolf Trap. I'd never been to Wolf Trap, mainly because it's not easily accessible without a car. It's a great outdoor venue, suitable for picnics. In fact, my friends weren't so familiar with David Bowie and just picked this show randomly to have something to listen to while enjoying a summer evening. They made a great choice! This concert played one of David Bowie's best albums, The Rise and Fall of Ziggy Stardust and the Spiders from Mars, in its entirety, followed by a selection of greatest hits. The album includes classics, like "Starman" and "Suffragette City" and the greatest hits spanned from "Changes" to "Modern Love." The professional cover band was good, and some mourning fans in the crowd were dressed like Ziggy Stardust or Aladdin Sane. At one point, it began thundering and a few sporadic drops of rain threatened to dampen our good time. I'm convinced this was just Bowie directing the show and voicing his approval.

Duran Duran with Special Guest Nile Rodgers with Chic (Verizon Center)
On the day of this show, I decided I couldn't pass up seeing Duran Duran at Verizon Center, which is walking distance from my apartment. I bought my ticket an hour before showtime and got an great seat next to a group of millennials who had VIP passes. While they were busy taking selfies, I really enjoyed this show, which opened with two special guests. Newcomer Shamir, whose song "On the Regular" I somehow recognized, was odd yet interesting, but I was most excited to see the guest to follow – Nile Rodgers with Chic. (The video bio on the homepage is fantastic!) I've known Nile Rogers from his work with David Bowie and Duran Duran in the '80s. He's also participated in Sting's rainforest benefit concerts before. Coincidentally, I had just seen an old recording of him performing with Chic and thought they'd be really fun to see live because of the dance-party atmosphere they create. And that's what happened: we were all on our feet dancing from the start, when they played a few of their own disco hits, like "Le Freak" and "Good Times." They finished off the set with a slew of impressive chart-toppers that Nile Rodgers cowrote with other people, including Daft Punk's "Get Lucky," Sister Sledge's "We Are Family" and David Bowie's "Let's Dance." Paying tribute to Bowie, he said, "This man changed the whole course of my life. If it wasn’t for David, I don’t know where my life would be right now. So we dedicate this to him.” Duran Duran also saluted Bowie, injecting a bit of "Space Oddity" into "Planet Earth," while displaying a young photo of him that I'd never seen before on the Jumbotron. These things made me happy.

In fact, everything about this show made me happy. Duran Duran kept Chic's dance party going. When they appeared on stage, the level of screaming in the sports arena noticeably increased. While highlighting its latest great effort, Paper Gods, the band revisited signature songs that span Duran Duran's entire catalog of awesomeness, including "Hungry Like the Wolf," "A View to a Kill," "Ordinary World," "Come Undone," "Girls on Film," and "Rio." Nile Rodgers joined Duran Duran on stage for two songs he helped produce, "Notorious" and the new "Pressure Off."  Some surprises, like the band's cover of Grandmaster Flash & Melle Mel's "White Lines (Don't Do It)," had everyone jumping in the aisles in unison. During the encore, lead singer Simon Le Bon dedicated "Save a Prayer" to the victims of the Bataclan nightclub massacre in Paris. "Music should bring people together," he said. "We feel people are good, and music brings people together, so we play this as a protest against those people who want to dim the light." In solidarity, a sea of cellphone flashlights swayed along to that song. By the end of the show, my voice was hoarse from singing, my throat was scratchy from cheering, my feet were sore from dancing, and my face hurt from smiling. Duran Duran still got it.

Go-Go's (Warner Theatre)

After learning about their farewell tour, I made another last-minute decision to see the Go-Go's at Warner Theatre, another venue near my apartment. I snatched a great fourth-row seat, as the show began with two opening acts. Kaya Stewart reminded me of Gwen Stefani and Madonna while Best Coast felt more like a Liz Phair type band. I liked them both, especially Best Coast, who had an super-fan in my row, snapping photos and gazing longingly at the lead singer. I appreciated these performers' girl-power energy and planned to look into their music when I got home, but I was also annoyed that the main attraction didn't come on stage until around 10 p.m. While I waited, I continued to survey the crowd. Like seeing millennials at Duran Duran's show, the audience members attracted to this concert was baffling, as I noticed people of all ages, shapes, and sizes. I guess I assumed everyone would be from my generation and look like my sister and me, but the Go-Gos did play older songs I didn't recognize and newer songs I never bothered to learn. Hearing those that I know by heart, however, was exhilarating: "Tonight," "This Town," "Skidmarks on my Heart," "Vacation," "Our Lips Are Sealed,"  and "Head Over Heals." By the time they ended their set with "We Got the Beat," a song I've loved since grade school, I was delirious.

Sting and Peter Gabriel (Nationwide Arena, Columbus, Ohio)
After sharing the stage with Paul Simon during his last tour, Sting invited his old friend Peter Gabriel to tour with him this year. Like the concerts with Paul Simon, these shows included their individual bands playing on stage together, creating all-encompassing sound. My sister and I attended the Rock Paper Scissors tour's opening show at Nationwide Arena in Columbus, Ohio, which had a Japanese-themed décor with large video screens that looked like handmade paper and even a back-up singers dressed in a kimono-inspired outfit. I've lost count how many times I've seen Sting, but I've never seen Peter Gabriel before; my sister and I were excited!

Described as a Battle of the Bands, this 3-hour concert included nearly 30 songs by both artists. They took turns singing their own songs, sometimes sang together, and even sang a few of each other's songs on their own. (At times, one would sit in a comfy chair on the side of the stage to watch the other perform.) While Sting stayed in one central spot throughout the show, singing and playing bass, Peter Gabriel sometimes played keyboards among the band members and spent the rest of the time roaming the stage, singing and making exercise-like moves. I didn't recognize all of Peter Gabriel's songs, but this concert reminded me to add more to my collection. I loved his slow, jazzy version of Sting's "If You Love Somebody, Set Them Free" – he turned it into a new song. He also sang all the classics from his popular solo effort, So, including "Red Rain," "Don't Give Up," "In Your Eyes," and "Big Time." During "Sledgehammer," everyone on stage did the dance from the famous video. Peter Gabriel dedicated his own "Love Can Heal" to Jo Cox, the recently assassinated Parliament member, whom he'd met years before as a young activist. Sting dedicated his song "Fragile" to the victims of the recent night-club shooting in Orlando. His selected songs spanned his Police and solo years. I was excited to hear the Police songs "Invisible Sun" "Driven to Tears," and "Walking in Your Footsteps" and solo tunes, like "If I Ever Lose my Faith in You," and "Hounds of Winter." Granted, I've loved both of these headliners since the '80s, but the collective musicianship and showmanship brought together for this concert was truly a once-in-a-lifetime experience.

Hanging Out with the Cool Kids...

Esperanza Spaulding (930 Club)

I first saw Esperanza Spalding on The Late Show with David Letterman. I was impressed with her voice, her bass-playing, and her wild hair. Since then, she's shown up in all sorts of places, including Sting's rainforest benefit concert at Carnegie Hall, World Jazz Day at the White House, and Smokey Robinson's Library of Congress Gershwin Prize concert, playing and singing all sorts of music. Although her usual genre is jazz, she showed up at 930 club in support of her latest rock-laden concept album Emily's D+Evolution. I didn't listen to this fantastic album enough before the show to fully understand what was happening on stage. Not only did Esperanza sport a new look of long braids, big glasses, a crown, and a colorful jumpsuit that reminded me of Steven Tyler, but the performance included storytelling with three other singers in specific roles, puppetry, and choreography. Some people who were there because of Esperanza's jazz background were disappointed and confused by this new incarnation, but I knew there had to be a reason behind booking 930 club instead of Blues Alley. Even if we didn't fully grasp the story, the music – which showcased her voice and musicality – made it worth it. Esperanza is ahead of her time and always trying new things that will take her further. We're lucky to be along for the ride.

Jason Moran and Charles Lloyd (Kennedy Center) and Buster Williams (Blues Alley)
I'm lumping these two jazz shows together because I saw them during a jazzy weekend with my dad. Jason Moran, who took over as Artistic Director for Jazz at The Kennedy Center in 2011, has brought so many great shows at different price levels to the Kennedy Center, introducing audiences of all ages to the jazz. We had seen Jason Moran doing amazing things at the piano before, but we only knew saxophonist Charles Lloyd by name. When the 78-year-old shuffled on stage, we knew we were in for something great. While we didn't recognize the music, which we later learned was from their 2013 album Hagar's Song, we loved it. Charles Lloyd has a just-rolled-out-of-bed-and-started-playing coolness and years of hard work and talent to back up that reputation.


Seeing Buster Williams at Blues Alley gave me a similar feeling. You could tell this old bassist was enjoying himself and his happy spirit was infectious. But the reason we bought our tickets for this show was not Buster Williams; it was his quartet's drummer, Jeff "Tain" Watts. We'd seen Jeff Watts before, and like Buster Williams, he loves playing his instrument. Jeff Watts goes into a blissful zone, drumming along with a serene smile and blank gaze. He transports to a different world through his instrument, a world you can only imagine is the best place to visit.

Patty Larkin and Suzzy Roche & Lucy Wainwright Roche 
(The Hamilton)

Once you see Lucy Wainwright Roche, you might be hooked for life. She tells great, funny stories, like the time she and her mom, Suzzy Roche, performed a cover of the Eagles classic "Desperado" at "one of my dad's weddings" without realizing (until they started singing) that its lyrics were inappropriate for the event. She has a disarming demeanor on stage that feels like that of an old friend. Touring with her mom in support of their 2013 album Fairytale and Myrth, everyone at this stop at the Hamilton could see where she gets these endearing traits. (When Lucy announced she was going to sing some songs on her own, her mom decided to take a nap at her feet while she sang.) Between our bouts of laughter were wonderful songs. I've figured out that I love the Wainwrights not only because of their great voices and musicality but because of their ability to write sad songs to happy melodies. That's my kind of music.

Joining them on this tour was Patty Larkin, who I hadn't heard of before but has a well-earned 30-year career behind her and a loyal following in attendance. I liked many of her songs, but I was most impressed by her guitar playing. She played both acoustic and electric guitar with blurry speed and precision. She even used a violin bow on her electric guitar, creating sounds (and sights) I hadn't experienced before. This evening, led by these three powerful ladies, ended up being one of my favorites of the year.

Yasiin Bey, aka Mos Def (Kennedy Center)

I don't like going out on New Year's Eve, especially when I have a cold. When Mos Def announced he'd be performing farewell concerts at The Kennedy Center, though, I couldn't miss it. I've always found Mos Def interesting and liked him as an actor. I also have a few of his songs from the great Lackawanna Blues soundtrack on my iPod. Luckily, I attended the concert with a friend who knew more about his music and could ask her questions. This show was improvisational and so laid back that, at times, it felt like a rehearsal to me. Also, throughout the concert, a French film from the '60s, featuring (I assume) African tribal characters, played silently in the background and was never explained. Still, we were all excited to catch Mos Def while we could before he heads off to Africa himself for a new chapter in his life, pursuing painting and focusing on his arts, culture and lifestyle collective, A Country Called Earth. I told you he was interesting.

Remembering the Classics...

Forever Gershwin (Kennedy Center)

You can't go wrong with a concert of George Gershwin music. Forever Gershwin, performed with the National Symphony Orchestra, caught my eye because of Jason Moran's involvement. Everything I've seen Jason Moran work on for The Kennedy Center has been special. Here, he premiered jazz-heavy variations of Gershwin classics, including three preludes, "Embraceable You" and "Fascinating Rhythm." I also really liked the show's introductory piece, "Cuban Overture," which I'd never heard before. You could feel Cuba's energy in it. The second half of the show was a selection of songs from Porgy and Bess, Gershwin's classic opera. I love some of these songs, like "Summertime," "My Man's Gone Now," and "It Ain't Necessarily So." Norm Lewis as "Porgy" had a wonderful deep voice and lots of personality, and Alicia Hall Moran (Jason Moran's wife) as "Bess" was fantastic too. To top things off, they were accompanied at times by the Heritage Signature Chorale, a massive group of voices that shook our seats. This was a night of great music, unaffected by my disappointing, expensive front-row seat that offered very little to see.

House of Cards in Concert (Kennedy Center)

I decided to go to this world-premiere National Symphony Orchestra concert at The Kennedy Center on the day of the show. I kept seeing ads for it, and I also got Season 4, Disc 1 of House of Cards from Netflix that day. I didn't need any more hints and braved a July heat advisory to get there. I'm so glad I did. House of Cards is one of my favorite shows, even if it makes me feel slimy after every episode. Everyone knows I love Robin Wright, and her star turn opposite the equally amazing Kevin Spacey makes it all worth it! But I really went to this concert for the music. I love this show's theme song, and when they played it at the concert, I realized I wasn't alone. Everyone cheered when the signature trumpet notes played; our excitement was similar to hearing the Star Wars theme at the movies. For this performance, composer Jeff Beal created suites that capture the show's themes and characters. He served as conductor and played the trumpet every once in a while. His wife appeared during certain suites to add an operatic voice to it that I had always assumed was some sort of physical musical instrument. His son was in the orchestra playing bass (as he does for the show). The music was paired with snippets of scenes from the series, sometimes with bits of dialogue. I couldn't tell what was happening during the scenes from Season 4, but Jeff Beal was thoughtful about that, ensuring that nothing made too much sense for those of us who hadn't caught up on that season yet. (Thank you, but I also wanted to run home to find out what was happening!) Here's a trailer about the concert to help you see what it was like.

For an extra treat, some cast members (who were sitting in my row) joined Politico's Joe Schatz on stage for a panel discussion about working on the show. No, Robin Wright and Kevin Spacey were not there, but I was excited to see Michael Kelly (who plays Doug Stamper so creepily on the show and is so funny in real life), Michel Gill (President Garrett), Jayne Atkinson (who plays Secretary of State Catherine Durant and seems so nice and down to earth), Rachel Brosnahan (Rachel Posner, even though she didn't say anything),  and Boris McGiver (Tom Hammerschmidt). Executive Producer Beau Willimon and Executive Producer, Author, and Original Book and U.K. Series Creator Lord Michael Dobbs were also there to offer their insights. I loved this immersive House of Cards experience! Bring on Season 5, please!

Wow, 2016 was really filled with music for me, and I'm not quite done! I'll wrap up my look back at 2016 with my next post, revisiting the latest Rainforest Fund Benefit Concert at Carnegie Hall in New York. For Sting, I travel.

Best,


Image credits: Belly: B.C. Kagan; David Bowie album cover: RCA Victor; Nile Rodgers and Chic and Duran Duran: Matt Condon; Go-Gos: Matt Condon; Sting and Peter Gabriel: Shawn Farrell;  Esperanza Spalding: Josh Sisk; Jason Moran and Charles Lloyd: TVJazz.tv; Buster Williams: Paola Visone; Lucy Wainwright Roche & Suzzy Roche: unknown (courtesy of Eventsi); Patty Larkin: unknown (courtesy of The Hamilton DC); Yasiin Bey: Jati Lindsay/courtesy of The Kennedy Center); Forever Gershwin: unknown (courtesy of Access Granted Journal); House of Cards panel: unknown (Courtesy of cdninstrgram.com).

2016 in Review: Dance, Dance, Dance!

Hi everyone,

It's hard to convince people to join me for dance performances, but they are well worth the price of admission. Continuing my look back at 2016, here's an review of the shows I saw last year.

Bowie & Queen (The Washington Ballet) 

Wandering around the Kennedy Center before seeing a show there, I saw the Washington Ballet's poster for its Bowie & Queen show. The image was of two glammed out ballet dancers striking poses – one was clearly meant to represent David Bowie during his Aladdin Sane days, while the other was obviously meant to be Freddie Mercury. I gasped, took a photo of it, and posted it on Facebook, noting that I was getting a ticket for whatever this was. My sister responded, saying she wanted to go too!

By the time the show came around, David Bowie had died. I'd never been so upset about a famous person dying as I was when he did. I attended a few local tribute concerts before realizing I wasn't enjoying the songs as much as hearing Bowie's own voice sing them. And, it was five months before I was ready to switch my iPod from my Bowie playlist back to shuffle mode. So although this concert was planned well in advance of Bowie's death, I set the bar unfairly and unreasonably high for how good it had to be.

I had some disappointments: First, no ballet dancers were dressed up as David Bowie or Freddie Mercury, as the poster had implied. That's false advertising. Also, the show was not a mix of David Bowie and Queen music, as I had assumed it would be. The first half was a world premiere dance, titled "Dancing in the Street," choreographed by Edward Liang. It focused on Bowie's introspective side and included two obscure 1966 tunes ("Good Morning Girl" and "I'm Not Losing Sleep") along with his 1985 cover with Mick Jagger of "Dancing in the Street."  From David Bowie's vast library of amazing songs, these are the only ones the choreographer chose to use! They were intertwined with live instrumental music by Gabriel Gaffney Smith, which my sister and I enjoyed more than the unfamiliar Bowie songs. My sister even commented that some of the dancers were, at times, a beat behind in their steps.

Now that I have a handle on my grief, I appreciate the Bowie-inspired dance much more and wish I could give it another look. It attempted to tell a story, revealing the thoughtful and deliberate relationship he had with his fans, behind his personas. It was intellectual, concise, and quiet, like the man himself. I think that Bowie would have loved it because his music was used to inspire new art from a completely unexpected perspective. You can't get much better than that.

Here are some highlights from the Bowie side.

Bowie dance highlights courtesy of The Washington Ballet, 2016 

The Queen side of the show – titled "Mercury Half-Life" – was exhilarating and everything I expected the Bowie side to be. It was Queen hit after Queen hit – "Bohemian Rhapsody," "We Are the Champions," "We Will Rock You," "Under Pressure" (Freddie Mercury's duet with David Bowie) and many more. Choreographed by Trey McIntyre, the dances were exciting, the lights were bright, and the music was loud. That's all I wanted. Trey McIntyre, please create a David Bowie show next!

Here's some solo work from Mercury Half-Life.

Selection of Mercury Half-Life Solos
(Benjamin Everett Behrends, courtesy of NetworkDance, 2013)

DEMO Series (Damien Woetzel)

I went to two shows that were part of the Kennedy Center's DEMO series because of Lil Buck's involvement. I know Lil Buck, a hip-hop "jookin" dancer, from his involvement with the TV show "So You Think You can Dance." He's amazing and can be seen on TV these days in variations of this Apple commercial. Conceived by Damian Woetzel, the DEMO series explores different themes through a variety of art forms.

In April, DEMO: Places offered varied entertaining performances representing arts from around the world, including hip-hop dancing and authentic music from India, Ireland, and China. It also included some original American songs (sung by Kate Davis, who is new to me but I liked her voice and songs) and familiar classical music, like Stravinsky and Bach.

The next day at noon, I attended a Citizen Artist Event that was advertised in the playbill. It was presented by the Hirshhorn Museum and Sculpture Garden in collaboration with the Kennedy Center.  The same performers presented a similar free performance outside the museum's front doors, where we sat on the ground in a wide circle to watch them. These are the types of things that make D.C. awesome.

Six months later, DEMO: Heroes focused on performers and mentors who have inspired future generations. I was excited that the first dance noted in the playbill was a tribute to Gene Kelly and other dancers, but my first thought was that the list missed the opportunity to acknowledge the title of the show with a performance of one of David Bowie's signature song, "Heroes." (Yes, I am still sad.) But great minds think alike because Kate Davis kicked off the show performing this song with her acoustic guitar while Lil Buck glided around her. (In fact, this show was named after this song, inspired by the outpouring of tributes paid to artists in 2016, including David Bowie.)

I knew most of the mentors they chose to highlight in this show. Aside from Gene Kelly and Fred Astaire, they also paid tribute to dancers Martha Graham, Gregory Hines and Sammy Davis, Jr., and George Balanchine, among others. For music, they honored opera singer Renee Fleming, Stevie Wonder and Oscar Peterson (with a piano performance by 12-year-old blind prodigy Matthew Whitaker), and Leonard Cohen (with a performance by the Musicorps Wounded Warrior Band). One of the most poignant pieces was "Vision and Justice," a video collage of photographs set to segments of speeches by John F. Kennedy.

These DEMO series concerts are not only educational but entertaining, offering unexpected combinations of art forms. Prepare to be surprised and inspired! While not the same show I saw, this video is a sampling of what to expect from a DEMO show.

Works in Progress at the Guggenheim: DEMO with Damian Woetzel, 2014

The Blues Project (Dorrance Dance with Toshi Reagon and BIGlovely)

I came back to the Kennedy Center to see The Blues Project by Dorrance Dance with Toshi Reagon and BIGlovely. I was impressed by Michelle Dorrance when I saw her on The Late Show with Stephen Colbert earlier in the year.

This tap-happy show was accompanied by live blues music by Toshi Reagon and BIGlovely, who played behind the dancers. Although I hadn't heard of Toshi Reagon and BIGlovely before, some people in the audience were longtime fans. Now I'm a fan too – I liked their songs and style. This performance introduced some inventive tap moves. I liked the colorful costumes and appreciated that the dancers comprised a diverse group.

Check out this preview to get a taste of the exciting performances in The Blues Project.

The Blues Project: Dorrance Dance and Toshi Reagon and BIGlovely, 2016

Dancers are amazing athletes, and they're energy is contagious. Treat yourself to a show. It's good for your health, and you just might come away from it floating on air, just like them.

Best,






Image credits: Bowie & Queen: Jennifer Zmuda, Demo Series: Teresa Wood, and The Blues Project: Christopher Duggan

2016 in Review: The Shows Must Go On

Hi everyone,

I'm down and out with another cold, but I thought I better muster some energy to get out my 2016 reviews before springtime. In my next few posts, I'll share my memories about some of the best of last year's live entertainment.

Let's start at the theatre! I tend to forget how much I love going to the theatre until I'm there, and then I'm addicted, as you can tell by the length of this post.

I started off the year at the Kennedy Center, seeing Matilda The Musical, based on Roald Dahl's classic children's book about a girl living with horrible self-involved parents. She spends her time lost in books, feeding her imagination. I loved seeing this story through a child's eyes and how the production reflected that with cartoonish characters and colorful sets. I haven't read this book and didn't know what to expect. This show is a fun, heart-warming surprise.

I saw Kinky Boots, also at the Kennedy Center, mainly to hear Cyndi Lauper's musical score. Based on the 2005 British film about a shoe factory owner's switch from making classic men's shoes to footwear for drag queens in order to save the family business, Kinky Boots gives me the same heart-warming feeling as Matilda. Cyndi's great music aside, I love this show's message of resilience and acceptance of all people. By the last show-stopping number, performed by the great J. Harrison Ghee in the lead role of Lola, we were all cheering, ready to try on our own pair of kinky boots.

The title, Urinetown, The Musical, does not appeal to me. After reading the synopsis and learning that it won Tonys for best musical, book, and score, however, I gave it a chance. Suffering from a severe water shortage, city officials ban the use of private toilets, forcing unlikely citizens to take a stand and start a revolution. This hilarious satire, which pokes fun at everything from politics and capitalism to musical comedies themselves, has surprising twists and turns that keep the laughter going.

New to me, the 10-year-old Constellation Theatre Company put on this great show with imaginative direction, sets, choreography, and musical arrangements. Like Matilda and Kinky Boots, this cast offered some exaggerated and memorable performances. Voted Best Theatre Company in 2016 by City Paper and The Washington Post, I look forward to seeing more shows here.

When it was announced that Shuffle Along, or the Making of the Musical Sensation of 1921 and All that Followed, was closing by the end of July after its short run on Broadway at the Music Box Theatre, my friend and I made an emergency trip to New York to see it. It was worth it! This adaptation tells the true story of the making of the popular 1921 black musical that launched the careers of Josephine Baker, Paul Robeson, and others. It delves into the interesting lives of its creators and the challenges that ended their successful partnership. Shuffle Along is also a jubilant celebration of tap dancing, with massive musical numbers and inventive choreography by the always-amazing Savion Glover that shook the building with its beats. I wish this show had lasted longer so that more people could learn the fascinating history of this show and revel in this exciting production.

I made another trek to see Jelly's Last Jam, all the way to Virginia's Signature Theatre. My dad bought these tickets but then couldn't attend, so my friend and I were stuck with perfect seats for this musical biography of 1920s jazz pianist Jelly Roll Morton. A pioneer of Ragtime music and the self-proclaimed inventor of jazz, Jelly Roll Morton had a healthy ego, but his fantastic music made up for his exaggerated claims. With a wonderful cast, Signature Theatre's revival of this Tony-winning musical is an immersive experience with seating arranged with tables for a night club setting and some performers, at times, dancing right next to us. As with Shuffle Along, we left the theatre wanting to hear more music and learn more about the fascinating historical figures who created it.

2016 wasn't all about musicals for me. I also saw three brilliant plays at Studio Theatre, thanks to their encouraging $20 deals for neighborhood patrons. First, I saw Constellations, which I had heard about when it was on Broadway, starring Rachel Weisz and Jake Gyllenhaal. This intimate performance is set in a circular space with audience members surrounding it, only a few steps away from the two performers. Marianne and Roland offer glimpses into their relationship through a series of scenes that are sometimes repeated from different perspectives and usually presented out of chronological order. From these vignettes, we learn how they fell in and out of love, the joys and challenges of their relationship, and their present-day circumstances. Somehow it all works with keen direction and impressive performances by Lily Balatincz and Tom Patterson, who – without the help of props – convincingly transitioned from moment to moment, sharing a range of emotions that we all felt.

Next, I saw Moment. This riveting family drama set in Dublin unravels when the reappearance of a long-absent son visiting his mother and sister sparks tragic memories, repressed emotions, and shocking revelations about the cause of the rift. Moment, wonderfully written by Deirdre Kinahan and directed by Ethan McSweeny, leaves an impression on everyone who sees it. Despite its surprising plot twists, the story is universally relatable, exploring the complicated consequences of past mistakes and murky layers to earning forgiveness.

The Object Lesson, created and performed by Geoff Sobelle, offered some much-needed comic relief. Set in a warehouse full of boxes and furniture, audience members were invited to sit on any available couch, chair, or box that allowed for it. This one-man show is a combination of storytelling and stand-up, as Geoff Sobelle discusses his relationship with things and how they affect his relationships with people. Reenacting scenes from life or speaking directly to the audience, he uses inventive techniques to revisit some of life's key moments, including starting out in college, beginning and ending personal relationships, building a career and family, and dealing with old age.

Both funny and poignant, each experience involves various objects that people tend to collect through life, and Geoff Sobelle contemplates the memories attached to them. Sometimes, finding these objects involves climbing up and over boxes (some of which were stacked to the ceiling) or audience members, who were pushed into scenes for some improvisational fun. (We were even offered snacks – French bread and goat cheese – when he mentioned and found them during one of his stories.) This immersive performance was unlike any I'd experienced before. Studio Theatre never lets me down.

All of these performances provided unique experiences, one of the hallmarks of live theatre. You never know what you're going to get, but it can be exhilarating and unforgettable.

Treat yourself to some tickets and see for yourself. I'll probably see you there!

Best,


Image copyright credits: Matilda the Musical: Joan Marcus; Kinky Boots: Matthew Murphy; Urinetown: Daniel Schwartz; Shuffle Along: Julieta Cervantes; Jelly's Last Jam: Margot Schulman; Constellations: Igor Dmitry; Moment and The Object Lesson: Allie Dearie

George Michael

Hi everyone,

I'm slow in tackling Illustration Friday's drawing topics this year because I've been pondering my tribute to George Michael, who died on Christmas Day. (Thanks again, 2016.) Technically, my tribute could relate to two recent topics, Tape and Sound, because most of my memories of George Michael involve dancing around my room to my Wham! (Fantastic and Make It Big) and Faith cassette tapes. I danced beyond my room when I upgraded to a Discman, which allowed me to tune into Listen Without Prejudice, Vol. 1, wherever I wanted.

MTV introduced me to George Michael. He was pretty and had style. He made great videos, had a fantastic voice, and wrote amazing songs – a vast catalogue of pop perfection with thoughtful messages. While I haven't heard all of his latest work, I grew up listening to Wham! and George Michael's first two solo albums; all those songs are still among my favorites. George Michael was always there for me, offering through his music whatever my mood needed.

In mid-December, I attended the biennial Rainforest Fund charity concert in New York, which had a seasonal/holiday theme. When Sting broke into a cover of Wham!'s "Last Christmas," I – and all the girls around me – gasped and started joyfully dancing and singing along in our seats. (George Michael has that effect on all of us!) I secretly hoped that George Michael would make a surprise appearance to finish the song himself. I wondered what he was doing now.  

After I heard the news, I spent the rest of my Christmas vacation reading more about his life. I was reminded of his bravery and humor in the face of life's challenges and whatever unnecessary details the tabloids published about them. I learned about his big-hearted generosity among friends, fans, and strangers alike. And, suddenly, I longed for that ever-present honesty in everything he did. What song should I listen to now, George Michael?

This drawing is a true story. (I've upgraded my Discman to an iPod so don't worry, George Michael, The Kitties and I are still dancing and singing along.) Here, we're listening to "Freedom '90", one of many songs that perfectly captures a moment of honesty and growth in George Michael's life, as he sheds his early pop star image and asks to be accepted for who he really is. We could all use some more of that.

Freedom '17 (See and hear "Freedom '90" here: https://youtu.be/diYAc7gB-0A.) 

I'll miss this guy – his thoughtfulness, talent, grace, and style. I'll miss him being unapologetically George Michael.

Wildflower

Hi everyone,

Sometime in the middle of 2016, I lost motivation to write on my blog. It's not Drew Barrymore's fault. In fact, I read her book Wildflower immediately after finishing my last book review in August, and I finished it in about a week's time! Let's see what I remember about Wildflower, which has been sitting next to my computer for months, waiting to be reviewed.

When I got the e-mail from Sixth and I Synagogue telling me that Drew Barrymore was coming to town to promote her new book, I gasped and bought my ticket. When the day arrived, I got in line about an hour and half before the doors opened. (I wasn't completely crazy; a few people were ahead of me.) All the while, I wasn't sure why I was so excited about this.

By the end of the event, I had figured it out: I've always wanted to be friends with Drew Barrymore. Apparently, I'm not alone. Our Sixth and I host noted that we've known Drew Barrymore for her whole life, and we all have our favorite Drew Barrymore moments. She's the girl from ET who was born into Hollywood royalty, the free spirit who spontaneously danced on David Letterman's desk and gave him a birthday surprise, the business woman who runs Flower Films and Flower Beauty, and now a wife and mother of two.

It's true that I will watch Ever After and Fever Pitch whenever I find them on TV, but what I love most about Drew is Drew, for being so down to earth despite her famous relatives, for surviving growing up in the spotlight and through her rebellious years, for starting a production company focused on films that empower women, for branching out into business and building a brand, and with the start of her own family, finally finding the personal happiness for which she always seemed to be searching. (Granted, after I finished reading this book, she and her husband got divorced, but it was the friendliest no-fuss divorce I've ever seen. Who else could achieve that but Drew Barrymore?)

I read Wildflower so quickly because this book is just like Drew – warm, welcoming, honest, and funny. While the editor in me initially hated all the incomplete sentences on these pages, I soon realized that these purposeful phrases helped capture Drew's voice, which I could so clearly hear telling these stories.

This memoir is a collection of moments from Drew Barrymore's life that show where she came from, where she's going, and how she's evolved in between. She talks about her parents and deciding as a teen to live on her own without their help, teaching herself from scratch how to be a grown up. She revisits fun road trips and adventures with friends, remembers finding her perfect companion pups, and pays tribute to the many mentors in her life, including her business partner Nancy Juvonen and her ET director Stephen Spielberg. She recalls feeling real purpose after reading a New York Times article about African school children who have no school to go to and does something about it. My favorite chapters are dedicated to her daughters and about her family life because she shares the same uncertainties and joys everyone experiences in new relationships and motherhood.

What you get in Wildflower is a full portrait of a woman we all think we know. She doesn't disappoint in giving what is expected of Drew Barrymore, the bubbly movie star. But you also find a thoughtful, driven private citizen, who is always striving to be a better one and enjoying life as best she can while its happening – just like the rest of us.

Happy reading!

     

Johnny Kitties: Celebrating Johnny Depp Film #51. Alice Through the Looking Glass (2016)

[What is Johnny Kitties? See Johnny Kitties: Celebrating Johnny Depp for all the details. Visit the Johnny Kitties page for a full list of Johnny Depp's filmography and links to all previous Johnny Kitties blog posts.]

I'm English, and as an English person, the Alice books are part of your culture. They really are: Your grandparents have it in their house. Your parents have it in their house – both books, Alice in Wonderland and Alice Through the Looking Glass. For me, it was something I grew up with and was incredibly familiar with, so the idea of being able to work in that universe was incredibly appealing.
Director James Bobin on Alice Through the Looking Glass



Where has Alice gone now? 

Recently home from her latest voyage at sea as captain of her father's ship, The Wonder, Alice (Mia Wasikowska) finds her mother still wishing that she'd conform to society's rules and her ex-suitor threatening to take what's left of her father's legacy. In this wild sequel to Tim Burton's Alice in Wonderland, Alice escapes these problems when she is summoned back to Underland and tasked with traveling through time to save the Mad Hatter (Johnny Depp) and his family. With this original story, director James Bobin joins a familiar cast of colorful characters revisiting Wonderland for a new adventure in Alice Through the Looking Glass. 

What's happening?!

When I heard that Tim Burton was not directing this sequel, I lost a bit of interest in Alice Through the Looking Glass. Of course, I was excited to see Johnny making various appearances to promote the movie, but the commercials for it didn't help me because I couldn't follow the storyline. Then, there was this.... 

The week before the May theatrical release of Alice Through the Looking Glass, three pieces of Johnny-related news came out in quick succession: 

Johnny and his mom,
Betty Sue Palmer in 1999
Source: Pinterest 

1. Johnny's mother died. Johnny was so close to his mom. While not unexpected considering her long illness, her death was still sad news to hear. 
2. Johnny's wife Amber Heard filed for divorce. Just before I read this news, I had decided that he and Amber Heard may prove everyone wrong and live a long, happy life together. But I was wrong. 
3. Amber Heard filed a temporary restraining order request against Johnny, claiming domestic abuse throughout their entire 15-month marriage. About this, I have more to say. 

Amber Heard's restraining order request and accusations shocked, angered, and upset me. Johnny said it was all untrue and, of course, I believed him. Still, at the time, I tried to be impartial and hear and understand what she was saying. This divorce and restraining order drama played out all summer, and against my better judgment and the advice of my wiser friends, I read everything I could get my hands on about it. (Sorry, Johnny, but I was worried about you.) 

All of it is hearsay and opinion from tabloids, lawyers, and third or more distant parties. By the time the divorce settlement was completed in August and Amber rescinded her abuse claims and restraining order request, the public didn't care because they'd already made up their minds about everything within the first week. By then, I was so emotionally drained and distraught that I couldn't really think or talk about this topic coherently. While relieved that the ordeal was over, I didn't feel any better nor did I know anything more since that first week that definitively explained what really happened. I could write a thesis on all the weirdness the proceeded this summer, my many reasonable doubts about these accusations, what I believe might have happened, why I'm supporting Johnny through whatever did happen, and how you can't trust anything you read or see about it in the media, but I don't want to contribute to the endless speculation. (I've already spent too much blog space on this topic.) 

We're never going to know this full story because we don't know Johnny or his ex-wife personally. Whatever happened is their private business and should have stayed that way. I'm still waiting for the Johnny news out there to be more positive and to stop mentioning his ex-wife and everything they did last summer. Beware the perils of celebrity worship, but I have 30 years of evidence that Johnny is a good, thoughtful, non-violent person, and I believe it.

I'm mentioning all of the above only to explain my state of mind when I saw Alice Through the Looking Glass at my local theater that weekend. I felt completely miserable and hoped the movie would cheer me up. It didn't because we learn pretty quickly that the Mad Hatter is sick and dying, and only Alice can save him. I spent the first half of the movie inspecting Johnny's face to see if I could tell whether he was as miserable as I was about his personal problems. (I know this is ridiculous on several levels. It was also fruitless because he's an amazing actor playing someone who is ill and dying.) By the end of this viewing, I concluded that Alice Through the Looking Glass has great special effects and visuals, but the story is lacking. Also, the acting isn't great, despite all of the wonderful, reliable actors in it. I wondered how all these familiar favorites could make such a confusing, half-hearted effort. Then I checked Google with dread for the latest on Johnny's unfolding real-life scandal. This summer was long and hard.  

Let's try this again.

Actually, I really like this movie! When I rented it from Netflix in November and re-watched it with a clearer mind, it was like seeing it for the first time. Serving as producer this time around, Tim Burton has his unmistakable stamp on it, which makes me happy. "I think he left his mark, but at the same time, he didn't put it so far into Tim Burton Land that it was distracting," Johnny says. "Once Tim got a hold of that whole landscape of possibilities, you know that anything is possible." 

Alice Through the Looking Glass is so colorful and fun but has a darker tone at the same time. More importantly, there is a story, and I can follow it! The Mad Hatter is depressed because he misses his family, who he believes survived the Red Queen's epic takeover on Horovendoush Day. Alice, being the only person not originally from Underland, embarks on a journey through time to find his family for him. To do so, she meets time itself (Sasha Baron Cohen) and "borrows" the chronosphere, a time-traveling vessel that takes her to different points in her friends' lives. Alice Through the Looking Glass is a dreamlike journey through Wonderland that introduces strange new characters and sheds new light on the old ones. "It's not the story of the looking glass, the book," Director James Bobbin explains, "but it feels like it could be." 

I stand by my first impression that the costumes, visuals, and special effects are amazing in this film, unlike anything I've seen before. "Wonderland, and Underland, is a place of limitless imagination, so when you meet characters, there's nobody sort of wistfully drawn or sketchy," Anne Hathaway says. "You're meeting full, almost – you know – kind of like live-action cartoons, which is so fun to play." For example, the Red Queen's servants are made of fruits and vegetables. Also, somehow, the filmmakers personified time and captured what traveling through it looks like by creating a character made of and surrounded by timepieces in space that reflects an ocean of memories. Alice Through the Looking Glass is mainly a roller coaster thrill-ride in a time machine with intermittent breaks. 

It's a treat to see different characters in different time periods to learn about their upbringing and different aspects of their personalities. By the end of Alice Through the Looking Glass, you know why the Red Queen has a huge head and a bad attitude. You meet the Mad Hatter in his younger days, when he was known more by his real name, Tarrant Hightopp, and find out why he lost touch with his family in the first place. I wish the movie explored more of these characters' family dramas and histories, but I suppose you can only fit so much into two hours.  

Clearly, my first viewing was so overshadowed by my concern for Johnny that I ignored everyone else! Giving it another look, it's great to get more of Helena Bonham Carter and Anne Hathaway as the sparring sisters, the Red Queen and the White Queen. It's wonderful to see how much Alice has changed and grown into an independent woman. And, it's bittersweet to hear Alan Rickman's comforting voice as Absolem. Alan Rickman, who costarred with Johnny in Sweeney Todd: The Demon Barber of Fleet Street, passed away early last year; he's always been one of my favorites in so many films.

My favorite thing about Johnny's performance is seeing how not only his expression, but his makeup and hair color changes depending on his emotional state. This happened only a bit in Alice in Wonderland, but it's on full display here. Johnny explains, "The second film explores the personalities of the Hatter, not just that we haven't seen but never expected to see." 

The creativity and sense of imagination in Alice Through the Looking Glass is showcased in so many different ways! Be sure to check it out!

The Kitties form a search party! 
I hoped to capture a portrayal of the Red Queen on this latest visit to Wonderland, but the closest I came was her uninviting heart-shaped castle. Here, the Hatter (Gordon), Alice (Lily), the White Queen (The Mother Kitty), and friends are on the hunt for his the rest of the Hightopp family. They enter the lair to investigate each floor and open every daunting door, hoping not to be foiled by the creepy critters who are watching their every move.
  

I hear that change is good. 

Rhonda's Kiss event
November 2016

Despite all of his personal strife, Johnny went on a summer tour with his band Hollywood Vampires and looked as though he was having a good time. He also received the inaugural Rhonda's Kiss Healing and Hope Award for his continual charitable donations for cancer research and patient care. 

In movie news, Johnny left his talent agent Tracey Jacobs at UTA, ending a professional relationship that's lasted through most of his career. I'm not sure what to read into his switch to CAA or what it means, but he then made a surprise appearance in J. K. Rowling's Fantastic Beasts and Where to Find Them. In fact, he is a central character in this five-film franchise, and I am thrilled! He signed on for a few other films too, including LAbyrinth, costarring Forrest Whitaker, and a remake of Murder on the Orient Express, directed by Kenneth Branagh. At least he's keeping busy.  

What's next? 
Johnny makes it a family affair, reprising his role as Tusk's Guy LaPointe alongside daughter Lily-Rose in Kevin Smith's teen horror/comedy flick Yoga Hosers.

To find more film reviews and artwork celebrating Johnny Depp's work, visit the Johnny Kitties page. 

Image credits: All Alice Through the Looking Glass images © Disney Pictures; 1999 Hollywood Star ceremony photo © unknown; Johnny Kitties illustration © Melissa Connolly; Rhonda's Kiss event photo © Frazer Harrison/Getty Images

Spiral

Simon, the King of Wheels, is also pretty good at spirals.

(Illustration Friday: December 9, 2016)

Happy holidays, everyone! I'll be back in January with more drawings, Johnny Kitties, book reviews, and a look back at some of this year's fun times. See you in the new year!

Best,

Spider

Norman is still warming up to this new friend.

(Illustration Friday: November 18, 2016)

Aquatic

I don't know what The Mother Kitty ate before her nap, but her dreams were wild!

(Illustration Friday: November 11, 2016)

Stripes

I'm not sure where the Kitties are here, but this was a bit inspired by Abbi Jacobson's wonderful new illustrated book, Carry This Book, for which she broke up the content with colorful striped pages. Check it out!

(Illustration Friday: October 28, 2016)

Ice

For this Illustration Friday topic, my first thought was to send the Kitties ice skating at Rockefeller Center. As usual, though, Johnny gave me a more interesting idea. Before I knew it, Gordon threw off his skates, ran outside, and got to work. Soon after, Mini started dancing in it. Cue Danny Elfman's theme, please....

(Illustration Friday: October 7, 2016)

Here's the inspiration for this drawing – the ice dance from Edward Scissorhands (in case you've forgotten where snow comes from). 

                                                  Ice Dance from Edward Scissorhands ©1990 20th Century Fox

Are you aching to watch this movie again now, like I am? 

For everything you might want to know about Edward Scissorhands, check out my original Johnny Kitties tribute here. 

Nest

I know its been a while, but I apparently needed a break. I'm slowly working on all the drawings swirling in my head....

Here's a memory from Norman, who as a kitten, took meals where he could get them. He almost fit in with this family. He says they provided the best fish he ever had.

(Illustration Friday: September 23, 2016)

Traffic

This drawing popped into my head while listening to my iPod on the way home from yoga class. Most of the time, I have my iPod in shuffle mode, and an unfamiliar song came on that's now my current favorite: "Discipline Gets Lost in a World of Mallets" by the Jason Marsalis Vibes Quartet.

"Discipline Gets Lost in the World of Mallets" Jason Marsalis Vibes Quartet

Can't you imagine the cat traffic?

(Illustration Friday: September 2, 2016)

Rain

This idea came to me in the middle of a recent yoga class (when I shouldn't be thinking about anything). I assume these are raindrop reflections of The Kitties' reactions to the latest storm – all while safe and dry indoors, of course.

(Illustration Friday: September 16, 2016)

Orange

B.J. is handsome.

(Illustration Friday: September 9, 2016) 

Gold

While trying to declutter my apartment this summer, I discovered a bunch of videotapes stored in some drawers in my living room. Wow, I've watched a lot of TV over the years, but going through these so far has only confirmed for me that I have pretty good taste and still love everything now that I loved back then.

I got "Fields of Gold" in my head for this illustration after a weekend full of watching and listening to my immense stash of Sting performances. Tyrone blends into this warm scenery perfectly, but he will neither confirm nor deny whether it's really Sting's backyard.

(Illustration Friday: August 19, 2016)

Here's the song if you need a reminder or, like me, don't mind hearing it one more time:

YouTube video – "Fields of Gold" © Sting: Ten Summoner's Tales (1993) 

Origami

I was so sad to hear about Gene Wilder last night after I finished this drawing. This Illustration Friday topic is a couple of weeks old, but the Kitties have been hard at work on their creations all this time. Look at how Simon was inspired by Willy Wonka without even realizing it – a sure sign that Gene Wilder will always be with us.

(Illustration Friday: August 12, 2016)

Tiny!

All kitties start off as tiny fuzzballs, even these ones.

(Illustration Friday: August 5, 2016)

Trapped!

Polly is often surrounded by the Kitties, but only one of them has the guts to trap her.

(Illustration Friday: July 22, 2016)

Make 'Em Laugh: Short-Term Memories of Longtime Friends

Hi everyone,

Debbie Reynolds with Gene Kelly in
Singin' in the Rain

Last Christmas, my sister surprised me with the book, Make 'Em Laugh: Short-Term Memories of Longtime Friends by Debbie Reynolds and Dorian Hannaway. Debbie Reynolds is probably best known for two things, costarring in the 1952 classic musical Singin' in the Rain and being the mother of Carrie Fisher (a.k.a. Princess Leia). I love her for both reasons, though I've never followed her career. In fact, I think Singin' in the Rain might be the only movie of hers that I've seen in full! Am I forgiven since I've seen Singin' in the Rain at least 785 times, know it by heart, and will keep on watching it? (That's what happens when you grow up as a fan of Gene Kelly.)

I know of Debbie Reynolds more from her daughter, who famously alluded to their relationship through the mother and daughter characters in her book (and film adaptation of) Postcards from the Edge. She also spoke of her mother's lovable quirks in her one-woman show Wishful Drinking.  

I was a little disappointed that, in this book, Debbie Reynolds doesn't discuss Gene Kelly or Singin' in the Rain – which showcases her first major film role as ingenue Kathy Selden. I'm sure she's already done that in her other books and is probably tired of talking about it by now. On the other hand, I loved reading about someone I knew so little about from the start. 

A bigger fan might get more out of this book, as I breezed past talk of her films that I didn't recognize. That didn't happen often, however, since this book focuses more on her personal experiences with short stories about her many adventures and friends. Though not told in any particular order, her stories range from first getting noticed after winning Miss Burbank at age 16 to receiving a lifetime achievement award from the Screen Actor's Guild at age 82. 

In between, she weighs in on some fellow comedians of her time, like Jack Benny, Milton Berle, and Phyllis Diller. She recalls getting the royal treatment from various princes around the world as well as being seated next to Prince at the Oscars in 1985 (when he won one). Of course, she also weaves some great Hollywood tales.

One time, she packing a rowdy bus full of Hollywood's own royalty, including Lauren Bacall and Humphrey Bogart, David Niven, Gary Cooper, Dean Martin and Jerry Lewis, Jimmy Stewart, Sammy Davis, Jr., and Donald O"Connor, to attend a Judy Garland concert. On The Tonight Show, instead of answering Jack Paar's unwanted question about her love life, she attacked him, pulled him under his desk, and tossed various articles of his clothing over the top as the audience roared. Another time, she demonstrated what Girl Scouts learn about fire safety by toppling on to guest Regis Philbin and rolling him around on the floor. While emceeing an event, she spontaneously jumped into the pool in front of her – ruining her handmade evening gown – just to liven up the party. It's true, Debbie Reynolds will do almost anything for a laugh.     

Because I've always watched classic movies, I recognized most of the Golden Age film stars and entertainers mentioned in this book. I loved reading about her relationships with Bette Davis, Katherine Hepburn, Lana Turner, and Elizabeth Taylor. I appreciated, though, how she helped put things into context for other readers who may be unfamiliar with all the names she drops. For example, she compared the Gabor sisters to the Kardashians and suggested checking out George Burns and Gracie Allen's TV shows on YouTube. 

Most of all, I love that the voice and personality of Debbie Reynolds comes through in this book loud and clear. Maybe I have seen Singin' in the Rain too many times, but I can hear her on these pages. True to the title, she made me laugh out loud at times. After expressing her shock about receiving brash commentary on her chest from some Hollywood heavyweights, she reflects, "I guess it's flattering to have had Groucho Marx and others admire me that way, because now I live in Beverly Hills and my boobs are in San Diego." Speaking of her parents, she quips, "My parents were happily married for 57 years. They didn't speak for 42 of them, but that's all right." 

Make 'Em Laugh is a light, quick read. Even if you're not a fan, Debbie Reynolds will keep you entertained with her vivacious personality, admirable perseverance, and infectious enthusiasm. Give this book a try and it might warm your heart too. 

Best,