Johnny Kitties: Celebrating Johnny Depp Film #38--The Imaginarium of Doctor Parnassus (2009)

What is Johnny Kitties? See Johnny Kitties: Celebrating Johnny Depp for all the details.]

The loss of Heath Ledger was such a blow that it was a test of everybody involved in this film whether, in these kinds of incredibly difficult circumstances, we could continue and make a film worthy of Heath's last movie. I think because so many people loved him, respected him, we pulled it off. The contractual credit was "A Film by Terry Gilliam." We all agreed to call it "A Film for Heath Ledger and Friends." It's truly the honest, accurate, and right credit. - Director Terry Gilliam on completing The Imaginarium of Doctor Parnassus





Be careful what you wish for!

Endlessly meditating in his monastery, Dr. Parnassus (Christopher Plummer) meets the devil Mr. Nick (Tom Waits) and gambles with him for immortality. Having won that bet, centuries pass. When Dr. Parnassus falls in love with a woman, he makes another deal with Mr. Nick: for his mortality and youth, he will send the devil his first-born child upon his or her 16th birthday. The scheme works and Dr. Parnassus wins the woman's heart, but she dies after giving birth to their daughter Valentina (Lily Cole).

Nearly 16 years later, Dr. Parnassus is part of a traveling sideshow, which includes his daughter and fellow performers Anton (Andrew Garfield) and Percy (Verne Troyer). Through the imaginarium, a magic mirror controlled by Dr. Parnassus, audience members can enter their own imaginations, where they can make choices to follow their wildest dreams but are also at risk of being lured by Mr. Nick.

Desperate to save Valentina, now that she is nearly of age, Dr. Parnassus makes another deal with the devil: He has two days to provide Mr. Nick with five souls in exchange for his daughter. Late one night, the troupe finds Tony (Heath Ledger), a mysterious stranger who breathes new life into the attraction to help Dr. Parnassus in his quest to save his daughter. But when Tony's past catches up with him, his true identity is revealed and affects everyone around him. In the end, everyone must face the consequences of their action and own up to their choices.

The Imaginarium of Dr. Parnassus bends your mind in the most wonderful ways and still makes sense if you just let yourself go along with it. Johnny Depp describes it well: "The Imaginarium of Doctor Parnassus is a uniquely ingenious, captivating creation, by turns wild, thrilling, and hilarious in all its crazed, dilapidated majesty." Welcome to the mind of Terry Gilliam and enjoy the ride!   

This one's for Heath.

With Terry Gilliam at the Los Angeles premiere of
The Brothers Grimm, 2005 (© Kevin Winter/Getty Images)

Terry Gilliam directed Heath Ledger before, in 2005's The Brothers Grimm. That movie's failure at the box office didn't concern Heath Ledger, "Success is relative, I guess, isn't it? That was a success to me because I was working with one of my heroes," he said of the experience. "Sometimes, you just have to kind of throw away the care. You have to not be too conscious of what will be a success and what won't be 'cause that's out of your power. That shouldn't, in my mind, dictate what your choice is. I just want to enjoy myself. I want to learn more. I want to work with good people - creatively and as people, really, just good people. That drives me more." Like Johnny, Heath Ledger remained close friends with Terry Gilliam since their first film together. "He's one of the greatest creative visionary minds ever in film history and a wonderful figure in my life and had done a lot for me," Heath Ledger said of the director. "He had given a lot to me, and if I can do anything to help him, then I will."  

Heath Ledger died of an accidental prescription drug overdose in the middle of filming The Imaginarium of Doctor Parnassus, and that's the only reason Johnny is in this movie. "Johnny, I supposed, was the most critical person in this whole combination of saviors," Terry Gilliam remembers. "I called him a day or two after Heath died to commiserate because he was a close friend of Heath's as well. I didn't know if I was going to continue with the film or just close it down. And he said, 'Well, whatever you decide, I'll be there.' And that was actually a turning point, I think, because the money people were all closing down the shop, and when they were told that Johnny Depp said he would be there to help, it slowed the retreat."

The tragic loss brought out the best in people. Along with Johnny, mutual friends Jude Law and Colin Farrell filled in as "Tony" in the scenes Heath didn't complete. "The crucial thing with Johnny, Colin, and Jude was that they were friends of Heath, and they were the only people I called because I wanted people who knew Heath very well to make the transition easier," Terry Gilliam explains. "They knew who he was. They knew what he was like." The three actors redirected their typical fees for film work to Heath Ledger's daughter, Matilda. 

The finished product is kind of a miracle considering the star died halfway through shooting, but Terry Gilliam reworked the script so that the additional cast members' involvement makes perfect sense in the story. "It's been a rather incredible gathering of friends and dedicated people who were determined that Heath Ledger's last film was not going to end up on some floor unfinished," the director says. "I am grateful to Johnny, Colin, and Jude for coming on board and to everyone else who has made it possible for us to finish the film. I am delighted that Heath's brilliant performance can be shared with the world."

I wished Johnny weren't in this one.
News of Heath Ledger's death broke while I was at work. I walked into an office where my two friends were reading from a laptop, with horrified looks on their faces. "What happened?" I asked. When they told me, I thought they were joking. But why would anyone joke about Heath Ledger dying? Nobody wants that. This was not supposed to happen. I was officially depressed, and it wasn't even lunchtime yet.

I had mixed feelings going to see The Imaginarium of Dr. Parnassus in the theater. I love Terry Gilliam's films, but I was sad about these circumstances and watched in fear of reaching the cutoff point of Heath Ledger's last scene. I actually dreaded seeing Johnny in this movie because I figured his appearance meant we reached that end point. "A lot of people, when watching the film, assume that we're not going to see Heath again, but he always keeps coming back," Terry Gilliam says. "It wasn't just a matter of Heath stops, and Johnny, Colin, and Jude take over. It's the fact that he keeps reappearing, and he's never out of the film; that's why I think the film works as well as it does." It's true, so fear not! Heath Ledger stays with us all the way through with no real noticeable gaps in the scenes or story. With a big sigh of relief, I was so pleased with the result that I left the theater smiling and I think Heath Ledger was too. 

Terry Gilliam's in his element!
Having grown up watching Terry Gilliam and his artwork on "Monty Python's Flying Circus," I always look forward to a Terry Gilliam film. He cowrote this one with Charles McKeown, whom he's collaborated with on Brazil and The Adventures of Baron Munchaussen. The latter is one of my favorites and now this one is too.

The Imaginarium of Doctor Parnassus is so creative, I can hardly describe it. Whenever characters step through Dr. Parnassus's magic mirror into the imaginarium, they enter their own imaginations (and those of whomever else may be in the imaginarium with them). "Every time you go through the mirror, there's going to be something different," Terry Gilliam says. "I wanted to take advantage of the fact that we have this mirror that can provide us a surprise each time we go through so that one is never bored."  If more than one person goes through the mirror at the same time, you will find competing imaginations. Whichever is most dominant takes over, causing the different worlds to literally split apart or expand in free form. "These kinds of worlds are me just letting my imagination run. I pretend I'm whoever the character is in there, and I just go with it," Terry Gilliam says. "Or, I have an idea that already exists that I'm trying to force onto the film, and I make sure the character becomes something that serves the ideas that I already wanted to get out of my system and get up on the screen." All sorts of imaginations are explored, including those of an alcoholic, a child, a criminal, and the main characters--Valentina, Anton, Tony, and even Dr. Parnassus himself. 

These different worlds are fascinating and clearly drawn from Terry Gilliam's own imagination; at times, the movie feels familiar to his work for Monty Python. The imaginarium scenes are like paintings that remind me of his animation work for that show. And, who else but Terry Gilliam would think to have Russian criminals dumbfounded by a sudden song-and-dance number by cops in skirts, fishnets, and heels? Producer Samuel Hadida agrees. "The Imaginarium of Dr. Parnassus is a movie that will deliver all that Terry Gilliam has made up to now." The Imaginarium of Dr. Parnassus was nominated several production-related awards, including two Oscars for art direction and costume design.

Where does Johnny come in? 
Three sequences in the imaginarium remained to be filmed after Heath Ledger's death. To adapt to the new terrible situation, Terry Gilliam established that, in the imaginarium, Tony's appearance could change to whoever is imagining him. Johnny's sequence is first for a reason. The director explains, "I felt that, if this idea of different people playing Tony was going to work, Johnny would be the best one to drag us across, and that's exactly what happened. So many people, when they watch the movie, actually think it's Heath for a moment, which was really a sign that we've pulled off something that worked." That is exactly what happened when I watched this movie for the first time in the theater!  

At the time that The Imaginarium of Dr. Parnassus was being made, Johnny was in the middle of filming Public Enemies, and many people were upset that he committed to helping Terry Gilliam complete his movie while he was committed to another one elsewhere. But he flew to Vancouver to film his scenes anyway. "We only had him for one day and three-and-a-half hours the next day, which just tells you how brilliant he is," Terry Gilliam remembers. "He arrived; he was ready to go. There was no time to rehearse. We just dived in, and it's absolutely, utterly brilliant!" Despite flying through it, with all of the scenes completed in only one take because of his schedule, Johnny loved working on this film. "Though the circumstances of my involvement are extremely heart-rendering and unbelievably sad, I feel privileged to have been asked aboard to stand in on behalf of dear Heath," he said. 

This cast shines bright!
The rest of the wonderful cast assembled The Imaginarium of Dr. Parnassus need to be highlighted too: 

• Tom Waits is the devil! Isn't that an example of genius casting? Johnny aside, doesn't that alone make you want to see this movie? No? Okay, there are more!

• Christopher Plummer as Dr. Parnassus is amazing, as expected. "It seemed to me one needed a man of his kind of weight and gravitas and experience to give dignity to the shabby little show we were running," Terry Gilliam says. "I think it's Christopher's dignity and his ability to make even what might be a charlatan in the case of Parnassus into somebody that you believe does have extraordinary powers." 

• Lily Cole, who plays Dr. Parnassus's daughter Valentina, is a successful fashion model. When I saw her photographs in magazines, I always thought she had a great face for movies. The Imaginarium of Doctor Parnassus is her first starring role, and I'm pretty sure she's safe to keep going!

• Andrew Garfield is in this movie! Yeah, Spider-Man. I didn't realize it until I revisited this film for Johnny Kitties. During filming, he learned and embraced the joy of improvising by watching Heath Ledger and caught on quickly. In his first comedic role here, Andrew Garfield is really fun to watch. I might have to see all his movies now.

• Verne Troyer, I admit, is someone I can't look at without thinking of Austin Powers' "Mini-Me" and laughing. I got over it with this movie, in which he plays a serious role quite admirably.

• Jude Law takes over as Tony after Johnny's turn in the imaginarium. Ironically, before Heath Ledger was chosen, Jude Law was considered for the role of Tony. As always, he is fantastic. An avid admirer of Terry Gilliam's films, participating in this one was obviously important for other reasons: "To help Terry finish his film was an honor paid to a man I adore," he says. "I had a great time on the job. Though we were all there in remembrance, Heath's heart pushed us with great lightness to the finish."

• Colin Farrell is perfectly suave and slimy as Tony in the final imaginarium sequence. He wrote about the experience on his blog, noting the sense of community everyone felt in Heath Ledger's honor. "Three of us had been asked to complete a task that had been set in motion by a man we greatly liked and respected as both a person and an artist. Being part of this film was never about filling Heath's shoes as much as seeing them across the finish line," he writes. "How I wish he had brought the film to its completion himself. Of course, the whole crew felt this way. And, the cast that we joined felt it too. It was this spirit of grieving the loss of Heath that Johnny and Jude and I joined. But there was also a sense of dogged insistence: insistence that Heath's last piece of work should not be kept in the shadow of the light of day. A community of people - caterers and actors, electricians and makeup artists - had been brought together in a recognized sense of love and obligation, for and to, one of cinema's finest actors and most generous of men. It will be the sense of love amidst the sadness that I will remember most. Such a gift and an honor, from Heath, to be part of the trail that he left behind."

Get ready for something completely different.

I recommend that you watch The Imaginarium of Doctor Parnassus more than once. Even Terry Gilliam agrees, "What does happen so often with my films is that it takes a second viewing for people to really see what the film is or understand it," he says. I discover something new and enjoy it more each time I see this one.

The big finish with Colin Farrell as Tony, mentioned earlier, could test some viewers. The finale, a battle in the imaginarium among four people with strong imaginations (Tony, Valentina, Anton, Dr. Parnassus), is a trip, so be ready for it! "The whole last sequence is about whose imagination is winning at any particular moment. Unless people understand that, what is going on, the whole thing probably becomes very confusing," Terry Gilliam explains. "To me, it's an absolute dream sequence - this whole finale - because one thing is flowing into the next, making very clear leaps. It's how dreams form and reform and transmute things, but unless you're willing to let go, and go into a kind of dream state, you're going to have trouble through this sequence. You've got to let it just take you where it goes 'cause each thing makes sense in its own way, but you're connecting a lot of things that may or may not make sense depending on who it is." All clear? Trust me, you'll understand when you see it! Just go with it.

The Imaginarium of Doctor Parnassus doesn't follow the typical logical flow or structure of a film. "It flows at a different level. It depends on whose mind you're in," Terry Gilliam explains. "Can you shift from character to character and understand why each world is what it is? I find children can do this easily, but the older people get, the more rigid they become, the more terrified of this, what seems to be chaos. They want things explained, and they even like things explained in advance or [to be] given a road map of where we're going. And, I think that is exactly what the imaginarium is not about. Those that go in there, and take this ride and hold on, have a wonderful time; so we're trying to encourage people to let go, even adults." 

Rent The Imaginarium of Dr. Parnassus and give it a try (or two, three, or more). It's worth the trip!

In the imaginarium, the Kitties can do the impossible!
Johnny's time in the imaginarium explores the mind of a wealthy middle-aged woman played by Maggie Steed. "Johnny loved working with Maggie," Terry Gilliam says. "The two of them just clicked, and he said he wanted to have her in every film he does. It was just a great combination." Here, the woman (The Mother Kitty) imagines Tony waltzing with her on lily pads among a few of her favorite things - brilliant jewels, magnificent shoes, and sweet perfumes. But Tony's own imagination conjures up the young and beautiful Valentina (Lily), who lures his attention away from his dance partner.

What's next?
Johnny is just slightly mad in Tim Burton's Alice in Wonderland.

Image credits: The Imaginarium of Doctor Parnassus images © Infinity Pictures Entertainment and Poo Poo Productions; Illustration © Melissa Connolly

Totem

Can you believe that The Kitties knocked out this totem pole in the backyard this week? Who knew that adding an energetic kitten to the bunch would make such a big difference? It's about time Tyrone got to work.

(Illustration Friday: September 13, 2013)

Lou Reed

Hi everyone,

With Lou Reed's passing on Sunday, the music world lost another great one. All I could think was that the world became a little less bright that day. I had the same feeling when Joe Strummer died. So, I wasn't going to write about it and make everyone sad.

But, then, my sister told me that when she mentioned Lou Reed's death during a Halloween party she attended Sunday night, no one there knew who he was. What other depressing news can I pile on here? (Surely, everyone knows who Joe Strummer was, right?)

Oh, let's just focus on the positive: Lou Reed left his stamp on music history with his amazing songs. I admit that I own copies of only a few of them right now, but I grew up listening to "Walk on the Wild Side," which is still a staple on classic radio stations. I fell in love with "Sweet Jane" when I first heard the Cowboy Junkies sing it in Pulp Fiction. And, Duran Duran actually introduced me to the beautiful "Perfect Day" when they included it on their album of cover songs Thank You.

While I never followed Lou Reed's career, he kept popping up in my life because all of my favorite musicians and artists have been inspired by or were even friends with him. I heard his instantly recognizable voice singing on random soundtracks of good movies and on my favorite radio stations, and his name would drop in interviews with other celebrities I admired. So, whenever I saw Lou Reed himself anywhere, in magazines or on TV, I paid attention.

The range and creativity of his work and weight of his influence are undeniable, shining well beyond the music community to writers, artists, and others. Whether you know who he is or not, Lou Reed exuded cool! Can't you tell just from this photo?

So, let's cheer up, remembering this one-of-a-kind songwriter, musician, and rock star who graced us with his  unique presence and talent for the last 50 years, first in his pioneering alternative rock band the Velvet Underground and later on his own. Penning songs about sexuality, drug use, and other unspoken topics that countered the peace-and-harmony culture of the '60s, Lou Reed spent his career experimenting to create the music he wanted, and that's his legacy. It's fitting that his one and only Top 40 hit is a story about transvestite prostitutes walking the streets of New York. Everyone who loves this song has it memorized, so turn it up, sing along, and enjoy:

Feel better? Now, go to iTunes, or wherever you buy your music, and explore Lou Reed's entire catalog. It's a worthy investment.

You will be missed, Lou Reed. Thanks for the voice and music.



Copyright credits: Photo © unknown; "Walk on the Wild Side" ©  Lou Reed 

Tyrone

Hi everyone,

Meet our newest Melissa's Kitties' member, Tyrone!

He is about 2 months old and used to live in a sewer drain pipe. A good samaritan who works at the post office in Alliance, Ohio, discovered and rescued him and his two siblings and found each of them safer homes. Tyrone moved into my parents' garage on September 17.



So far, he enjoys playing and playing and playing and playing and playing and sleeping and eating and playing. He spends most of his days exploring his new surroundings. When he venture outdoors, he fearlessly races through the yard and climbs trees. In an effort to harness his attack-and-conquer approach to flowers, Mom is teaching him how to garden properly. In the evenings, he helps Dad with his woodworking projects. When Tyrone's ready to crash, he'll find and climb into whoever's lap is closest.

When we first met earlier this month, I introduced Tyrone to all sorts of music and movies and left him some good books to read once he learns how. He should be up to speed with the other Kitties any time now. A quick learner, he has already identified Art Carney, Richard Pryor, Jackie Robinson, Dave Grohl, Mandy Patinkin, and Mohammad Ali among his heroes. (We'll get to the ladies eventually, but right now he thinks girls are gross.)

When asked recently how he likes his new digs, he responded, "It's better than the sewer." That's the truth!

Entangled!

The Kitties will get out of this eventually.

(Illustration Friday: October 18, 2013)

Lush

Hi everyone,

One of the highlights during my California vacation last month was visiting Miur Woods. When I returned to D.C., everyone I told about it said something to the effect of, "Well, those are just the baby Redwoods." To me, these Redwoods were plenty impressive!

When I got back home, I started working on this drawing for Illustration Friday. (Finally completed, I've only missed the deadline by a month and a half.)

(Illustration Friday: August 30, 2013)

You'll notice 10 Kitties in this picture. Yes, this illustration took me so long that another Kitty joined our family in the meantime! Last month, this kitten muscled his way into our lives and up all the trees in our backyard. Since his love for trees could not be denied, I had to include him here.

Hello! I like trees and I like this bootlace. 

Kitty #10 will be introduced properly soon!

Best,

Mindfulness in Plain English

Hi everyone,

As you might know, I've been practicing vinyasa yoga for years at Tranquil Space. I may always be a beginner- to mid-level yoga student, but the benefits of practice are immense. Aside from improving physical strength, flexibility, and balance, yoga permits me to indulge amid a busy schedule. I stop thinking about the stressors of my day – what's happened so far and what's left on my to-do list. Yoga invites a calm focus on only the present moment. By the end of class, no matter how difficult, I typically feel refreshed and energized.

If I made the effort, meditation could be a worthwhile extension of my yoga practice. Years ago, I tried meditation once and hated it. I couldn't sit still or stop thinking about what else I could be doing. I expected instantaneous enlightenment but felt no different. I thought I was wasting my time. Mindfulness in Plain English by Bhante Henepola Gunaratana made me feel better about that experience because, apparently, I hit all the common reactions of a beginning meditator. Now, I have a great manual that can help me with my second attempt at meditation.

Mindfulness in Plain English defines meditation, and serves as a how-to guide to the practice of vipassana-style meditation in particular. Vipassana means "insight" and focuses on awareness of what's happening as it happens. The advice and tools offered in this book should be useful for improving my meditation practice and dealing with the problems and distractions that hinder it. Now, I just have to get back to mediation class and try again.

My dad, who doesn't practice yoga or meditation, read Mindfulness in Plain English and bought copies of it for my sister and me. I can guess why he liked it so much: its title is true. This book explains mindfulness, a crucial ingredient for meditation, in plain English. Some people consider yoga and meditation too New Agey and spiritual, but this book brings everything down to Earth. Even if you don't participate in either practice, this book is a quick read that delivers common sense ideas everyone can relate to and use:

• Be nice to people and they'll be nice back.
• When engaging with another person, think about what it might be like to be in his or her shoes before reacting.
• Remember that staying angry about anything is unhealthy.
• Practice loving friendliness; it is always the better alternative. 

These ideas sound simple, but practicing them in real life can be difficult. How are you supposed to be nice to a person who just insulted you? Why would you want to be friendly to one of your enemies? This book will show you that new perspective without sounding preachy or mystic.

Like yoga, meditation and mindfulness are lifelong practices, and Mindfulness in Plain English serves as a reminder to try it and keep at it. It will not be easy and may take years to achieve but, like yoga, the benefits are immense. Are you still skeptical? Whether you attempt vipassana-style meditation as recommended in these pages, this little book has big ideas that could make you a happier, better person. Isn't that what everyone wants?

Best,

Moustache

When Simon first moved into our garage, he tried all sorts of strategies to win The Mother Kitty over. Some disguises were more successful than others.

(Illustration Friday: October 11, 2013)

Johnny Kitties: Celebrating Johnny Depp Film #37--Public Enemies (2009)

[What is Johnny Kitties? See Johnny Kitties: Celebrating Johnny Depp for all the details.]

From now on, when the American public thinks of John Dillinger, they'll think of Johnny Depp. Whoever Dillinger was in real life is going to be subsumed by the Johnny Depp version--which, in a way, is the best thing that could have happened to John Dillinger.
-- Paul Maccabee, author of John Dillinger Slept Here









Meet Public Enemy #1.

It's 1933. After nearly 10 years in Indiana State Prison for a $50 robbery of a local grocery store, John Dillinger helps his friends break out of jail in the first scene of Public Enemies. From that point on, you're on the run with Dillinger, the first U.S. Public Enemy #1, as he robs banks and lives the high life as fast as he can, always a step ahead of those hunting him down. Based on Brian Burroughs's book, Public Enemies shows how Dillinger lived his short life in the moment for the moment until star FBI agent Melvin Purvis (Christian Bale) catches up with him.

Can we put this guy in jail instead?
Even though gangster movies are not my favorite, I couldn't wait to see Public Enemies, probably because Johnny looked so dapper in the previews. Weeks before its release, I got an email from Fandango that opened with this photo:

It actually took me a few seconds to realize who that movie star was. You've got to love it when Johnny cleans himself up and puts on a nice suit. Thanks for the awesome costumes, Colleen Atwood!

Against my better judgment, I went to the theater on a Saturday night the weekend that Public Enemies opened. It was July 4th and I thought everyone else would be outside watching fireworks, but apparently everybody in my neighborhood opted for gun fire. The theater was packed and, as excited as I was, I knew immediately this was a mistake.

I got there early enough to find a good spot, but just when I thought I was in the clear, a huge guy came in, fumbled in the dark during the last preview, and decided to sit next to me. Because I didn't want to be rude, I didn't move over to the empty seat next to me, and instead I suffered.

This guy bought a $10 movie ticket and at least $30 worth of greasy, smelly food, of which he only ate a few bites before falling asleep 30 seconds later and snoring! While he slept, his cellphone rang at full blast multiple times for multiple calls to no avail. Maybe gangster life was rubbing off on me as I tried to watch Public Enemies, but I really wanted to punch this guy awake. Instead, he woke up on his own in the middle of the movie and left!

The best part of this experience was getting this free Public Enemies lobby poster (left) from a pile outside the theater. It's too bad Johnny's holding a machine gun, but I took it anyway after what I'd just been through.


How can anyone sleep through this?

I was a complete ball of stress through this entire movie. Aside from the expected bloody gangster-related activities--the chasing, the shooting--and the guaranteed unhappy ending, it doesn't help that everyone close to Dillinger calls him Johnny throughout the film. Because Director Michael Mann used so much hand-held camera, the action is in your face, giving the movie a documentary feel. It's as if you're in the bank getting robbed or running with the gang, trying not to get killed. This flick is fast-paced, nonstop, exciting, and tense!

Gunshots aside, this great story is rich with history. Johnny, Michael Mann, and Christian Bale worked hard to make everything on film as accurate as possible. Filming took place in several locations where Dillinger actually was. They restored and filmed in Indiana's Crown Point jail, from which he once escaped using a wooden model of a gun. When Dillinger was arrested and transferred from Ohio back to Indiana State Prison, the media swarmed for an impromptu press conference. That scene in Public Enemies is filmed in the same room, which looks unchanged from Dillinger's original photographs. Similarly, Little Bohemia Lodge in Wisconsin, where Purvis nearly catches Dillinger, still stands and has much of the same furnishings. Michael Mann filmed Johnny's scenes in the same room that Dillinger used. At the end of the movie, he even dies in the same spot on the street in Chicago. (I'm not giving anything away here.) I love these kinds of details in movies!

It's in the stars!
What really makes this movie great for me is the performances by its stars: Christian Bale, Johnny, and Marion Cotillard. The entire cast is great and full of surprises: you'll even find Channing Tatum and Carey Mulligan in there for a bit. But these three main characters, with their different dynamic personalities, keep me captivated.

Melvin Purvis

Working for Herbert Hoover, Melvin Purvis rose from the ranks after some success in capturing popular gangsters of the day. "When he went up against Pretty Boy Floyd, he was very successful," Michael Man explains. "When he had to go up against John Dillinger, he was getting in the ring with Mohammad Ali." Purvis was energetic and focused on his work. Unlike Hoover, who relied on torture and intimidation to get information from and about criminals, Purvis was interested in new techniques in law enforcement that relied more on research. He was among the first to intercept phone calls, and when Dillinger left his coat behind after a bank robbery, he used a national network of Bureau contacts to track down where he bought it. "By the time they got Dillinger, he had to compromise himself and his own values so much by that point that he was questioning who is the real loser here," Christian Bale says.

Christian Bale researched his role with typical precision--reading, watching footage, and even asking the Purvis family endless questions. Purvis is portrayed as a methodical man of few words, who was ahead of his time. In this movie, he's like a quiet terminator on a mission, like the tortoise after the hare.

Funnily, because Purvis is always a step behind Dillinger throughout this movie, Christian Bale and Johnny were only in two scenes together. These two great actors met during a script reading but barely saw or spoke to each other while filming.

John Dillinger

John Dillinger was born into a lower middle class family in Mooresville, Indiana. In his youth, he got drunk, robbed a grocery store, and served nearly 10 years for it. "Dillinger's prison years was really a graduate school in bank robbery," Michael Mann says. "Dillinger, in a way, became a poster boy for the notion that criminals are made, not born, that criminality may have to do with personal characteristics but also with circumstances, with environment, with things that happen to you in your life."

Unlike Purvis, Dillinger was a charismatic people person. He understood how to work the press, which at the time glorified outlaws and their seemingly glamorous lifestyle. "He exploited the good press he got and knew how to manipulate the media to continue to get good press," Michael Mann says. "That was a great defense that meant that even though there might be a reward for him, people really kind of liked him and would think twice about betraying him. Dillinger was a folk hero to the majority of Americans."

During the Depression, most people blamed the banks for their financial woes and felt that Dillinger was acting out on their behalf. Everyone was also angry with the government for not coming to the aid of areas ravaged by dust storms and drought, fixing the financial crisis, and taking care of the homeless. They appreciated Dillinger's talent for making fools of those in charge. "He built himself into a legend," Johnny says. "I think Dillinger had some idea of what he was doing. I really believe he was at peace with the fact that it wasn't probably going to be a very long ride, but it was going to be a significant ride."

Jail time back then meant being completely cut off from the outside world. There were no TVs, radios, or other forms of contact to keep prisoners up to date. So, when Dillinger got out of jail, it was sensory overload just to be sitting in a modern car. What he knew about life on the outside came from watching movies. And, by that time, Dillinger was so popular that his lifestyle had become a theme in gangster movies. He was killed outside Chicago's Biograph theater, where he had just watched Manhattan Melodrama, a gangster film starring William Powell, Myrna Loy, and Clark Gable. Apparently, Clark Gable's gangster character is loosely based on Dillinger.

Johnny's performance in Public Enemies is fantastic! Being a performer who acts and improvises in the moment and always puts his own creative stamp on his characters, it must have been difficult for Johnny to work with a director like Michael Mann, who has an exact vision of what he wants to see in his film. "They should invent a word to describe it," Johnny says of Michael Mann's attention to detail. "Because it's not just details, it teeters on microscopic obsession with every molecule of the moment. You've got to salute that." The intensity on the set probably added to the great performance Johnny gives. You may not notice them amid all the stress and chasing and gunfire involved in Public Enemies, but Johnny's subtle moments and quiet scenes are my favorite. Michael Mann first noticed this quality when he saw Johnny on 21 Jump Street. (Yeah, 21 Jump Street!) "What was inherent in him were these deep currents of meaning, a sense of the unseen that's not necessarily demonstrative, but you sense darker currents," he says. "You sense the layered awareness behind his eyes."

When preparing for any role, Johnny always finds music that helps him connect to his characters. While working on Public Enemies, he constantly played "Nightmare" by Artie Shaw to stay in the mood. When I heard it, it seemed to be a  perfect match to the feel of the movie. What do you think?

Like Christian Bale, Johnny always researches his roles incessantly, especially when he's portraying a real person. For this one, he visited Dillinger's childhood home, a farmhouse in Mooresville, Indiana. When the movie came out, most of the media talked about how similar Johnny's background and physique were like Dillinger's. No, not the criminal part exactly, but Mooresville is about an hour away from Owensboro, Kentucky, where Johnny was born, so he already felt a familiarity. Because no audio recording of Dillinger's voice exists, the closest Johnny could get was to listen to Dillinger's dad. That voice sounded just like Johnny's own grandfather, so it wasn't hard to find that Southern drawl he uses for this role.

Johnny also went to The John Dillinger Museum, where he read Dillinger's letters and discovered that he fit into his own clothes. Dillinger is also one of those people that Johnny was fascinated with as a kid, so he already knew a lot about him. "Some people might disagree, but I think he was a real-life Robin Hood," Johnny says. "I mean, the guy wasn't completely altruistic, but he went out of his way not to kill anybody. He definitely gave a lot of that money away. I got a sneaking suspicion that he was probably a very lovable character. His choice of occupations was potentially questionable, although during that period, he was a man of the people."

Billie Frechette
Some of my favorite scenes in Public Enemies are those Johnny shares with Marion Cotillard. Billie Frechette was Dillinger's girlfriend for about six months before she was arrested for harboring her criminal boyfriend and sentenced to two years. Dillinger was killed while she was in jail. She was a waitress and singer since an early age. Of Native American and French descent, most of society looked down on her because of her Native American roots. But Dillinger saw what he liked and took it: As Michael Mann says, "Dillinger had no thoughts about the future until he meets Billie."

Although they are only in a few scenes together, I love the history and attitude that Marion Cotillard brought to her character. This role in Public Enemies is her first since her Oscar-winning performance in La Vie en Rose. The pressure was on, but Johnny put her at ease, and they got along great. "Marion really worked hard on that accent, and I think the way she speaks in the film adds so much to the personality of the character she plays," he says. "You can see why Dillinger fell in love with her so easily." Casting directors, I am waiting for Marion Cotillard and Johnny to work together again!

Hot off the presses: Dillinger is caught!
What surprises me about the '30s is how glamorized gangsters are, but I can see why, given the hard times everyone was experiencing. Dillinger was the leader and most liked among them all. Even Will Rogers joked about how Dillinger kept a step ahead of the FBI. When Dillinger is arrested, the media swoops in to capture his arrival for more jail time in Indiana.

Here, he addresses the press before heading to his cell. Reporters hang on every word he says, and the policemen seem just as pleased to host their new guest. (You'll find Norman, B.J., Simon, and Comet among them.) Sheriff Holley (Lili Taylor/Ashes), however, is having none of it. In the movie, she never actually makes the face that Ashes is making in this drawing, but I'm sure she's thinking it. Now, that's good acting!

Let's lighten things up a bit.

Aside from being a gangster, that same year, Johnny lent his voice to an episode of SpongeBob SquarePants called, "SpongeBob SquarePants vs. The Big One." At the time, Johnny and his son Jack were huge fans of the cartoon. (Maybe they still are.) In this episode, SpongeBob and his friends are swept out to sea by a tidal wave and left stranded on a tropical island. To get back home, they  need to learn how to surf. Their teacher, surfing guru Jack Kahuna Laguna, comes to the rescue! He is too cool for school and pretty hilarious. Remember, "Just breeeeaaatheee...."

What's next?
Johnny makes time to pay tribute to a dear friend in Terry Gilliam's The Imaginarium of Doctor Parnassus.

Image/music credits: Public Enemies images © Universal Pictures, John Dillinger's Wanted poster © unknown; "Nightmare" © Artie Shaw; SpongeBob SquarePants image © Nickelodeon, Melissa's Kitties iillustration © Melissa Connolly

Onomatopoeia

Shhh, listen....The Kitties are happy.

(Illustration Friday: September 27, 2013)