Showing posts with label Trudie Styler. Show all posts
Showing posts with label Trudie Styler. Show all posts

Saturday, February 15, 2020

2019 Rainforest Fund Benefit Concert: We'll Be Together

Hi everyone,

I just counted my playbills and discovered that I have been to 10 benefit concerts for the Rainforest Fund! I started going to the event in 2000. I still lived in Ohio at that time and don't remember how this streak got started. I must have just discovered it and decided I had to go. I still feel that way every time they announce a new one, and this year was no exception.

Many times, I have bought a ticket to this concert without knowing the lineup. Based on my first benefit concert experience with the Rainforest Fund (then known as the Rainforest Foundation) – which had a Motown theme and Stevie Wonder as a surprise guest – I don't need to know the plan. This year, the preliminary lineup was revealed in advance, but I was already sold on the theme, We'll Be Together, featuring songs and videos from the '80s and '90s. Also, it was the charity's 30th anniversary celebration. Again, I had to go!

Unlike previous years, this concert was hosted at Beacon Theatre, not Carnegie Hall. Beacon Theatre is smaller, which is nice, but it also had fewer seats available to the public, and the ticket-buying process was frustrating.

First off, I swear that they announced a 10 a.m. start time for ticket sales. It was just my luck and anxiety that made me check early, and I found that people were already buying up seats at 9:36. Secondly, I kept selecting supposedly available seats and being told to wait, then that the seat was  taken already by someone else, and to try again. This panic-inducing process went on for at least a half hour before I finally got whatever seat they'd let me have.

Who was in charge here? Thanks, Ticketmaster. (At the event, the person next to me said that tickets went on sale at 9 a.m., and that he had the same experience I did, trying to buy tickets for four people: he ended up having to buy individual seats, so he had to go through that nightmare four times. I guess I was lucky.)

Let me borrow some of Trudie Styler's zen energy and move beyond this fiasco. At least I got a seat; that's all that matters. (Ticketmaster, fix this!)

Let's get ready. 
I went all out for this trip to New York: I stayed in a fancy hotel, I saw two other shows on Broadway (Dear Evan Hansen and David Byrne's American Utopia), I spent a day at my favorite museum (Museum of Modern Art), and I treated myself to lots of good food. (Thanks for my daily cup of chocolate chestnut chai tea, Argo Tea Cafe: it's the best!) But it was all leading up to the Rainforest Fund concert, by which time it was raining and I was in full denial that I had a cold.

I arrived at Beacon Theatre more than an hour ahead of time because the email warnings from the venue scared me: Get in line an hour beforehand or you might not be seated in time for the start of the show, one read. We suggest that you go through this door on Amsterdam rather than that door on Broadway for quicker entry, another advised. Once inside, I nearly rolled my eyes at the fact that I was seated within 15 minutes (and that timeframe includes my stop at the merchandise counter to buy the event's commemorative tote bag). Did I mention that the Beacon Theatre is small? But I didn't roll my eyes because (1) I am not late, (2) this place is beautiful, (3) the concert logo/image projected on the ceiling is cool,; and (4) Ahhh, this is happening!!!

I've been to the Beacon Theatre once before for Sting's amazing 60th birthday charity concert, but I didn't remember what it was like until I was in it. My seat, in Row E of the Loge Level, had a great view, and I had newly bought binoculars with me just in case. (I was still in the Carnegie Hall mindset: to see this concert in that venue, I had to climb at least seven flights of stairs to get to the top-level "cheap" seats, where binoculars are useful.)

The stage was set for the big, talented house band, always directed by drummer Narada Michael Walden. Three video screens were hanging around the stage too – one above it, one on the left, and one on the right. A few chairs were placed at stage right too: this is where the featured performers can sit and watch each other throughout the show. Those are probably the best seats in the house.

We were all instructed to get in line by 6 p.m. for a show that would start promptly at 7 p.m. As I waited in my seat for 45 minutes, it amazed me how many people did not follow these simple directions. The show ended up starting at 7:15, while people were still milling around, chatting, and thinking about maybe sitting down sometime.

It's showtime, people!

I want my MTV!
Cyndi Lauper's "Girls Just Want to Have Fun" played on the screens as the lights went out. That classic video was followed by a classic animated MTV commercial, the one that's set to MTV's guitar riffs as the MTV logo flickers in different colors and patterns.

Then, host Robert Downey, Jr., kicked off the concert by picking his own tune! My ticket was already worth it. Here's a rundown of the performances.

1. Addicted to Love – Robert Downey, Jr. and MJ Rodriguez. I remembered earlier that Robert Downey, Jr., hosted and sang at Sting's birthday concert too. He's good at it. The music started in the dark but turned on just as he sang the first lyric, "Your lights are on..." Robert was backed up by a girl band, and they dressed in outfits that paid homage to Robert Palmer's video, which played behind them on the middle screen. MJ Rodriguez from the fantastic TV show Pose, joined him on this song. (About a month later, while promoting his latest movie, Doolittle, Robert Downey, Jr., showed up on The Tonight Show, talked about this concert, and sang a little bit of this song with Jimmy Fallon. Ah, memories...)


When he finished this song, a guy in the audience yelled, "Iron Man!" He responded with, "I'm retired. This is my new gig." He continued that before the concert really begins, he should give us a "rambling soliloquy" about climate change, but he was interrupted by a loud ringing cell phone that came through the speakers. He started looking around and asking who's phone it was, pointing to people in the audience, and then realized, "Oh, it's me."

Someone brought out a giant boxy cell phone."It's the '80s calling," he said, "Enjoying Reaganomics, are we? Yes, I know, I got fired from SNL, but things work out fine for me. Really, everything's okay.... If you're so smart, guess who's president right now. You'll never guess....Okay, deal with your self-important denial while we deal with the ramifications of your behavior. Okay, little brother, gotta fly." After he got off the phone, he told us to put ours away: put them in your pockets, watch the show, and enjoy it without your phones in hand. If he saw a phone, he warned, he would yell at us. And, then, he introduced the next guest.

2. Englishman in New York – Sting and Shaggy. Sting and Shaggy are an unusual pair, but they complement each other well. I've seen this song performed on their joint tour that supported their reggae album 44/876. It's a great duet, where Shaggy improvises some rapping and sings in the chorus that he's a Jamaican in New York. They have lots of fun together and it shows.

After they left the stage, Sting walked back out and said, "I was so excited that I forgot I had the next thing to do!" He introduced James Taylor, who has participated in 17 of the Rainforest Fund's concerts and is considered family.

3. Your Smiling Face – James Taylor
James came out, ready with his guitar, signaled to the band, and performed this one. He's no fuss, which I appreciate.

Afterward, he thanked everyone for coming and how happy he was to be back in New York with his friends at this event.

4. Up on the Roof – James Taylor. "This song is not technically from the '80s or '90s. It's actually from the '60s," James Taylor explained before he started singing. It's a Carole King song, he continued; he said he did a version of it in the '80s, which he thought might count for something. He considers "Up on the Roof" to be "the quintessential New York statement." This was a good one. I love that James Taylor always shows up at this concert, he's always funny and charming, and he always looks and sounds the same with that amazing voice. Who cares about the theme? He can do whatever he wants.


After James Taylor finished, Robert Downey, Jr., came out again and introduced Bob Geldof, saying, "He likes six days of the week, but not necessarily this one." Then, he knelt on one knee toward Bob as he walked on stage because we were in the presence of more greatness.

5. I Don't Like Mondays - Bob Geldof. I was surprised by how excited I got at the sight of Bob Geldof, but it hit me that he's the organizer of Live Aid! He's the guy who got everyone in Band Aid together to sing "Do They Know It's Christmas!" He's the old friend of Sting's that I've read about all these years! Bob Geldof also looks and sounds exactly the same as he did in the '80s; he just has gray hair now.


After he was finished, Bob Geldof said that Sting and Trudie told him to sing that song. "'It'll be perfect,' they said, but they were being kind because it's probably the only song you might recognize." That's true: it's the hit from his Boomtown Rats era, and it was perfect because this concert was on a Monday. He continued, "You don't know any of my other incandescent songs, so I'm going to sing someone else's song."

6. (What's So Funny 'Bout) Peace, Love, and Understanding – Bob Geldof. I forget that this is a Nick Lowe song because Elvis Costello always sings it, and I also always think about Bill Murray's version in Lost in Translation. Bob Geldof's version was just as unique as those other covers. At times, he spoke the lyrics like poetry, and behind him, the screens flashed images from his work in South Africa and at Live Aid. Everyone cheered when certain images of concert performers appeared, like Freddie Mercury and Bono. It brought back lots of memories of that once-in-a-lifetime event at that critical time and reminded us how universal music is and how it can spark change.

Sting walked out after that and introduced his friend Shaggy.

7. Electric Avenue – Shaggy. This song made me so happy! So many of us cheered at the first sign of recognition. I wasn't expecting to hear it, and Shaggy put his typical fun energy into it. And, everyone in the room sang and danced along. This song was a good choice!

Robert Downey, Jr., walked out afterward, exclaiming, "That was Shagtastic!" Then, he said, "I saw a few people with their phones out. This is what I call your first warning."

Next, he introduced Sting's eldest son, Joe Sumner, who heads his own band called Fiction Plane. I first saw Fiction Plane when they opened for The Police during the reunion tour. Then, I saw him perform solo on a couple Sting tours. But Robert Downey, Jr., shared something I didn't know – that he was the frontman for the David Bowie tribute band (which performs as the David Bowie Alumni Band for A Bowie Celebration). He said, "Here is Joe Sumner to channel Ziggy Stardust himself!"

I can't find any photos or videos of this
performance, but here's a nice photo with
Bob Geldof instead.
8. Ashes to Ashes – David Bowie. Before he launched into this song, Joe Sumner (wearing a black t-shirt with "I Love You" printed on it in white letters) described himself as the taller, cheaper version of his dad. He also mentioned that Robert Downey, Jr., was his neighbor in Malibu. (These are the kinds of details I like to remember.)

It just occurred to me that I heard Joe Sumner sing this song before, connected to a Sting song ("50,000") during Sting's 57th & 9th tour a few years ago.  This evening, he sang it on its own. I love this song, was happy to hear it, and sang along, but it made me sad too. I wished that David Bowie were there to sing it himself.

Don't worry, Sting cheered me up when he walked out afterward and said, "Well, that's what happens when you feed them." Sting talked about performing at these concerts with so many amazing artists over the last 30 years, noting that many have passed away. He named a few, including the great Pavarotti, and he introduced the next guest, Zucchero. He performed a popular duet with Pavarotti, which he sang for us next.

9. Miserere – Zucchero (with Pavarotti). Like James Taylor's songs, this doesn't really fit this concert's theme, but who cares? I love that anyone can turn up at these concerts, and we will like it! This was a duet with Pavarotti's recorded part coming through loud and clear. Wherever he is, he's still in charge.


After Zucchero finished to rousing applause, Sting and Robert Downey, Jr., argued over who would introduce the next guest: "You ask me to host and now you want to take it over? I see, I see how this is going," Robert said. They went back and forth trading trivia about her, but then Robert put an end to it: "Well, I guess, it takes two men to introduce Debbie Harry."

10. Call Me – Debbie Harry. I saw Debbie Harry on tour with Blondie (and Elvis Costello) last summer. Months later, I saw her at a book signing for her memoir. And, a few days after that, I found out she was going to be at this concert. I swear that I'm not following her around, but we must have similar tastes. Of the three places I saw her last year, this is where she looked the most amazing in a sparkly animal print minidress with thigh-high boots and a red cape that had a couple of bees patched on the front (because she also wants to save the bees) and an important environmental message stitched on the back. She was true to form!

11. Rapture – Debbie Harry. This is one of my favorite songs. It became more exciting when a rapper showed up to continue rapping after Debbie Harry was done. People cheered at the sight of him, but I was slow to realize who it was – DMC from Run DMC! (You'd think I would have looked at the lineup during my 45-minute wait for the show to start. What was I doing? I was thrilled by this surprise!) Eventually, DMC rapped his own rain forest rap including a mantra, "Leave my rain forest alone." It was while he was doing his thing that I got to read the Debbie Harry's cape; she faced the band and swayed while he rapped. Then, I almost lost it with the next song.

12. Walk This Way – DMC. Like "Electric Avenue,"  I don't know if it's because I hadn't heard it in a while, because I didn't expect to hear it, or maybe both, but I (and everyone else) was jumping up and down over this song. Everyone was yelling the lyrics so loudly, we became a part of it. Toward the end, DMC went over to the chairs on the right side of the stage, where Sting and James Taylor sat, bobbing and clapping. He held his mic up to both of them to take turns with the chorus. Even James Taylor screamed it. That's what this song does to people.

After that, Robert Downey, Jr., walked out in shades. He explained that he wanted to switch to the dark glasses so we can't tell that he's reading the teleprompters. He announced with typical flair, "Up next...is a lull, an interval, as Sting, Trudie, and the Brits would say. Our lull will last 10 minutes."

Intermission
During the intermission, the screens showed a classic "I want my MTV" ad with The Police. It was followed by two videos –  Billy Joel's "Uptown Girl" and Aretha Franklin's "Freeway of Love." Then, there were outtakes of The Police's MTV ads (which I hadn't seen before and loved), followed by another video – "Money for Nothing" by Dire Straits.

Then, Sting and Robert Downey, Jr., came out, talking about that song: Robert asked Sting how that collaboration came about, and Sting said the tune started out as "Don't Stand So Close to Me," but they changed it to "I want my MTV." There's our trivia for the night. (Note: Sting had changed outfits, from one black suit to another. This one featured a longer coat, and I liked it.) Sting introduced musical director Narada Michael Walden, who in turn introduced the band members.

Then, they paid attention to us, and Robert asked, "Did everyone get everything they wanted out of that lull that they ever wanted?" It's on to the second half.

13. Secrets O' Life – James Taylor. James Taylor kicked things off with one of his own songs from the '70s. For this song, he sat on a stool and sang while playing his acoustic guitar. That's James Taylor at his best.

Afterward, Sting and Robert Downey, Jr. returned, and Robert waved, "Hi, up there, by the way," to all those seated in the top balcony. They all cheered back, of course, and Sting walked up to the backup singers' section of the stage to get his partner for the next song.
"Are you ready, Lisa?"
"Yes!"
"Good, so am I."

14. We'll Be Together – Sting and Lisa Fischer. Whenever I hear this song, I remember Sting saying sometime that he could have made it better. It was a hit when it came out in 1987 and may have been what sparked my hopeless devotion to everything Sting. In any case, turning it into a duet with the great Lisa Fischer elevated it several levels. In the background, the song's black-and-white video played, featuring Sting with shaggy hair singing to Trudie, who sauntered around in a pretty black dress. Maybe it was this video that won me over. I remember it well: Sting was cute and the dancers were cool. (I didn't know much about Trudie back then.)

When they finished singing, Sting gave Lisa Fischer a giant bear of a hug that warmed my heart. They are old friends.


It's Time to Listen Up!
When Robert Downey, Jr., came back on stage, he asked, "Who was that smokin' lady in that video?" He talked about Trudie's kindness, how she helped him through dark times, and now how lucky he is to be a part of Sting and Trudie's ever-expanding circle of wonderfulness. (They have known each other at least since the mid-2000s, when Trudie produced one of his films, A Guide to Recognizing Your Saints.)

All of this talk also warmed my heart! He went on for longer with a lot of superlative adjectives that Trudie has earned, but I didn't write them all down. In the end, he introduced her as "the literally incomparable Trudie Styler."

I think Trudie came out wearing the same dress that she wore in the "We'll Be Together" video. If that's true, of course it still fits her. They hugged, and she said, "Thank you, Robert, for that amazing introduction. I knew it was a good idea to have you host."

Trudie's speeches at these concerts leave me feeling simultaneously inspired and depressed. She's regal, well spoken, and thoughtful. And, she tells you the facts, like, "In my own lifetime, we have lost half of the world's rain forests. In my own lifetime, we've lost half of the world's land animals. And, in my own lifetime, we've removed life-sustaining oxygen from the seas and filled them with plastic."

She fears that we are losing safe places to live. "Every year, 20,000 square miles of tropical rain forest are destroyed and with it thousands of species of plants, animals, an insects," she said. The rate of deforestation in Brazil has been the highest in a decade because Brazil's President Bolsonaro actively encouraged the burning of the Amazon, and then he blamed Leonardo DiCaprio for the problem. Then, the always serene and composed Trudie Styler punctuated her frustration with, "You can't make this shit up!"

She continued, talking about how officials in Madrid are considering offering incentives to governments and industries to cut down carbon emissions. "That's extraordinary, isn't it? That any kind of financial incentivisation should be required at all – as if rising sea levels, extreme weather, the melting of the glaciers and ice caps, the deaths of coral reefs, droughts, floods, uncontrollable fires were not incentive enough!" She mentioned the migrant crisis and how millions more people will be on the move from their own destroyed environments, in search of food, security, and survival.

The Rainforest Fund is more important now than ever, a vital part of the bigger problem of our warming planet. While it may feel impossible, we owe it to the next generations not to give up. "We need to turn our activism into real, concrete action," she said. "The urgency demands that we must create a community of activists acting in harmony to save humanity."

She stressed that every choice we make matters  – our diets, our cars, our use of plastic, our vote – if it's part of a unified vision. She urged for a new environmentalism that fosters a universal language of inclusion, that celebrates diversity and suggests a new way of being for humanity, and that ultimately protects all things on our Earth.

And, after all that heavy seriousness, it was now time for something completely different.

15. The Cup of Life – Ricky Martin. I don't think this guy ages. The crowd went wild for the sudden burst of energy and party atmosphere this performance provided.

16. La Vida Loca – Ricky Martin. Everyone sang along, stood, clapped, and danced to both of Ricky Martin's songs. The best thing I remember about this is that, two big guys were standing next to me, and when this song started, one of them exclaimed to the other, "Now, we're talkin'!!!"


After Ricky Martin brought down the house, we got a video message from Peter Gabriel! He said he was sorry that he couldn't attend tonight's event but was confident that Sting and the band would do okay. He complimented Sting and Trudie's efforts toward this cause and then said that Sting has introduced "tantric advocacy." (No, I still won't roll my eyes tonight.) He's helped the world realize how dependent we are on the rain forests.

17. Sledgehammer – Sting. A few years ago, Sting and Peter Gabriel toured together. It was a fantastic pairing, and they traded singing each other's songs at times. So while this version of "Sledgehammer" wasn't new to me, I was thrilled to hear and see it again. The backup singers all moved toward the front of the stage to sing with Sting, and to do Peter's "Sledgehammer" video walk together – such a crowd pleaser!


After it was over, Robert Downey, Jr., walked out, saying, "Peter, what a dick! 'Tantric advocacy'?" Thanks, Robert, but let's move on... He and Sting introduced Adrienne Warren, who is now on Broadway portraying Tina Turner in Tina: The Tina Turner Musical.

18. Simply the Best – Adrienne Warren. I saw Adrienne Warren on The Late Show about a month earlier, talking about being a lifelong Tina Turner fan, working on the musical, getting to meet her idol and pick her brain about everything, and having her come to see the show in person. She sang "River Deep/Mountain High" with the cast that night, and it was powerful. Here, again, she  channeled Tina in hot pink fringe dress, doing signature moves, and sounding pretty similar but in her own way. There's only one Tina, but Adrienne Warren could be the next best thing.

Robert Downey, Jr., came back out afterward. "We are continuing our theme of disgustingly philanthropic performers," he said, and he introduced John Mellencamp.

19. Jack and Diane – John Mellencamp. "How am I supposed to follow that?" John Mellencamp said, referring to Adrienne Warren's performance. He just had a guitar, but that's all he needed. In the '80s, I was never a big fan of John Mellencamp, but as the years have gone by, I've admired his work for Farm Aid and the interesting music projects I happen to hear about. This performance, singing just with a guitar, was quiet and fantastic! Everyone was singing along to this classic to a point where the audience became louder than the performer. During some choruses, he stopped singing and even playing. We took care of it acapela. We all know this one.

20. Pink Houses – John Mellencamp and Bruce Springsteen. Here's where everyone went berserk. Bruce Springsteen walked out and duetted with John Mellencamp. The titans had arrived. I somehow know all the words to this song too, but I guess everyone done, at least in this room. In the middle of this John Mellencamp song – with everyone standing, bouncing to the music, singing along, and anxiously trying to capture this monumental moment on their phones – it hit me how special these concerts are and how lucky we were to see these two singing such a great song together.



After that was over, Robert Downey, Jr., walked out again, saying, "Okay, okay, I can't blame you for having your phones out for that one. Put them back in your damn pockets!" And, "I think I can safely say this is the greatest concert we've ever been to."

21. Would I Lie to You – Eurythmics. Here is where maybe I went berserk. It's funny how so many people in the audience seemed to be here to see different performers. There's the Debbie Harry crowd, the Run DMC crowd, the Ricky Martin crowd, the John Mellencamp crowd, the Eurythmics crowd, and so on. Granted, I have seen Annie Lennox before – on tour with Sting, where else? – and I already know she's amazing, but it's been a while, and this time she came with her partner Dave Stewart. That was an extra treat. Dave Stewart looked the same as always: cool, stylish, and quiet with sharp suit, tipped hat, shades, and a sparkly silver guitar strap. He played a lengthy guitar solo here, during which Annie Lennox had time to change looks, switching from a sparkly silver jacket to a black one with a sparkly music staff pin on the lapel.


22. Here Comes the Rain Again – Eurythmics. This song started out acoustic and quiet. As with John Mellencamp's, everyone was singing along to this one too. Annie Lennox stopped singing at one point and prompted us to sing the chorus for her. "You sing so well," she whispered when we finished. Then, the song exploded, using the full band and crescendoing with another guitar solo from Dave Stewart.

23. Sweet Dreams – Eurythmics. Keeping with this momentum, they launched into probably their best known song with the classic video playing in the background. We were all standing, singing, and swaying together. We were lucky to see them here, reunited for the first time in several years.

After this set, Robert Downey, Jr., returned and asked, "Does anyone find it ironic that The Boss never really had a job?" He was met with the typical response after any mention of this guy: "Bruuuuuuuce!'

24. Glory Days – Bruce Springsteen and John Mellencamp. I was never a big Bruce Springsteen fan in the '80s. He was in the same boat as John Mellencamp in my mind. Still, I somehow know all of his songs too, and like John Mellencamp, I've come to appreciate his work and music more over the years. And, once he started showing up at the last few rainforest concerts, I understood the fandom. He really interacts with the crowd and puts on an infectiously energetic performance every time. I've always liked this song, and everyone else here did too. We all immediately stood up and sang along. Again, this moment, seeing these two sing together, seemed to change the energy in the room.

25. Dancing in the Dark – Bruce Springsteen. As John Mellencamp left the stage, Bruce yelled and signaled Narada Michael Walden to start with a drum solo. All the backup singer clapped to the beat and did some happy choreographed moves throughout the whole song. We sang, danced, and cheered along to this one, which featured a great saxophone solo. Eventually, all of the performers joined Bruce on stage, dancing and clapping to the beat as he ended this song.


26. Don't Stop Believing/Rapture/Rain Forest Rap – All. I wish they had ended it with Bruce. Even though I've never liked it, I get it that this is a go-to uplifting song for any occasion. (I remember when this song ended this concert before, in 2010, with an eclectic group, including Debbie Harry, Shirley Bassey, Lady Gaga, and Elton John. I probably complained then too – just because there are better songs. This time around, especially, though – there are so many other choices from the '80s and '90s!)

But, I won't complain because everyone is on stage here! One of the backup singers I didn't know took on main singing duties and sounded great. I appreciate that she dressed up in an '80s-inspired mostly black outfit, with hot pink lips on her t-shirt and a matching hot pink hair tie, jewelry, fingerless gloves, and leg warmers. But I spent most of my time trying to figure out if she was a famous special guest I didn't recognize or if she'd been here the whole time. (It was the latter.) I also noticed, more importantly, that Trudie had changed her look and outfit; now with a long ponytail, she wore a more festive shiny silver dress.

As usual, the performers had their own hand-held microphones and participated in this last song of the night, singing along to the chorus and big finish. When the song ended, the music from "Rapture" started up again and DMC rapped about the rain forest, leading everyone to chant, "Leave our rain forest alone!" It was a good message to end on.

To end the chanting and music, DMC turned to face the band with outstretched arms. He had his back to us and stomped to end it. He immediately hugged Trudie and Sting, who were right in front of him, and everyone on stage followed suit, cheering, clapping and hugging each other. Then, Trudie stepped forward to thank everyone for coming and and supporting the Rainforest Fund: "We've done it!"

What does the future hold? 
All concert photos' copyright: Getty Images
A few days later, I read a Vanity Fair interview with Trudie Styler, where she said this concert event (which includes a silent auction and related events) may be the last for the Rainforest Fund, at least for now. While it's great fun, the labor and costs aren't necessarily matching the returns and response they need during these urgent times. They have achieved a lot, but the problems have become increasingly critical as time has passed. She plans to reevaluate strategies to see what can be done more efficiently to reach the leaders of these countries and get them to make substantial change.

I whole-heartedly support this plan. However, I'm also glad that she's not saying they're never having the concerts again. I'm holding out hope that this is just a break because I like these concerts. Can you tell? Thanks, Trudie, Sting, and everybody involved for making these events so unforgettable!

Now, everyone, every little bit counts. Donate to the Rainforest Fund today, vote, recycle, bring your tote bags to the grocery store when you shop, and do whatever else you can to help save our home. We've only got  one.



Tuesday, February 28, 2017

2016 Rainforest Fund Benefit Concert

Hi everyone,

My view from up high
Tickets for this year's Rainforest Fund Benefit Concert didn't go on sale until one month before the event, and even then only a few performers were mentioned as part of the lineup. None of the performers overly excited me; some had performed for this show before, and I had no expectations about the newbies, since I hadn't heard them before.

Still, I felt lucky to get a seat in row B of the front center balcony. The concert's band – the 2016 Rainforest Fund All-Star Players, led as always by musical director/drummer Narada Michael Walden – included 14 musicians and 7 backup vocalists and featured members of the Orchestra of St. Luke's. As usual, a small row of (four) chairs were placed on the left side of the stage so that the performers could watch and enjoy each other's performances.

The main attractions
This year, the show moved from spring to winter, but no snowstorms blocked my way to Carnegie Hall on December 14. Also unlike years past, the concert was shortened by an hour, and some attendees near me felt cheated. While I too longed for a few more show-stopping moments, I was impressed by the show's efficiency this year. Besides, this year's theme was holiday and winter spirit. Did we really want three hours of Christmas music?

Another weird complaint I heard was that the sound wasn't perfect. I thought it was just me, but others agreed that there were moments when we couldn't understand what some performers said while others were loud and clear. As one attendee said about it on her way out, "I mean, this is Carnegie Hall; what's going on?" Nevertheless, I was thrilled to be there, as always. Here's a run down of the tunes.

1. Carol of the Bells – 2016 Rainforest Fund All-Star Players (aka the band). I've never liked the rocky version of this holiday classic, but I liked this evening's arrangement because it showcased the amazing band and muscled into jazz territory. It still had its signature electric guitars chords jamming at the start and finish but became a brand new beast in the middle, full of instrument solos, like saxophone and flute. The whole concoction was led by pounding drums and heavy bass, and the big finish was enhanced by the guitarists jumping dramatically and lighting swapping colors – red, blue, white – at the pace of the beat. This was an exciting start to the show.

2. Winter Wonderland – James Taylor with Chris Botti. I always look forward to seeing James Taylor at this concert, in which he has participated since 1992. He's always funny and his voice sounds amazing in Carnegie Hall. In honor of this year's theme, he and trumpeter Chris Botti wore winter coats, hats, and scarves while they performed "Winter Wonderland." I also liked the lighting in the background during this song, which displayed white tree branches along with dot and geometric patterns that reminded me of a snowy day. I was surprised that this was Chris Botti's only spotlight appearance during the concert, but he performed this song on James Taylor's own 2006 holiday album, James Taylor at Christmas.

3. Soul Cake – Sting. When Sting first appeared, he wore a long overcoat. For this song, he took it off to reveal the best outfit of the night: a black top with a bright yellow swirled design, a black skirt (which he wore to last year's Grammys), and heavy back boots. (He's such a rock star!) "Soul Cake" is one of my favorites from Sting's winter-inspired album If on a Winter's Night.... For it, he played guitar, surrounded in a huddle by backup singers. Their outfits all included some winter wear. The singers included a regular from Sting's own band, Jo Lawry, who wore a winter knit hat and scarf, as well as Lisa Fischer, who I know as a featured backup singer for the Rolling Stones and as part of the Oscar-nominated documentary 20 Feet from Stardom. (They have both attended this benefit before.) The grown-ups were also joined by a small group of singing children, also dressed in winter wear. Together, they created a warm folk sound and feel.

Break for Trudie Styler's Speech. After this song, Sting's wife Trudie Styler appeared to make her speech. Sting introduced her, noting her "very sexy dress." It was a good one: a sleek shiny silver long-sleeved dress that looked like liquid metal and ran just below the knee. She thanked all the performers, noting that this was the first concert they've held in December, a time to reflect on the joy of the holidays but also winter longing for people no longer with us or people in need, like the homeless. The songs chosen tonight represent all of these facets. She said that the Rainforest Foundation has raised $45 million since its inception, and this year was the first year they were called to action in the United States for the conflict about the pipeline development at Standing Rock, North Dakota. Some people from the Lakota Delegation were in the audience, and she blew kisses to them. She acknowledged that we were headed for challenging times. "This evening is not the time to comment on the incoming administration," she said. "Robert De Niro did that for us." (You can see what she's talking about here.) We laughed, despite our worries, and Trudie finished her speech. Then, we got right back to the music....

4. Let It Go – Idina Menzel and the Manhattan Girls Chorus. Trudie introduced "Let It Go," saying that it has become an anthem for young girls everywhere. Before it started, about 45 girls – the Manhattan Girls Chorus – in black dresses came out and sat hero-style across the length of the stage. I liked that one of them had purple hair. Idina Menzel, in a red pantsuit, stood at the center and sang. The girls stood and sang with her when it was time to do so. During this song, the lights were again like snow dots. Having Idina sing her signature song from Frozen to you in person is pretty amazing. She is "Elsa" after all, and she had a fantastic choir backing her up, which made this already inspiring song even more powerful.

5. River – James Taylor. I love Joni Mitchell's song "River." Before I heard her sing it, I knew it as a cover by one of my favorite bands, Travis. For his version, James Taylor played acoustic guitar, sitting on a stool and backed up by the band. Because of James Taylor's warm voice and the faster pace, I felt that this version sounded too upbeat for its sad lyrics, but I did like the three dancers (two guys and one girl) who swirled around the stage during the song, as if they were on the icy river. This song is included on the James Taylor at Christmas album.

After the song, James announced, "And now, back to Sting...."

6.  The Cherry Tree Carol –  Sting. Like James, Sting sat a stool playing guitar for this song, accompanied by the band and backup singers. I didn't recognize this song at first, but once I listened to it again, I realized I knew it. Sting said that "The Cherry Tree Carol" is his favorite Christmas carol. This song is available on Sting's album, If on a Winter's Night....

After the song, he began to introduce the next performer, saying how happy they were to have him and how amazing it was that he found the time to attend during this busy time of year. Audience members began calling for "Bruuuuuce [Springsteen]" who was on the list of performers, but it wasn't him; instead, Santa came on stage. Someone near me in the audience said to her friend, "But who is it? It's got to be someone."

7.  Vesti la Guibba from Il Pagliacci – Vittorio Grigolo. When opera singer Vittorio Grigolo took off his Santa hat and beard, he smiled at us, shrugging off the disappointed expectations for Bruce Springsteen. I don't know much opera, but I recognized "Vesti la Guibba" immediately from when Luciano Pavarotti sang it. Vittorio was so dramatic, singing tragic lyrics I couldn't understand. As he sang, he dropped the Santa hat and took off his jolly red coat, tossing both on the floor. By the end of the song, he staggered off stage in full misery. This guy's voice is amazing, and he was so fully invested. Though the fluffy red pants and suspenders over his white t-shirt conflicted with this emotional drama, we could all feel it – even in the top rows.

8. The Empty Chair – Sting. "The Empty Chair," written by Sting and J. Ralph, is on Sting's latest album, 57th and 9th, but it was written for a documentary, Jim: The James Foley Story. James Foley was a journalist who was kidnapped and killed in Syria in 2014. When Sting was asked to write this song for the film, he initially refused, unsure he was up to the task. He came up with a metaphor for the tragic story at Thanksgiving dinner, while surrounded by family. He imagined what it would be like if one of his own children was missing from the table – if there was an empty chair. He sang this song sitting on a stool, playing guitar with the band backing him up. "The Empty Chair" earned Sting his fourth Oscar nomination.

9. Nessun Dorma from Turandot – Vittorio Grigolo. "Nessun Dorma" is another song that I remembered from Luciano Pavarotti's version. Vittorio sang his version with the Manhattan Girls Chorus. Everyone erupted at the end, including Sting and others who watched from stage right. This guy is going places.

10. Frosty the Snowman – Ronnie Spector. For a complete change of pace, Sting introduced Ronnie Spector, the Rose of Spanish Harlem, who sang "Frosty the Snowman." This song was a hit for her all-girl band The Ronnettes. Tonight, she wore a fitted Santa jacket over black leggings, and her backup singers wore red dresses to match. They all had bouffant hairdos. It was during this song that I noticed members in the band wearing Santa hats.

11. I Saw Mommy Kissing Santa Claus – Ronnie Spector. Ronnie Spector started singing this song but then stopped it because she forgot to tell us the story first. She said that, as a kid, she worried about Santa not visiting her house because her family home didn't have a chimney. Her dad told her that, in New York, Santa uses the fire escapes. The next day, the milk and cookies she left for Santa were gone, so she knew he was real! She sang "I Saw Mommy Kissing Santa Claus," which was another Ronnettes hit. Afterward, as she left the stage, she gave us a flirty flip of her coat.

12. Last Christmas – Sting. Sting changed his outfit to white shirt under a silky, shiny black suit. "Where are my girls," he asked, and five backup singers, including Jo Lawry and Lisa Fischer, came running out, some in winter coats, saying, "Here we are!" They huddled on either side of him as he said "There you are." As the music for "Last Christmas" started I, and the girls behind me, gasped with excitement and instantly began swaying and singing along. George Michael's music has this affect on us. Sting and the girls did a great job on this '80s favorite, though I later wrote in my journal, "Why didn't they get George Michael to sing it?" Now that surprise appearance would have been exciting! I miss you, George Michael!

13. Christmas (Baby, Please Come Home) – Darlene Love. Making the next introduction, Sting told us to welcome "the beautiful wall of sound that is Darlene Love." He was right; she was thrilling to hear. Maybe it helped that I love this song and forgot she made it famous. She looked beautiful too, in a white wide-leg pantsuit over a red sparkly bustier with red high heels. Her warm energy was contagious, and when the song ended and we quietly waited for the next performer, a lone voice yelled out what we all wanted, "Darlene, come back!"    

14. Baby, It's Cold Outside – Idina Menzel and James Taylor. Oh well, I love "Baby, It's Cold Outside" too. For this song, James played his guitar, and the band backed him and Idina up. James Taylor included this song, a duet with Natalie Cole, on his James Taylor at Christmas album, but I like the classic Ella Fitzgerald version with Louis Jordan best.

After it was over, James exclaimed, "I Darlene Love it! Bring her back out!"

15. Rockin' Around the Christmas Tree – Darlene Love. We all cheered because Darlene Love was again awesome, singing "Rockin' Around the Christmas Tree." She (and Vittorio Grigolo with his amazing voice) was the highlight of the concert for me.

16.  I Wish It Could Be Christmas Every Day – Sting. To preface his performance, Sting said, "I promise you, this is the stupidest song you'll hear all night. It was a huge hit in Britain in the '70s, and it's called 'I Wish It Could Be Christmas Every Day.' That sounds like a form of torture to me, but..." (I think I know the source of Sting's distaste. Watch this video for the song if you want some nightmare material.) For someone who doesn't like this song, Sting did some great dance moves while he sang it. I was unfamiliar with this song (and didn't care for it either), but I heard it in a mall a few weeks later, so I guess Sting is right: it's popular.

After the song was over, it got quiet. Sting said, "Uh, I have no idea what's going to happen next..." Then, a voice came from the orchestra-level audience: "Ho Ho Ho! This is your Jersey Santa Claus!" Bruce Springsteen came down the aisle to the stage while Sting looked out, asking, "Santa?" Bruce had everyone at "Jersey."

17. Santa Claus Is Coming to Town – Bruce Springsteen. I'd only seen Bruce Springsteen in person once before when he performed at this benefit a few years ago. I was indifferent to his music – some of it I like, some of it I don't, and probably most of it I don't know. For a while, I got sick of hearing his version of "Santa Claus Is Coming to Town" on the radio when it was released as a single, but I know how popular he is. His live performances have a joyous energy; he has that effect on the audience, and having experienced it, I understand why he has such an avid following. He becomes one with the crowd when he performs.

18. Merry Christmas Baby – Bruce Springsteen. Case in point, during "Merry Christmas Baby," which Bruce also released years ago as a single, he sat on the edge of the stage and eventually jumped down to sing from the aisles. He was swarmed by women in the audience, and he jokingly called out, "Security?" He was participating in a bunch of fan selfies while he sang, which impressed me. The crowd followed him wherever he wandered until he made it back on stage.

19. Tenth Avenue Freeze Out  – Bruce Springsteen and Lisa Fischer. "Tenth Avenue Freeze Out" brought out the crowd's love for Bruce even more than his Christmas songs. Everyone was jumping, swaying, and singing along. This great rendition showcased Lisa Fischer's powerful voice; she and Bruce made a great match. This classic Springsteen song, while not originally a duet with the wonderful Lisa Fischer, is available on Bruce's Born to Run album.

20. Do You Hear What I Hear? – Jennifer Nettles and company. Sting introduced Jennifer Nettles as a special surprise guest that they were lucky to have. I didn't know who she was, but I liked her sparkly silver pants. She acknowledged her dread about following Bruce but said, "Here goes..." Available on her own To Celebrate Christmas album, she started singing "Do You Hear What I Hear?" and was eventually joined by the other performers. Idina Menzel, Darlene Love, and others trickled on stage until they were all there in a row spanning the entire space; the women were on her right side while the men were on her left.  


21. Joy to the World – Jennifer Nettles and everyone. For "Joy to the World," the dancers and backup singers joined the lineup. I could tell that interesting harmonies were happening but the sound, which had been spotty at times throughout the concert, was most noticeably insufficient during this song, which would have most benefited from it. (It's a bummer to miss those harmonies in Carnegie Hall!) Sting rattled off all the performers' and band members' names, but he was also hard to understand beyond the music. I did hear him call for Trudie Styler, and when she joins in, you know it's the finale.


After being treated to 3-hour concerts, including an intermission, all these years, when the lights turned on, many of us were left with a feeling of "That's it?" Still, as I mentioned, I appreciated this year's polished efficiency. Other years, I've heard people complain about the drawn-out length with too many speeches and other business.

People are never fully satisfied, but I've always loved these concerts. They're always special one-of-a-kind experiences that I'm lucky to have. I look forward to returning here for another one in 2018!

Best,






Image credits: Aside from the Bruce Springsteen fan shot (© Showbiz411), all professional concert images are © Kevin Kane and Kevin Mazar at Getty Images.

Wednesday, April 01, 2015

2014 Rainforest Fund Benefit Concert

Hi everyone,

Last April, I attended the biennial concert benefiting the Rainforest Fund, a charity founded by Sting and his wife Trudie Styler to protect the forests and the people who live there. When I moved from Ohio to D.C. in 2001, I discovered that tickets to these concerts were relatively affordable ($150 and beyond), and New York was easy to get to by bus or train. Being a devoted Sting fan, I had to go, and I've been hooked ever since!

Always performed in Carnegie Hall, one of New York's most beautiful landmarks, these concerts guarantee a unique, unforgettable experience. You can read about the 2012 concert here. While some concerts have boasted better lineups than others (for my taste, anyway), I always leave with the same exhilarated feeling that only good music brings the soul.

This year, I assumed that extra special planning would be in the works to acknowledge the charity's 25th year. Instead, tickets went on sale with no prior announcement from Sting or Trudie and no clues about who would perform. Luckily, I Googled to find the concert's date, which was listed on a random website. Then, I just kept checking Carnegie Hall's April calendar, waiting for the event to show up. When it did, I bought my ticket without knowing who was going to be there. I assumed Sting was locked into showing up, and that was good enough for me. Also, I've attended this concert enough times to know I wouldn't be disappointed. I felt good about this leap of faith.

A while after the tickets went on sale, a list of some of the scheduled performers was released like an afterthought. Sting and Trudie Styler began showing up on TV and Facebook only about a week in advance, encouraging people to attend the concert. Despite this seemingly lax marketing effort, the show was very well attended and went on with the level of quality I expect from Trudie Styler and company. Here's a rundown on what happened.

The stage is set.
The stage seemed crowded with instruments and equipment this year. The 2014 Rainforest Fund All-Star Players, directed as usual by drummer Narada Michael Walden, included members of the St. Luke's Orchestra (conducted by Charles Floyd) and at least 15 other musicians and seven backup singers.

Thinking back, what threw me off was not the number of people on stage but an unexpected piece of furniture. What I thought was a white upright piano turned out to be a bar, complete with stools. Maybe this is an upgrade from the rows of folding chairs, where the performers could sit onstage to watch their friends singing, I thought. We were apparently in for a party.

Enjoy a view from the top – if you can.
Typically, I get a seat in the cheap section. By "cheap" I mean the $150 to $175 range, which is the top balcony. You know it's the cheap section when you climb five flights of stairs, are told to go out an exit door to climb three or so more, and then receive a final warning that the level you're currently standing on – which is not yet your destination – is the last level that has a bathroom. Despite the height (and maybe because of it), you still get a grand view of the stage (see my vantage point at right). Some years, I've bought more expensive seats in different sections of the hall only to discovered that my cheaper seat is not much different and sometimes better.

The down side to this section is that I've always been surrounded by people who don't pay the performers or the venue the proper respect I feel they deserve. Some people are dressed in jeans, most are using their cell phones or are not paying attention in other annoying ways, and a few leave before the show is over. This year, I was stuck between two women who enjoyed the show, as far as I could tell. But the one on my left didn't return after the intermission, and a woman on my right kept borrowing my binoculars and asking me who each performer was – despite the detailed-with-performer-photos program we were all given and the introductions made before every performance. At times, they distracted me from fully focusing on the show, but I'll do my best to describe it.

It's Showtime!
Each concert usually has a theme, like Motown, The Beatles, or movie songs. This year, they seemed to choose whatever song they considered to be a classic - be it show tunes, Nirvana, opera, rock, or something else. This show had a little bit of everything for everyone. Luckily, the performers have good taste. Here's what happened:
  • The white bar was there for a reason! Kevin Spacey served as bartender with Sting as his customer. They sang What a Swell Party as a duet until James Taylor stumbled onto the stage wearing a lampshade on his head. All three of them topped it off as best they could in their drunken state. Kevin even did a little soft shoe. My ticket was worth it already.
Sting stuck around as the bar was pushed off stage and everyone else left. He reintroduced Kevin Spacey as "President Underwood," his character on the Netflix series House of Cards. When the initial list of concert performers was finally released, I was most excited to see Kevin Spacey's name. I assumed that he'd just make a speech, but I don't know why I stopped there since I know he can do so much more!
  • Taking over as emcee, Kevin Spacey talked about the concert and the cause behind it. Then he said, "But, first, the Johnny Carson impression." Aside from the phenomenal acting and apparent tap dancing skills, he does impressions that always make me laugh. He told some jokes as Johnny Carson, including that he ran into Christopher Walken at Carnegie Hall, who advised [in Christopher Walken's voice], "Prac-tice, prac-tice, prac-tice..." Did I mention he sings really well too? Did you all see him as Bobby Darin in Beyond the Sea? As he belted out That's Life, I think Sinatra was in the room and, at the end, everyone cheered like it too.  
After the song, Kevin Spacey continued, "Sting introduced me as Underwood. Let me just say this [in Bill Clinton's voice], 'I love that House of Cards. I don't know how accurate it is. You could never get an education bill passed that fast." He then introduced Renee Fleming, who sang two opera pieces.
  • O Mio Babbino Caro is an aria about a girl who threatens her dad that she'll jump off a bridge if he forbids her to marry the boy she loves. (Look it up; you'll recognize the melody.)  
  • La Ci Darem La Mano is from Don Giovanni, which she was currently performing at the New York's Metropolitan Opera House. For this piece, three microphones were set up, and she said that she was looking for someone to perform the song with her. Behind her, all the members of the horn section volunteered, wearing period-style hats adorned with neon-colored feathers along the rims. "Those hats are the correct period, but I'm not sure about the fringe," she said. "I don't know what kind of Don Giovanni that would be." Luckily, someone else came trotting out to save the day: "Oh! Oh, here comes Sting. Okay!" He held a rose while they sang in Italian. Mid song, Kevin Spacey walked out, holding a sunflower and began competing for her affections, despite Sting's dismay and attempts to wave him off. They all sang together, but at the end, Oscar Isaac showed up with an entire bouquet of flowers and stole her away. They walked off stage, leaving Sting and Kevin Spacey sulking.

  • Kevin Spacey, then introduced James Taylor, who sat on a stool with his guitar. When James Taylor didn't attend the 2012 concert, I really missed him. Since attending these concerts, I've fallen for his voice, his sense of humor, and his calm, thoughtful demeanor. The acoustics of Carnegie Hall are perfect for him. He told us that he'd been to all but two of these concerts. "Every year, it stretches me to do something outside my comfort zone, which is a good thing, I think. This next song is definitely smack dab in the middle of my comfort zone. I think I've done it thee times on this stage." To everyone's supreme joy, he performed his classic Fire and Rain.  
  • Next, James Taylor introduced Chris Botti, who played his trumpet with violinist Caroline Campbell  for a great song called Sketches of Spain, which I'd never heard before. I was unfamiliar with the violinist, but I  first heard of Chris Botti when he joined Sting's band years ago. Since then, he's continued solo and been busy; he explained the rise in his popularity in an interview once, saying, "Be friends with Sting." The most memorable moment of this performance for me was when he played a single note on his trumpet for a ridiculous length of time. I'm convinced that he and Sting must do yoga together to get their exhales to extend that far.
  • Sting came out next and sang When We Dance, which is one of my all-time favorite Sting songs. He had changed outfits from a gray fitted shirt with a black flower pattern on it, white cream jacket, and black pants to a black three-piece suit. Two ballet dancers, Alessandra Ferri and Herman Cornejo, swayed and twirled next to him as he sang. They were so moving to watch, set to this beautiful melody and lyrics. They must really be in love, I thought. When the song ended, I came back down to Earth and realized it was more likely that they were just excellent, convincing dancers. 
  • Dionne Warwick was next with two songs, Walk On By and Anyone Who Had a Heart. I was unfamiliar with and really liked the latter song. She was one of the "big names" for this year's concert, but I felt indifferent about the idea of seeing her. Of course, she sounded wonderful. She even reminded me of Whitney Houston in the way she talked with the audience. She also looked fantastic with snow white hair a sheer blousey green pattern shirt that was tied in front and long in back, black trousers, and kitten heels. I'm all about the outfits. 
Kevin Spacey returned to check on us: "Are you having a good night?" Yes, thank you. He apparently forgave Oscar Isaac for stealing away Renee Fleming and brought him back to the stage.
  • You probably know Oscar Isaac best from the Coen Brothers movie Inside Llewyn Davis, in which he played a struggling folk singer. He really plays guitar and was accompanied here by more guitarists and little bit of drums. He sang Young Turks, and everyone around me sang along. Sting joined in our enthusiasm, exclaiming afterward, "I love that song!"
  • When Oscar left the stage, Sting continued, "The sign of an important song is one that conjures up a time in your life." He reminisced about starting out with The Police, driving a station wagon across the U.S., staying in sketchy hotels, and struggling to make it as a musician. "This song," he said, "brings that all into focus. He started playing  his acoustic guitar and singing Paul Simon's "America" He tells his same story while performing this song on tour with Paul Simon, but it's still just as effective. As he started to play and everyone recognize it, an audible "Awww..." filled the room. It sounded beautiful in Carnegie Hall and might be my favorite performance of the night. 
  • As that song finished up, Stephen Stills walked out playing his electric guitar to drown out the moment and blast into another with For What It's Worth. Toward the end, other performers joined in, singing along, including Sting, Patti Scafia, James Taylor, Kevin Spacey, Dionne Warwick, Joe Sumner, and Trudie Styler. During this song, the woman to my left swayed in her seat, singing along word-for-word, to her own tune, in her own way, directly in my ear. It was kind of a bummer, because I too love that song and wished I could better hear Stephen Stills singing it. 
Here are some things to ponder during intermission (and beyond).
Sting's wife Trudie Styler, who produces this event, makes a speech at every concert. This time, she noted that the fund has raised $35 million so far, the vast majority of which comes from these Carnegie Hall concerts. She said she's is always asked why she and Sting work on this charity, and her response is two words: people and planet. "This is not the Wild West," she says of the land being destroyed. "This not ours for the taking." She gave examples of global warming, extreme weather, fires, and natural disasters, explaining that it's all connected. "There is only one [planet]. We have to change." This statistic surprised me: Fourteen companies are responsible for two-thirds of carbon emissions. She stressed that they have to change. Trudie Styler is a passionate, impressive speaker, and I'm always inspired after listening to her.
Next, she introduced another good speaker, Bill Clinton! Everyone broke the rules and got out their cell phones immediately to snap photos. He said, "I'm here to tell you that the break is on its way." The woman to my right, noticing the heightened excitement upon this man's appearance, asked me who he was. (I swear!) "Every tree in every rainforest is better left standing than cut down," he reminded us. He thanked all of the performers, naming a few, and then said, "I know Kevin Spacey came out here to make fun of me." Kevin Spacey was behind him. They hugged and kept their arms around each other as he continued speaking, sharing that they went to Africa together once and people couldn't tell who was talking. "I've always admired you and wished I could be in your line of work," he told Kevin. "Dammit if you didn't get into mine!" Bill's so smooth.

Stephen Stills returned to end the first half of the show performing the instrumental Amazonia as a we watched a video on a wall-mounted screen behind him, showing the work of the Rainforest Fund and the people it helps. I thought this whole presentation was quite well done and effective. I thought about it well into our intermission and after the show, and I hope the rest of the audience did too.

They're Back!
  • Opening the second half, Lisa Fischer (longtime backup singer for The Rolling Stones who was in the Oscar-winning documentary 20 Feet From Stardom) and newcomer Ivy Levan kicked off the second half of the concert with powerful performances of two Rolling Stone songs, Start Me Up and Jumping Jack Flash. Sometimes, Lisa Fischer's voice overpowered Ivy Levan's. Their performance together was fantastic, but if they were competing on The Voice, the winner is clear. I fantasized about Mick and Keith interrupting them, but that didn't happen. 
  • Next, Sting's daughter Eliot Sumner appeared as if she just woke on up on street corner and forgot to shower.  (She's so talented and I love her. I only mention this because the last time I saw her at this concert a few years ago, she was very glam. Apparently, this is her new look. Of course, the woman next to me asked who she was, and I explained it was Sting's daughter. She exclaimed, "That's a girl?") She sang Born to Be Wild, which was good but I wished she had performed a quieter song that fit her voice better. The last time I saw her at this concert, she sang an amazing song of her own called, "Bohemian Love" on acoustic guitar. Everyone was so attentive, you could have heard a pin drop – until she was finished, when we erupted in cheers because we all knew a star had just been born! For me, the bar was set high for this appearance.
  • Her older brother, Joe Sumner, came out next to perform Smells Like Teen Spirit. He also performed at this concert before, the same one where Eliot Sumner looked glamorous and blew everyone aways with her song. Back then, he was the grungy one with long hair. I saw him again shortly after that, opening for Sting with his band Fiction Plane. Now, at this concert, he looked like a businessman. The siblings have  apparently swapped stylists. Joe Sumner is a good screamer, so this song was a good fit for him. I remember reading that Nirvana is a big influence on his music, so I wasn't surprised by this choice. They both must have just picked a favorite song.
  • Sting returned and introduced a friend of 25 years, Patti Scafia (Bruce Springsteen's wife). They sang a lovely rendition of Stand By Me, during the middle of which they slow danced. And, as they finished, Sting knelt on one knee, holding her hand. It was a sweet performance, and I liked Patti Scafia's unique voice, which I don't think I've noticed before.
  • Next, James Taylor appeared, but I didn't recognize him at first. He changed from his typical suit attire into a casual jacket with khakis  and a pageboy hat. He looked like he just stepped out of Newsies. He sang How Sweet It Is (To Be Loved By You), to which everyone in the room swayed, including Sting and Trudie Styler who were watching from behind a partition that shielded the backstage entrance. Awww, she gave Sting a quick kiss during this song. (These are the kinds of things you can see from these seats.) 
  • Next, Paul Simon sang Graceland and The Boxer. For "The Boxer," Sting sang backing vocals, as they do on their current joint tour. I love the harmonies they do on this song. This song showcases how their voices are a perfect combination. I always think of Paul Simon as a funny guy because I remember always seeing him on Saturday Night Live. Here, though, he told some bad jokes that I didn't get. Sting just shook his head at them, and Paul explained that only people in the Amazon, with their dry sense of humor, would understand them. Paul did say some nice things, though, about the work that Sting and Trudie have done for the Rainforest Fund. He got everyone to give Sting a standing ovation for their efforts. I'm all for that, of course.   
  • Sting spoke to get the show moving again. "You know, when Artie would sing, he'd send Paul off the stage. Well, tonight, Paul, I'm not going to send you off the stage. I want you to stand right there while I sing your song." Everyone laughed, and together they sang Bridge Over Troubled Water, as they have on their tour. At one point during the song, Sting held the note for "I will ease your mind...." for so long that the audience began clapping and cheering before he was finished. (I'm telling you, it's the yoga!) When they finished the song, Sting pointed at Paul and exclaimed, "He wrote that!" Everyone cheered and they hugged. 
  • Stephen Stills closed the show with another perfect song, "Love The One Your With," for which everyone joined him on stage, played, and sang along. Our hosts, Sting (shaking maracas) and Trudie, were the last ones out.


Good night!
As anticipated, we were all exhilarated by this one-of-a-kind show. When I met a friend for lunch the next day, still delirious from the night before, I described the show as a motley group of people who played their favorite or best-known songs. A while into my incoherent ramblings, my friend interrupted and said, "So, who else was there because so far you've only mentioned Dionne Warwick..." Hopefully, I did a better job here. 

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Best,

Image credits: Rainforest Fund logo and concert save-the-date ad © Rainforest Fund; all concert photos © Jamie McCarthy/Getty Images