Hi everyone,
Tyrone, Emily, and Walter are ready to play with you...
Hi everyone,
Recently, I watched Disney's Queen of Katwe, the 2016 biographical film directed by Mira Nair about the discovery and rise of Ugandan chess champion Phiona Mutesi. Aside from the inspiring story and wonderful performances by Lupita N'yongo, David Oyelowo and others, the colorful costumes really made an impression on me by somehow capturing Africa's vibrancy, even in the Ugandan slums.
Here is Ashes playing the part of the chess prodigy. She won't tell me if she knows how to play chess, but I assume she does because she's smart like that. The background is inspired by the many colors of African flags, from Uganda, South Africa, Zimbabwe and more. With too many to represent, I couldn't include all of the colors that make up Africa's diversity, but I hope this at least captures the spirit of the whole beautiful continent.
Hi everyone,
Last month, the managers of my apartment building surprised us with goody bags. You'll see below what Chef Simon did with the contents. As usual, Norman helped in his own way.
I aimed to get this posted in time for Valentines Day, but I just couldn't stop eating the marshmallows and forgot all of my other priorities. Norman and I have some things in common.
Hi everyone,
Here's a true story: In 1987, not long after we moved from Massachusetts to Ohio and were steeped in culture shock, Dad heard about a homeless cat who was hanging around the University of Akron, not far from where we lived.
He brought her home as a surprise, leaving her in our garage for us to find. The Kitty was scruffy and gray in spots from spending too much time outdoors, under cars and in other unladylike places.
But this is how she looked to me when I first saw her. We were instant best friends.
Mom insisted that The Kitty have a bath in our kitchen sink, which revealed a snow-white, fluffy coat. Afterward, The Kitty said, "Thank you," proceeded to give herself another bath on her own (as cats do), and began to explore her new home.
The Kitty settled into our hearts for the next 20 years and beyond. She became The Mother Kitty after having six kittens, including her world-traveling son Gordon.
Later in life, she shared her space with her kind-hearted and entertaining Siamese friend, Simon, who ran literal circles around her daily – just for fun. This pastime has nothing to do with demonstrating his level of intelligence. Instead, it relates to his days as a traveling circus performer. He wants to keep in shape and his skills sharp for whenever the circus comes back to town.
Granted, we all know who is the smarter one in this odd couple, but The Mother Kitty would never brag about that. When you are Kitty #1, you don't need to brag about anything.
The Mother Kitty is a one-in-a-million original beauty, inside and out. And she knows it.
Love,
Hi everyone,
Happy Inauguration Day! As we begin a new era in the United States, let us be intrepid in our choices, words, actions, love, and kindness towards others. We can make the world a better place for all of us.
I didn't have this in mind when I drew the illustration below. My inspiration actually came from Drew Barrymore (and my cat). I found out about Drew's new daily talk show – launched amid the pandemic in late September – and set my DVR for it because who doesn't like Drew Barrymore?
At first, I must admit, the overt joy, love, silliness, weirdness, and hippie-dippie positivity that is The Drew Barrymore Show was a shock to my tired, heavy system. But I kept at it and now look forward to this mood board of a show, as she refers to it, as my time to decompress with a cup of tea. It's a daily shot of sunshine, whether you want it or not.
One day, Drew showed up carrying her personal, giant dictionary and unveiled the show's first Word of the Week: Intrepid. This revelation made me gasp because I had been trying to think of a way to revive my blog with new drawings.
Until 2019, a website called Illustration Friday posted a new word every Friday that served as my inspiration for a weekly drawing challenge. I had been doing this routinely since 2006 and, eventually, I saw the site repeat some terms, which was disappointing. (Sometimes I drew something newly inspired by the repeated word, but usually these repeats inspired nothing new for me.)
As a result, some weeks, I skipped the drawing challenges and, as time went on, I found it harder and harder to feel motivated to draw and post because of other things going on in my life. Then, I unintentionally took 2019 off from drawing anything, and my typical schedule faded away. It was during this time that Illustration Friday's website disappeared. You may have noticed that new posts since then has been sporadic at best.
In my attempt to start fresh in 2021, it occurred to me that I could come up with my own inspiring words of the week, creating my own drawing challenge and schedule. A few hours later, Drew Barrymore showed up with her dictionary and gave me this word – intrepid – to kick things off.
What are the odds? (This is one of the many reasons I love Drew Barrymore!) This happened before Thanksgiving, and I don't think she has introduced another Word of the Week since then, but still: Thank you, Drew Barrymore, for blowing the dust off and sparking my imagination!
According to Merriam-Webster, intrepid means being characterized by resolute fearlessness, fortitude, and endurance. Here, Lily faces her own daily challenge – a brave leap from our comfy lounge chair to her trusty window seat.

Until next time, be intrepid, friends...and, also, still keep your distance, wear your masks, and wash your hands!
Love,
Hi everyone,
I don't think I've ever looked forward more to the start of a new year, and I know I'm not alone. While nothing is very different from a few days ago, I feel determined and motivated to make positive changes and look to the future with hope and optimism.
One of my priorities is to refocus on drawing for my blog and building it into something larger. (I know I have said this before, but I might mean it this time.)
I am going to find new sources of inspiration and practice drawing and posting more consistently. A new drawing series is swirling in my head, and I aim to get around to building a portfolio website with a store. These are all thoughts and works in progress right now, but I'll do my best to tackle things one at a time. So, please stay tuned!
Step one, here's a new blog banner featuring the growing Kitty family. What do you think of this crowd? They barely fit: It's a good thing they all get along. Shouldn't we all?
Take care, everyone: Until safer times, keep wearing your mask, wash your hands, and stay socially distant – unlike the Kitties, here, but it's okay: They are in their Kitty Bubble.
New drawings and more are on the way. Here's to new beginnings in 2021!
Love,
[What is Johnny Kitties? See Johnny Kitties: Celebrating Johnny Depp for all the details. Visit the Johnny Kitties page for a full list of Johnny Depp's filmography and links to all previous Johnny Kitties blog posts.]
Why are we waiting for barbarians?
The movie opens to this pulsating beat in an expansive desert, following a lone carriage surrounded by soldiers on horseback. Colonel Joll, a member of the police from the Bureau of State Security, has arrived at this random outpost to question the magistrate and locals about the current state of affairs.
Colonel Joll is a stark contrast to the magistrate, wonderfully portrayed by Mark Rylance. This quiet, thoughtful observer is kind, gentle and respectful toward the natives. Having witnessed the unnecessary pain and suffering that Colonel Joll inflicts on the locals without any real cause, you see the magistrate's frustration grow. The Colonel's explanation — "Pain is truth; all else is subject to doubt." — just doesn't cut it. As Colonel Joll's crew disturbs the peace and leaves the outpost in ruins, the magistrate's loyalty sides with the locals. It's a good thing, too, because these nomads will eventually get it together.
I like that there's so little action in this movie that it's hard for me to describe. For example, one scene shows the magistrate falling asleep after hours of washing a local woman's injured feet with warm water. Watching this movie, I could focus on and see what the characters were thinking. How often does that happen?
The Kitties will put a stop to any barbaric behavior.
The best part of Colonel Joll is his cool shades. Johnny describes them: "When Ciro came up with the shape, they were threatening, menacing, somehow; and the fact that he wouldn't take them off, he would make the magistrate as uncomfortable as possible. He learnt some tricks over the years. Calmness, stillness and quiet, and holding your response to a question can be quite disturbing to the person on the other side of you. They are levels of maintaining the armor."
Check out this sketch by production designer/set decorator Crispain Sallis. "Through that characterization, [Johnny] cut Colonel Joll back to the absolute bone, making any additional theatrical flourishes, such as the glasses or the swagger stick, things to absolutely relish," he explains.
In my own illustration, I'm not sure the shades come across quite as menacing, but Colonel Joll (Gordon) also accessorizes his uniform with a golden hammer that he considers using to beat up the next barbarian. (Did I mention he's not a nice guy?) This is the only moment where Colonel Joll manages a slight smirk, pleased with the fear-induced power he has over these nomads. When the magistrate (Comet) speaks up, pointing out his evil ways, Colonel Joll's face and stance stiffen and his frown returns. Don't worry, Comet didn't get hurt in the making of this illustration. (Also, I realized after I finished this drawing that the uniforms are a deep navy color — not black — but it all depends on the sunlight, right?)
Check out this Crock of Gold!
[What is Johnny Kitties? See Johnny Kitties: Celebrating Johnny Depp for all the details. Visit the Johnny Kitties page for a full list of Johnny Depp's filmography and links to all previous Johnny Kitties blog posts.]
"Accepting one's mortality and the fact that we're going to die shouldn't be a depressing thing." Wayne Roberts
"May we forever remember that in each and every moment, we are composing the stories of our lives. Let's aim to make it a meaningful read or at least an interesting one." Richard Brown (Johnny Depp)
The Professor got a failing grade.
Typically, I don't look for or read movie reviews before I see them – especially for movies I'm looking forward to seeing. Reviews affect my own opinions: Once I read them, I can't forget what was said while I'm watching the movie. In the case of The Professor, the reviews found me and most of them were bad. The sentiment was so universal that the movie was never properly released in theaters in the United States. Instead, it went straight to DVD in 2019.I only read a couple of these bad reviews before I decided to deduce the opinions from just the headlines. Some reviewers made the unfair comparison of Richard's behavior to Johnny's own, so I stopped reading and waited to see this thing for myself.
Maybe it was because of the reviews, but I didn't like The Professor at first. He and his wife are so mean to each other. He is bad at his job and doesn't care. He's a bad influence on his students. He's making bad choices. Is this really what people think Johnny is doing in his own life? How dismal.What I find so jarring is that Richard's choices of how to spend the rest of his days are so different from what I would think to do, but that's probably the point. Anyone who finds out that they are going to die soon probably assumes that they should do whatever they feel like doing in the moment. In Richard's case, that includes drugs, infidelity, and a bender in the middle of the week.
...The Professor has some good points.
I warmed up to The Professor because there are also moments of reflection, clarity and purpose. In fact, it made me cry by the end, which has got to mean something.
Like most Johnny movies, The Professor has a great beginning. In the opening scene, Richard is in the doctor's office getting the bad news – a terminal diagnosis and only a few months to live. For the next few minutes that span the rest of his day, the news sinks in and Richard is lost in thought about what it means. Johnny is so good at saying so much without saying anything, but Richard shares his distress and anger every once in a while with a single repeated curse word, expressed in a variety of ways. It's both funny and sad.
I also love the elements that glue this movie together – the structure and soundtrack, the cinematography and scenery, and the script and cast.
The Kitties get it.
When thinking of how The Kitties could represent The Professor, one scene kept coming back to me. Most of the movie shows Richard indulging in his vices, telling people what he really thinks, imparting words of wisdom to his students, or saying goodbye to those he loves. But in this scene, Richard is alone, dealing with his own thoughts and pain. Maybe I'm reading too much into this moment, but it seems like Richard is realizing that this is really happening, that it's out of his control, and it's something bigger than everything else. He looks up toward the sky, as church bells toll in the background, and it cuts to Chapter 4, titled, It's Really Starting to Kick In. Maybe I'm not too far off.
I was also struck by the interesting stark angles and textures in this shot of someone huddled in a space with jagged rock, aged wood, and hard tile. It's an uncomfortable but pretty space.
What's next?
In Waiting for the Barbarians, Johnny plays a colonel who doesn't have to say much to instill fear in innocent people, waving his misguided authority around with a fancy golden hammer.
All film images © Global Road Entertainment; illustration © Melissa Connolly
Hi everyone,
Surprise! This drawing took me weeks to finish, I think, because I feel like I captured everything I wanted to capture about John Waters' 1990 classic Cry-Baby in my first tribute drawing in 2011. Can you believe it's been almost 10 years?I've always felt uneasy about including the Confederate flag stage curtain in that original drawing, even though it is accurate to and fits well in the film. The Black Lives Matter movement and recent events only amplified my concern. Yet, that Cry-Baby artwork was drawn with nothing but love, so I will keep it in my Johnny Kitties collection.
But here's another piece to celebrate Cry-Baby that I think I might love just as much: It's Cry-Baby in the daytime. The nice thing about revisiting this movie to create a new illustration so many years later is that enough Kitties have joined our family to play all the characters.
Welcome to Turkey Point!
This scene is early in the movie, just after Cry-Baby talked to Allison for the first time and then serenaded her while driving on the wrong side of the road after school. Now at home, with Allison still on his mind, Cry-Baby and his gang greet Grandma Ramona and Uncle Belvedere. I knew this movie was going to be great when I saw that Director John Waters got Iggy Pop to take a bath outside in a bucket.
In this illustration, Gordon plays Johnny's character, as always, and Lily, again as Allison (Amy Locane), invades Cry-Baby's thoughts. The Mother Kitty and B.J. also reprise their roles as Ramona and Belvedere (Susan Tyrrell and Iggy Pop). The rest of the Kitties mix it up: This time around, Comet and Ashes play Milton and Hatchet-Face (Darren E. Burrows and Kim McGuire). Mini portrays Cry-Baby's sister Pepper (Ricki Lake), with Stephen and Mew as her little kids (Jonathan Benya and Jessica Raskin). Emily shows her stuff as Wanda (Traci Lords), and Walter plays it cool as Dupree (Robert Tyree).
But maybe the real star of this drawing is the skeleton head, just in time for Halloween. The Kitties stayed away from that role.
The only thing missing from this drawing is a snippet of Cry-Baby's fantastic soundtrack. I couldn't fit the lyrics, but I did have "(My Heart Goes) Piddily Patter, Patter" by Nappy Brown in my head the entire time I was coloring: "My heart goes Piddily Patter, Patter/ Piddily Patter, Patter/ Every time I look at you/ Don't I know what's the matter, matter?/ What's the matter, but I think it's cause I love you." That Cry-Baby soundtrack still rocks, '50s style!
What's Next?
New Johnny Kitties illustrations, celebrating Johnny's two latest films – The Professor and Waiting for the Barbarians – are swirling in my head and on the horizon. Until next time, I hope you enjoy this flashback.
Hi everyone,
Supreme Court Justice Ruth Bader Ginsburg stood up for and educated us like no other, leading the way to a better future. She created a path, and we must continue to push it forward.
Here are just a few of her inspiring words to live by:
![Johnny Kitties: Celebrating Johnny Depp Film 56. Fantastic Beasts: The Crimes of Grindelwald (2018) [June 2019]](https://live.staticflickr.com/65535/49986667406_bc3f0d299b_o.jpg)
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