Johnny Kitties Revisited: Celebrating My Favorite Johnny Depp Films – Ed Wood (1994)

Hi everyone,

I haven't started my Johnny Kitties tribute to Johnny's latest film release, Minamata, because it's not available on DVD until next month. In the meantime, you can find it for rent on demand and on streaming services. It's a sad but moving, important story, so check it out! 

Like last year for Johnny's birthday, I'm sharing an archived post celebrating one of my top picks. For the last few months, I've had Edward Scissorhands on my mind, but that's not the most timely choice on the brink of summer. 

Given what Johnny's been through in the last couple months (and six years), I scanned the Johnny Kitties list for something happy and light to mark the start of a new chapter. While I'm not sure it's all happy and light, I landed on another Tim Burton/Johnny Depp classic, Ed Wood. It's about friendship, acceptance, perseverance, and the love of making movies! I can't wait forJohnny to get back to that. Here's to a happier, healthier year and new Johnny Movies to come. 

Enjoy, and happy birthday, Johnny! 

Love, 

[What is Johnny Kitties? See Johnny Kitties: Celebrating Johnny Depp for all the details.]

"This is it! This is the one I'll be remembered for!"

Despite my involvement, this movie is a tender, comic gem. An amazing cast to work alongside in Martin Landau, Bill Murray, et al., but, of course, with Tim, there exists an almost brotherly sensibility, which made the whole experience a joy. Ultimately, I feel, with the artistic freedom we had, TB produced an American classic. A love letter to a filmmaker that didn't receive many. 
– Johnny Depp

After his death in 1978, Ed Wood became best known as the world's worst film director and a cult following was born. Among his biggest fans were Tim Burton and Johnny Depp. 

"This is Edward D. Wood, Jr." 

The real Ed Wood

Ed Wood's most famous features are the autobiographical Glen or Glenda, which explores a transvestite's struggle for a normal life, and Plan 9 from Outer Space, a science fiction/horror movie that was funded by local Baptist churches and completed in five days. Unlike your typical director, who may take all day to shoot one scene and finish a film in months, Ed Wood might have shot 30 scenes in a single day. Usually without permits, he had to steal shots whenever and as quickly as possible. His films weren't your typical Hollywood blockbusters; they were Ed Wood opuses. 

As scriptwriter Larry Karaszewski explained, "There's a personality to Ed Wood films that you don't necessarily get in a lot of other people's films. A lot of bad films are simply bad movies or incompetently put together. With Ed, you get a real sense of the filmmaker behind the camera. You see an Ed Wood movie, and you know it's an Ed Wood movie because of the obsessions and the fetishes. The stuff he's throwing up on the screen is clearly his way of working something out inside of him." 

In Ed Wood's eyes, every film he made would be the one to make it big. Scriptwriter Scott Alexander noted, "Where Ed's movies are distinctive is that there's such passion there. The passion is oftentimes misguided, but it's there." That's where Tim Burton's film takes flight. 

Ed Wood focuses on the director's friendship with aging Bela Lugosi (Martin Landau), who has fallen from stardom after portraying "Dracula" during the Silent Era and was now battling drug addiction and poverty. After a chance meeting, Ed (Johnny Depp) wantes to help Bela – one of his childhood heroes – by giving him parts in his films. The friendship lasts until Bela's death five years later. 

"Let's Shoot This F#*%@r!"

When Tim Burton received this bio-pic's script, co-written by Scott Alexander and Larry Karaszewski, he dropped his other projects and got to work, hardly changing anything on the page. He remembered, "It's probably the first time ever that I got a script and said, 'Yeah, let's shoot this.'"

Studying Ed Wood's original letters, Tim and Johnny got a sense of an unwavering upbeat optimism about his work. Because of that, Johnny's performance is hilariously enthusiastic and joyful. His other ingredients for the character of Ed Wood included the heart of The Wizard of Oz's Tin Man, the blind optimism of Ronald Reagan, and the distinctive voice of Casey Kasem. 

Working with Tim again on a project that became a labor of love for all involved was just what Johnny needed to break out of the dark place he was stuck in while filming What's Eating Gilbert Grape? "Ed was the rocket ship that took me away from that horrible, black, bleak time," he said. "This guy needed to be the ultimate optimist, dreamer, idealist. It was like being in a completely different suit or skin. It felt very good." 

His friend, Director Jim Jarmusch can attest: "I was staying at his house for a while when he was shooting Ed Wood, and sometimes I would pick him up from the set and we'd get dinner. It would take him three hours to stop being 'Ed Wood' – I just wanted to slap him to get that stupid smile off his face. We'd be in this Thai restaurant and Johnny is going, 'Hey, this Pad Thai is fabulous!'"

Johnny's performance fits perfectly into Tim Burton's version of an Ed Wood film – beautifully stylized in black and white with all the perceived normalcy of the 1950s. "You're mixing different elements," Tim explained. "You want to get the flavor of an Ed Wood movie without being an Ed Wood exactly." 

"This is perfect!" 

Tim Burton's Ed Wood is one of his best. It's one of Johnny's best. It's one of the world's best! They made a movie that struck a bittersweet balance between Ed Wood's rosy vision and reality. It is at once hilarious, heartwarming, heartbreaking, and joyful. 

This movie is about the love of filmmaking. In his review, Roger Ebert proclaimed that every film school in the country should show this film to their students to instill the devotion to and joy of the work. No matter what happens, everything is perfect in Ed's eyes. His love of producing and directing – getting the film in the can – was all that mattered. 

The writers noted that there were several more scenes reflecting Ed's insecurities and self-doubt, but they didn't make it into the film. Larry Karaszewski explained, "Johnny and Tim grew to love Ed so much that it made them uncomfortable to give  Ed those moments." 

At the heart of this movie is friendship and acceptance. No one in Ed Wood's circle is "normal," yet by the end of the film, you are cheering for all of them. Aside from Bela Lugosi and himself, Ed Wood's cast often included Swedish wrestler Tor Johnson (George "The Animal" Steele), ghoulish TV hostess Vampira (Lisa Marie), self-proclaimed psychic Criswell (Jeffrey Jones), and drag queen Bunny Breckenridge (Bill Murray). The "bad guys" in this movie were those embarrassed by Ed's love for cross-dressing or confused by his films' lack of continuity or retakes. But this troupe of misfits stuck together like family. And that was no clearer than in the relationship between Ed Wood and Bela Lugosi. 

Martin Landau as Bela, consulting with his director.

Brilliantly played by Martin Landau, becoming Bela Lugosi was a challenge: "What you've got here is a 74-year-old Hungarian morphine addict/alcoholic who has mood swings," Martin explained. "That would be hard enough, but it had to be Bela Lugosi, who everyone knows!"  

Paying homage to the actor, Martin considered this film a male love story, one between two guys who really needed and depended on each other. "You could tell that between Martin and Johnny there was a real respect and a kind of bonding that went on with them because they were both good at a certain level," Tim said. "It was exciting to see that."  

"We have to go see Ed Wood!" 

I had no idea who Ed Wood was at the time I saw this movie, and I don't remember how or where my family and I went to see the film. But I do remember two things: 1) There was no question that we were going to see it this time – no convincing, plotting, or pleading necessary, and 2) While watching the movie for the first time, I was worried about what my parents thought while Johnny strutted around in drag doing a strip tease among his friends in a meat packing plant. 

On the other hand, I was thrilled by Johnny's fearlessness to do whatever – and for Johnny, "whatever" usually guarantees the unexpected. It's a trait that remains in full force today, and one of the reasons I will always see his movies. Tim agrees, as he discussed being able to work with Johnny again on this project: "'Edward Scissorhands' was a character who didn't speak, and now we're dealing with a character that won't shut up. It's great to see an actor go from one thing to something completely different. There's a great energy to seeing something like that. He's just so willing to do anything that way. In fact, he usually wants to go farther than you want him to go. It's nice for other actors to see." The reviews everywhere for Tim Burton's little film were positive, even those from my own family.

Ed Wood was nominated for too many awards to list here. Among them were Johnny's third Golden Globe nomination and his win for Actor of the Year from the London Film Critics. Ed Wood earned two Oscars – one for Martin Landau's amazing performance and one for the makeup team who transformed him into Bela Lugosi.

Because of this movie, I sought out Ed Wood's own films, which I wanted to love as much as Tim, Johnny, and company did. But I just couldn't do it. They actually made me sad. I felt better once I found out that the writers are aware of this phenomenon: "What's interesting is that when you watch our movie, and then watch Ed Wood's films, our movie affects the Ed Wood films themselves," writer Larry Karaszewski said. "It's much harder to laugh at Ed Wood films, particularly Glen or Glenda. It feels like a piece of personal filmmaking, where you feel like this guy is putting his soul onto film." It's true: Watching the real Ed Wood movies, I was excited to see all the real people who were portrayed in Tim's Ed Wood, and I was still rooting for them to do well. I probably always will. 

Check it out: Once you see Ed Wood – and you should all see it – it'll happen to you too. This labor of love is contagious.

The Kitties will do anything to get this one made!

The Kitties were all for the Ed Wood homage in black and white. We had to choose a filming scene because that's what Ed loved best. Here is one of his great moments: Ed (Gordon) dragged the crew (including Norman, Simon, and Comet) out at 3 a.m. to steal an octopus prop from a nearby studio. Now, he's plopping Bela (B.J.) in the middle of it all to stage a big fight. This will match up perfectly with the big underwater finish Ed has planned for his latest movie. Who cares that they forgot to get the octopus motor or that Bela isn't quite underwater? This is perfect! (And only 25 more scenes to go tonight.) 

What came next?

After this, Johnny traded in his angora sweater for a mask to play the world's greatest lover, Don Juan DeMarco. Check out the Johnny Kitties page to see my review of Don Juan DeMarco and Johnny's other films.  

Johnny Kitties Celebrating Johnny Depp Film #59. City of Lies (2021)

[What is Johnny Kitties? See Johnny Kitties: Celebrating Johnny Depp for all the details. Visit the Johnny Kitties page for a full list of Johnny Depp's filmography and links to all previous Johnny Kitties blog posts.]

I really only wanted Johnny Depp for this role. I know there was a version of Russ Poole in someone else's hands that was just potentially boring, and uninteresting  – and I knew in Johnny's hands, that would never be the case. – Director Brad Furman

This is the guy you want on the case. 

Based on true events, City of Lies presents the intricate unsolved mystery around the murder of rapper Christopher Wallace – better known as the Notorious B.I.G. or Biggie Smalls – who was gunned down at a stop light after leaving an event in Las Vegas in 1997, just months after the similar death of rapper Tupac Shakur. Based on the nonfiction book LAbyrinth by Randall Sullivan, this film follows Detective Russell Poole (Johnny Depp) as he seeks and becomes obsessed with the truth – at the cost of his family, health and faith in the Los Angeles Police Department. 

Why is everyone shooting each other? 

City of Lies was a surprise release in 2021 that I found out about from Johnny himself when he publicized it on his Instagram account. (I could get used to this.) The movie was actually ready in 2018 but shelved days before it was supposed to be released. There are many theories why, but none provide a definitive explanation, so I will just take this sudden treat and forget about the drama around it. 

This is a fast-paced, intense movie that presents plenty of theories of its own about the murder of Biggie Smalls. Detective Russell Poole was hot on the trail but hit roadblock after roadblock as he discovered involvement and cover-up activities by several of his fellow police officers in the Los Angeles Police Department. He became so obsessed with cracking the case that he studied it for more than 20 years, until his death in 2019. 

The film was originally called LAbyrinth, after the book on which it's based, because that's what this investigation became. There are so many people involved, it took me a few viewings to track who they all were and why and how they took part. (I'm not sure I fully get it yet, but it doesn't matter.) 

To help us along, Forest Whitaker plays an invented character, Darius "Jack" Jackson, a journalist who reported wrongly on the murder when it happened and is now trying to correct his past mistakes. He seeks out Detective Poole hoping to figure things out together. "Jackson is a made-up character, but he's the kind of made-up character that's necessary because Poole's going through something very serious and very intense, and he's got no one to turn to," Johnny says. 

This is not a spoiler: The murders of Biggie Smalls and Tupac Shakur remain unsolved. Despite the subject matter being more than 20 years old, the topic is extremely relevant today. Director Brad Furman hopes City of Lies will peak enough curiosity to keep the investigation going. 

Was this one worth the wait?

Of course, my answer is yes! 

City of Lies is like a mix of documentary and film noir styles. Director Brad Furman strove to give it a more realistic feel, and I think he succeeds. It starts off with a bang, literally – a case of seemingly unrelated L.A. road rage – and doesn't let up. It's dark, gritty and uses footage of actual news reports and interviews about Christopher Wallace's murder. In fact, his mother Voletta participated in one of the movie's scenes. The director read LAbrynth years ago and wanted to make the movie but wouldn't do so without the approval of both Wallace and Shakur families. He got it. And, with the untimely death of Russell Poole before production began, everyone involved with this film was committed to getting the message and story right for the real families involved. They still seek resolution and peace.

I was also really excited about Johnny and Forest Whitaker working together in City of Lies, so many years after their first movie together, Platoon. Apparently, they were keen about this chance, 32 years later! Most of their scenes were tense, argumentative and confrontational, as they pushed each throughout the investigation. "For me, Jackson is the alter ego of Poole, but mostly the pessimistic side. Mostly, Poole is facing a side of him that he is not and refuses to be, and Jackson is looking at a version of himself that he could never be," Johnny says. "He doesn't have that purity, that belief that you can make a difference – one man." 

These two actors also work differently, as the director explains, "Forest  had a lot of questions and wanted a lot of things from me that Johnny just wasn't asking. They have very different approaches and my hope and goal was that that would create some time of energy on screen that would be exciting for us to watch." The rest of the cast is full of fantastic character actors, who matched their energy and created a fitting murky, volatile atmosphere for them. Two standouts for me are Glen Plummer as Psycho Mike and Rockmond Dunbar as Dreadlocks. (They both have good hair.) 

These days (and, really, always), I love seeing Johnny work without any accent or elaborate costume or disguise. It's in these kinds of roles that his talent as an actor really comes through clearly. Writer Randall Sullivan knows what I'm talking about: "When I watched the film, it really struck me more than it ever has that film actors have to be masters of such subtle expression. I mean, a lot of acting is done with the eyes. Johnny was really able to convey a lot of deep emotion that brought Russ back to me with a pretty stoic – apparently stoic – demeanor." 

Here, Johnny plays an average, good guy whose work has taken over his life. I can see why he connected to this role of someone who will go to extremes to get to the truth. As the director explains, "I felt, in getting to know Johnny, there was a real innocence....He's a big believer in just truth and justice, simplicity. And, when you take all that, and you understand that he looks at it through this innocent lens, I felt that the role of Russell Poole fit just like a glove...I believe Johnny felt a real deep connection to the material and his fight for truth and justice. That was something we talked a lot about on Day 1." 

True to form, Johnny did exhaustive research and met with the director for hours that day, during which they connected on everything from the book and character to life and music, in general. As usual, he added his own personal touches, including friends Joe Perry on the soundtrack and activist Killer Mike in a scene. 

Russell Poole steadfastly believed in the Homicide Investigator's Creed, which he taped to his desk: "No greater honor will ever be bestowed on an officer than when he is entrusted with the investigation of the death of a human being. It is his duty to find the facts regardless of color and creed." After being shut out by his fellow officers during the investigation, he quit weeks before his retirement, but continued the work on his own. He lost his family over his obsession with the truth and worked at it until the day he died. "It's shocking that the truth can actually be buried if a couple of powerful institutions want to collaborate to do it, but it leaves the people who know the truth in an unbearable situation because they can't unknow that truth," Writer Randall Sullivan says. "To live with the fact that it's being buried, in Russel Poole's case, it just sort of killed him day by day."

The Kitties are on the case now. 

In this movie, I loved watching Forest Whitaker and Johnny in their tense scenes and how thoroughly Russell Poole worked to put the pieces together to solve his case. Here, our Kitties, Walter and Gordon, depict one of their fights, an argument that questions Detective Poole's integrity. That's not the right thing to question because you can see how his apartment was consumed by his work everywhere you look. He was connecting the dots all over the walls.

What's next? 

I'm still waiting to see Johnny as war photographer W. Eugene Smith in Minamata, which was supposed to be released last February 5 but wasn't. Is this some strange new Hollywood publicity tactic? It's okay. I'm game for another surprise movie treat. Minamata won't be any happier than City of Lies, but I'll be happy to see it whenever it shows up. Stay tuned.... 

Johnny Kitties: Celebrating Johnny Depp Film #56. Fantastic Beasts: The Crimes of Grindelwald (2018)

[What is Johnny Kitties? See Johnny Kitties: Celebrating Johnny Depp for all the details. Visit the Johnny Kitties page for a full list of Johnny Depp's filmography and links to all previous Johnny Kitties blog posts.]

"The Wizarding World is a mirror of our world, and we're talking about a period in Wizarding history when there was a rise of what I would call Wizarding Nationalism, if you like, so it's a form of a populist hero, a very populist hero. He's a very different baddie. Grindelwald's far easier to like, which makes him quite dangerous." J.K. Rowling

"Grindelwald, to me, represents a side of the Wizarding World. He has the power, the magic of the wand, and all that, but I think, more than anything, he seems to have a psychological edge on most." Johnny Depp

What's happening? 

In 1927 London, Gellert Grindelwald (Johnny Depp) escapes imprisonment and gets to work winning over followers, most of whom are unaware of his true goal to have pure-blood wizards ruling over everyone else. Professor Albus Dumbledore (Jude Law) is on to this scheme and enlists his star student, Newt Scamander (Eddie Redmayne), to help him stop Grindelwald. To help him stop Dumbledore, Grindelwald finds Credence Barebone (Ezra Miller), who has turned up in Paris. In Fantastic Beasts: The Crimes of Grindelwald, the second installment of the Fantastic Beasts franchise, almost everyone picks a side as these two leaders prepare for the ultimate battle for supremacy.

How did we get here?
I've never read the Harry Potter books, and I only binge-watched the movies a few years ago, even though I tried watching them with my nephew several times before. Every time I tried to watch the first Harry Potter movie, I fell asleep within five minutes. I realized that this happened because I had no idea what anyone was talking about, using the unique terms of Harry Potter's world. I tuned out conversations as if they were in a foreign language. Once I got passed that initial confusion, however, I loved the Harry Potter movies just as I thought I would! The trouble with binge-watching them is that they have now run together in my head. I am still a Harry Potter beginner, who is always a bit confused and too unfamiliar (so please be kind if I mix up some details).

Still, it was magic that made me catch up on Harry Potter just before it was announced that Johnny signed on to star in the Harry Potter prequel franchise Fantastic Beasts and Where to Find Them and four more related films, uncovering the past of beloved Professor Dumbledore and his rival. Don't you agree?

I didn't create an illustration for 2016's Fantastic Beasts and Where to Find Them, the first Fantastic Beasts movie, which premiered in 2016, because Johnny was only in it for about two minutes. My options were to draw either the back of his head or an action shot of him being whisked away to prison.

I liked this dark adventure in the Potterverse. Newt Scamander arrives in New York to find a lost magical beast and save it in the fantastic beast sanctuary hidden in his suitcase. While there, things don't go exactly as planned.

This film sets up the Fantastic Beasts saga's characters: In addition to Newt, there's his love Tina (an American witch who tried to get him arrested, played by Katherine Waterston), a baker named Jacob (Dan Fogler), and his love (and Tina's sister) Queenie (Alison Sudol). The dark side of this movie stems from troubled teen Credence (Ezra Miller), who was adopted and subsequently emotionally and physically abused for years by his crazy mother (Samantha Morton).

Credence meets Percival Graves (Colin Farrell), who promises to get him away from her if he helps him locate a child with great powers. But it turns out that Graves is evil and Credence is the child with great powers. Credence is possessed by an obscurial, an abstract dark entity. When his rage gets the best of him, the obscurial takes over and causes destruction all over New York.

In the end, Credence is gone. Graves is arrested, and his true identity is revealed: Graves is really Grindelwald!

Now what? 

Are you confused yet? (The Pirates movies seem so much easier to explain than these ones!) I must admit, I liked Fantastic Beasts and Where to Find Them better than Fantastic Beasts: The Crimes of Grindelwald. This time, instead of the language putting me to sleep, the special effects did. Don't get me wrong – some of the special effects are really cool! But my admitted newness to and unfamiliarity with this magical world made it harder for me to follow the story, and I found some of the special effects to be too, too much.

Who cares? Johnny looks great! I love his spiky bleach-blonde Billy Idol-ish hair, weird David Bowie-esque eyes, and black outfit! This is a wizard I could get behind, if only he were a good guy. Most of the time, he walks around looking like a menace and gets his followers to do his dirty work while he makes enticing speeches to convince everyone to come over to the dark side. It was a slight letdown after dreaming about Johnny sharing scenes with Jude Law, but I guess I have to wait.

Who's the bad guy?

My favorite part of this movie is the first 10 minutes before the title even appears. The film opens, showing Grindelwald imprisoned in London's Ministry of Magic. He looks weak and defeated with long gray hair and expressionless face, as he watched a fly spark off of the invisible bubble that he's trapped in.

He's been there for six months, and it's time to transfer him back to New York to answer for his crimes. I love how he literally floats up the stairs in chains, past the other jail cells, and ultimately escapes amid stormy skies from the carriage drawn by flying dragon-horse-like creatures, who intended to transport him to America. He was just waiting for the right moment to make his move.

I think The Kitties got it.



Where is Johnny?

© Reynaud Julien/ABACA/INSTARimages.com

Last year, Johnny was touring with The Hollywood Vampires, who released a second album, called Rise. For this album, Johnny wrote several of the songs, and he also sings David Bowie's "Heroes," which the band performed on TV first on Jimmy Kimmel Live and then on The Late Late Show with James Corden.

Then, Johnny went to Europe, publicizing his next film Waiting for the Barbarians (which will be out on demand and DVD this August). He made stops at the Venice Film Festival and received a silver plaque and tribute, presented by Catherine Deneuve, at the 45th Deauville American Film Festival.

This year, everyone's at home because of the global pandemic. Johnny's been in France and he joined Instagram! Also, today is his birthday; happy birthday, Johnny! Later this summer, the third installment in the Fantastic Beasts series should begin filming.

What's next?
Johnny is The Professor, someone who learns to appreciate and live his live to the fullest in the time he has left. 

All film images © Warner Brothers; illustration © Melissa Connolly

Johnny Kitties: Celebrating Johnny Depp Film #55. Sherlock Gnomes (2018)

[What is Johnny Kitties? See Johnny Kitties: Celebrating Johnny Depp for all the details. Visit the Johnny Kitties page for a full list of Johnny Depp's filmography and links to all previous Johnny Kitties blog posts.]

"I became addicted to watching these animated films when my kids were little....Well, cartoons break all the laws, don't they? That's the beauty – seeing those parameters broken and trying to figure out a way to break the parameters of cinema in that same way, so that a character can be potentially accepted in the same way Wile E. Coyote is when he gets crushed by a boulder and they cut to him with a little bandage on his head." Johnny Depp

Sherlock's on the case. 

When garden gnomes Gnomeo and Juliet (James McAvoy and Emily Blunt), their families, and friends move from Stratford Upon Avon to London, they struggle to adjust to their new home. After an argument leads them out of their yard, Gnomeo and Juliet return to find it empty and ruined. In this sequel to 2011's Gnomeo & Juliet, they help Sherlock Gnomes and Dr. Watson (Johnny Depp and Chiwetel Ejiofor) rescue all the missing garden gnomes in London, including those closest to their hearts. 

I love happy surprises.

It occurred to me the week before Sherlock Gnomes was released that I should see Gnomeo & Juliet first; luckily, I found it on TV. While it's clearly for little kids, I thought it was really cute. I loved its spin on Shakespeare's tale, and I was shocked to discover its great cast – including Emily Blunt, James McAvoy, Michael Caine, and Maggie Smith – let alone that Elton John produced and provided a bunch of music for it. How did I miss this one? 

When Sherlock Gnomes came out, I had become recently unemployed because of unexpected budget cuts and project delays at my newest job. Johnny came to my rescue, as usual, lifting my spirits with this silly and sweet sequel. Out of nowhere was an online article offering free tickets to a preview of Sherlock Gnomes at a local theater. I'll take it! 

By the time I arrived, a line of mostly parents and well-behaved kids had already formed, but once in the theater, I slid into the second row, which was full of adults who were there at their own will. I guessed that they were either Johnny fans or movie critics. That night, this cartoon really made me laugh with some funny lines from friends Benny (Matt Lucas) and Nanette (Ashley Jensen) and Sherlock's arch-nemesis Moriarty (Jamie Demetriou). When I saw it again at home to work on Johnny Kitties, I didn't laugh as often (maybe because I was more focused on finding the inspiration for my illustration), and I thought that Moriarty's evil plan was just that. 

Still, I really appreciated the film's message about the importance of prioritizing family and friendship over everything else. I enjoyed meeting new characters too, including Sherlock's old flame Irene (Mary J. Blige). This film has plenty of funny, vivid moments: I liked seeing London, including Chinatown and various galleries, from the gnome perspective on their adventure in the city. "London offers so many great scenarios in so many different locations that it seemed it'd be great to use London as a backdrop," producer Elton John says. "It's a love letter to London, really." Of course, I also loved all the Elton John songs and special gnome-style appearances. 

Apparently, Elton and Johnny are old friends. (Of course they are.) Elton asked Johnny to join this cast and sent him the script. "I didn't expect the script to make me laugh out loud," Johnny says. He and director John Stevenson worked collaboratively throughout the recording sessions, improvising and adding more humor wherever they could. For his fun performance, which was recorded in 2015, Johnny was inspired by his favorite Sherlock, Basil Rathbone. "There have been so many variations of the character of Sherlock Holmes," he says. "I wanted him to sound as if he were pointed very sharp, that he was sharp-angled. His brilliance came out of clumsiness in a way. I wanted Sherlock's voice to be like a razor blade. It could cut through anything annoying – anything he found annoying." I hear it!

The Kitties peak into Sherlock's mind.

All of the Lucky Cats in the Chinatown scenes would have been a fitting choice, but my favorite scenes in Sherlock Gnomes invited us viewers into Sherlock's mind. These detailed black-and-white scenes were a refreshing contrast to reality and showed how Sherlock processed information from the outside world. I laughed when Sherlock lost interest in Gnomeo's ideas and floated into a daydream until he stopped talking. We've all been there, done that. Here are Ryo-oh-ki, Tyrone, and Mew as Dr. Watson, Gnomeo, and Juliet while Gordon, as Sherlock, imagines where he'd rather be right now. 

What's next? I am pacing the floors, waiting to see Johnny in Fantastic Beasts: The Crimes of Grindelwald, which will be released next Friday, November 16! See you there! 

All images © Paramount Pictures and Metro Goldwyn Mayer, Inc., Pictures; illustration © Melissa Connolly